Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
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Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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Mr. Hall, in answer to a question of Miss Helstoneâs as to what he thought of Louis Moore, replied promptly that he was the best fellow he had met with since he left Cambridge.
âBut he is so grave,â objected Caroline.
âGrave! the finest company in the world! Full of odd, quiet, out-of-the-way humour. Never enjoyed an excursion so much in my life as the one I took with him to the Lakes. His understanding and tastes are so superior, it does a man good to be within their influence; and as to his temper and nature, I call them fine.â
âAt Fieldhead he looks gloomy, and, I believe, has the character of being misanthropical.â
âOh! I fancy he is rather out of place thereâ âin a false position. The Sympsons are most estimable people, but not the folks to comprehend him. They think a great deal about form and ceremony, which are quite out of Louisâs way.â
âI donât think Miss Keeldar likes him.â
âShe doesnât know himâ âshe doesnât know him; otherwise she has sense enough to do justice to his merits.â
âWell, I suppose she doesnât know him,â mused Caroline to herself, and by this hypothesis she endeavoured to account for what seemed else unaccountable. But such simple solution of the difficulty was not left her long. She was obliged to refuse Miss Keeldar even this negative excuse for her prejudice.
One day she chanced to be in the schoolroom with Henry Sympson, whose amiable and affectionate disposition had quickly recommended him to her regard. The boy was busied about some mechanical contrivance; his lameness made him fond of sedentary occupation. He began to ransack his tutorâs desk for a piece of wax or twine necessary to his work. Moore happened to be absent. Mr. Hall, indeed, had called for him to take a long walk. Henry could not immediately find the object of his search. He rummaged compartment after compartment; and at last, opening an inner drawer, he came uponâ ânot a ball of cord or a lump of beeswax, but a little bundle of small marble-coloured cahiers, tied with tape. Henry looked at them. âWhat rubbish Mr. Moore stores up in his desk!â he said. âI hope he wonât keep my old exercises so carefully.â
âWhat is it?â
âOld copybooks.â
He threw the bundle to Caroline. The packet looked so neat externally her curiosity was excited to see its contents.
âIf they are only copybooks, I suppose I may open them?â
âOh yes, quite freely. Mr. Mooreâs desk is half mineâ âfor he lets me keep all sorts of things in itâ âand I give you leave.â
On scrutiny they proved to be French compositions, written in a hand peculiar but compact, and exquisitely clean and clear. The writing was recognizable. She scarcely needed the further evidence of the name signed at the close of each theme to tell her whose they were. Yet that name astonished herâ ââShirley Keeldar, Sympson Grove, âžșâ shireâ (a southern county), and a date four years back.
She tied up the packet, and held it in her hand, meditating over it. She half felt as if, in opening it, she had violated a confidence.
âThey are Shirleyâs, you see,â said Henry carelessly.
âDid you give them to Mr. Moore? She wrote them with Mrs. Pryor, I suppose?â
âShe wrote them in my schoolroom at Sympson Grove, when she lived with us there. Mr. Moore taught her French; it is his native language.â
âI know. Was she a good pupil, Henry?â
âShe was a wild, laughing thing, but pleasant to have in the room. She made lesson-time charming. She learned fastâ âyou could hardly tell when or how. French was nothing to her. She spoke it quick, quickâ âas quick as Mr. Moore himself.â
âWas she obedient? Did she give trouble?â
âShe gave plenty of trouble, in a way. She was giddy, but I liked her. Iâm desperately fond of Shirley.â
âDesperately fondâ âyou small simpleton! You donât know what you say.â
âI am desperately fond of her. She is the light of my eyes. I said so to Mr. Moore last night.â
âHe would reprove you for speaking with exaggeration.â
âHe didnât. He never reproves and reproves, as girlsâ governesses do. He was reading, and he only smiled into his book, and said that if Miss Keeldar was no more than that, she was less than he took her to be; for I was but a dim-eyed, shortsighted little chap. Iâm afraid I am a poor unfortunate, Miss Caroline Helstone. I am a cripple, you know.â
âNever mind, Henry, you are a very nice little fellow; and if God has not given you health and strength, He has given you a good disposition and an excellent heart and brain.â
âI shall be despised. I sometimes think both Shirley and you despise me.â
âListen, Henry. Generally, I donât like schoolboys. I have a great horror of them. They seem to me little ruffians, who take an unnatural delight in killing and tormenting birds, and insects, and kittens, and whatever is weaker than themselves. But you are so different I am quite fond of you. You have almost as much sense as a man (far more, God wot,â she muttered to herself, âthan many men); you are fond of reading, and you can talk sensibly about what you read.â
âI am fond of reading. I know I have sense, and I know I have feeling.â
Miss Keeldar here entered.
âHenry,â she said, âI have brought your lunch here. I shall prepare it for you myself.â
She placed on the table a glass of new milk, a plate of something which looked not unlike leather, and a utensil which resembled a toasting-fork.
âWhat
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