Notre-Dame de Paris by Victor Hugo (e reader for manga txt) ๐
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Esmeralda is a breathtaking beauty and attracts the attention of men all around her, including an actor, a captain, and an archdeacon, to whom she is of course forbidden. But because of a kindness she paid to him, there is one whose love for her is pure: the archdeaconโs bellringer. The actions of the archdeacon, who cannot control his lust for the young woman, ultimately draws all four men into her orbit, and his, with tragic consequences.
Hugoโs tragic novel is an ode to gothic architecture in general and that of Notre-Dame de Paris in particular. Hugo was upset both at the neglect of buildings like Notre-Dame, and the modernization of those that werenโt being neglected. By centering on the building, he was able to bring all classes into his story: from kings and nobles to bellringers and sewer rats. The first American translation changed the title to โThe Hunchback of Notre Dame,โ shifting attention to the bellringer, but Hugoโs focus was always on Notre-Dame and the beautiful gothic architecture of Paris.
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- Author: Victor Hugo
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This struck him as strange. He redoubled his attention. The movement seemed to be advancing towards the City. There was no light. It lasted for some time on the quay; then it gradually ceased, as though that which was passing were entering the interior of the island; then it stopped altogether, and the line of the quay became straight and motionless again.
At the moment when Quasimodo was lost in conjectures, it seemed to him that the movement had reappeared in the Rue du Parvis, which is prolonged into the city perpendicularly to the faรงade of Notre-Dame. At length, dense as was the darkness, he beheld the head of a column debouch from that street, and in an instant a crowdโ โof which nothing could be distinguished in the gloom except that it was a crowdโ โspread over the Place.
This spectacle had a terror of its own. It is probable that this singular procession, which seemed so desirous of concealing itself under profound darkness, maintained a silence no less profound. Nevertheless, some noise must have escaped it, were it only a trampling. But this noise did not even reach our deaf man, and this great multitude, of which he saw hardly anything, and of which he heard nothing, though it was marching and moving so near him, produced upon him the effect of a rabble of dead men, mute, impalpable, lost in a smoke. It seemed to him, that he beheld advancing towards him a fog of men, and that he saw shadows moving in the shadow.
Then his fears returned to him, the idea of an attempt against the gypsy presented itself once more to his mind. He was conscious, in a confused way, that a violent crisis was approaching. At that critical moment he took counsel with himself, with better and prompter reasoning than one would have expected from so badly organized a brain. Ought he to awaken the gypsy? to make her escape? Whither? The streets were invested, the church backed on the river. No boat, no issue!โ โThere was but one thing to be done; to allow himself to be killed on the threshold of Notre-Dame, to resist at least until succor arrived, if it should arrive, and not to trouble la Esmeraldaโs sleep. This resolution once taken, he set to examining the enemy with more tranquillity.
The throng seemed to increase every moment in the church square. Only, he presumed that it must be making very little noise, since the windows on the Place remained closed. All at once, a flame flashed up, and in an instant seven or eight lighted torches passed over the heads of the crowd, shaking their tufts of flame in the deep shade. Quasimodo then beheld distinctly surging in the Parvis a frightful herd of men and women in rags, armed with scythes, pikes, billhooks and partisans, whose thousand points glittered. Here and there black pitchforks formed horns to the hideous faces. He vaguely recalled this populace, and thought that he recognized all the heads who had saluted him as Pope of the Fools some months previously. One man who held a torch in one hand and a club in the other, mounted a stone post and seemed to be haranguing them. At the same time the strange army executed several evolutions, as though it were taking up its post around the church. Quasimodo picked up his lantern and descended to the platform between the towers, in order to get a nearer view, and to spy out a means of defence.
Clopin Trouillefou, on arriving in front of the lofty portal of Notre-Dame had, in fact, ranged his troops in order of battle. Although he expected no resistance, he wished, like a prudent general, to preserve an order which would permit him to face, at need, a sudden attack of the watch or the police. He had accordingly stationed his brigade in such a manner that, viewed from above and from a distance, one would have pronounced it the Roman triangle of the battle of Ecnomus, the boarโs head of Alexander or the famous wedge of Gustavus Adolphus. The base of this triangle rested on the back of the Place in such a manner as to bar the entrance of the Rue du Parvis; one of its sides faced Hรดtel-Dieu, the other the Rue Saint-Pierre-aux-Boeufs. Clopin Trouillefou had placed himself at the apex with the Duke of Egypt, our friend Jehan, and the most daring of the scavengers.
An enterprise like that which the vagabonds were now undertaking against Notre-Dame was not a very rare thing in the cities of the Middle Ages. What we now call the โpoliceโ did not exist then. In populous cities, especially in capitals, there existed no single, central, regulating power. Feudalism had constructed these great communities in a singular manner. A city was an assembly of a thousand seigneuries, which divided it into compartments of all shapes and sizes. Hence, a thousand conflicting establishments of police; that is to say, no police at all. In Paris, for example, independently of the hundred and forty-one lords who laid claim to a manor, there were five and twenty who laid claim to a manor and to administering justice, from the Bishop of Paris, who had five hundred streets, to the Prior of Notre-Dame des Champs, who had four. All these feudal justices recognized the suzerain authority of the king only in name. All possessed the right of control over the roads. All were at home. Louis XI, that indefatigable worker, who so largely began the demolition of the feudal edifice, continued by Richelieu and Louis XIV for the profit of royalty, and
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