Table-Talk by William Hazlitt (best pdf reader for ebooks txt) 📕
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William Hazlitt was a well-regarded critic and essayist in his day, and Table-Talk, a collection of some of his more popular short essays, is perhaps his best-remembered work.
The essays themselves range in subject from philosophy, to art, to literature, culture, society, and politics, with titles like “On the Pleasures of Painting” and “On Corporate Bodies.” Hazlitt’s intimate style and deep familiarity with many different aspects of art culture (not only was he a literary success, but he studied under Joshua Reynolds to be a portrait painter) make his essays fascinating multi-disciplinary reads.
Table-Talk was originally published in two separate volumes, and, largely due to Hazlitt’s political activism, was received poorly by his contemporaries. Today it’s considered one of his masterpieces.
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- Author: William Hazlitt
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Troja fuit. ↩
Mr. Canning’s Speech at the Liverpool Dinner, Given in Celebration of His Reelection, March 18, 1820. Fourth edition, revised and corrected. ↩
“If a European, when he has cut off his beard and put false hair on his head, or bound up his own natural hair in regular hard knots, as unlike nature as he could possibly make it; and after having rendered them immovable by the help of the fat of hogs, has covered the whole with flour, laid on by a machine with the utmost regularity; if when thus attired he issues forth, and meets with a Cherokee Indian, who has bestowed as much time at his toilet, and laid on with equal care and attention his yellow and red ocher on particular parts of his forehead or cheeks, as he judges most becoming; whoever of these two despises the other for this attention to the fashion of his country, whichever first feels himself provoked to laugh, is the barbarian.” —Sir Joshua Reynolds’s Discourses, Volume I, pp. 231–232 ↩
This name was originally spelt “Braughton” in the manuscript, and was altered to “Branghton” by a mistake of the printer. Branghton, however, was thought a good name for the occasion and was suffered to stand. “Dip it in the ocean,” as Sterne’s barber says of the buckle, “and it will stand!” ↩
A lady of quality, in allusion to the gallantries of a reigning prince, being told, “I suppose it will be your turn next?” said, “No, I hope not; for you know it is impossible to refuse!” ↩
GertrudeFor the passion of patience, look if Sir Petronel approach. That sweet, that fine, that delicate, that—for love’s sake, tell me if he come. Oh, sister Mill, though my father be a low-capt tradesman, yet I must be a lady, and I praise God my mother must call me madam. Does he come? Off with this gown for shame’s sake, off with this gown! Let not my knight take me in the city cut, in any hand! Tear’t! Pox on’t (does he come?), tear’t off! Thus while she sleeps, I sorrow for her sake. Sings.
MildredLord, sister, with what an immodest impatiency and disgraceful scorn do you put off your city-tire! I am sorry to think you imagine to right yourself in wronging that which hath made both you and us.
GertrudeI tell you, I cannot endure it: I must be a lady: do you wear your coif with a London licket! your stamel petticoat with two guards! the buffin gown with the tuftafitty cap and the velvet lace! I must be a lady, and I will be a lady. I like some humours of the city dames well; to eat cherries only at an angel a pound; good: to dye rich scarlet black; pretty: to line a grogram gown clean through with velvet; tolerable: their pure linen, their smocks of three pound a smock, are to be borne withal: but your mincing niceries, taffity pipkins, durance petticoats, and silver bodkins—God’s my life! as I shall be a lady, I cannot endure it.
MildredWell, sister, those that scorn their nest oft fly with a sick wing.
GertrudeBow-bell! Alas! poor Mill, when I am a lady, I’ll pray for thee yet i’faith; nay, and I’ll vouchsafe to call thee sister Mill still; for thou art not like to be a lady as I am, yet surely thou art a creature of God’s making, and may’st peradventure be saved as soon as I (does he come?). And ever and anon she doubled in her song.
MildredNow (lady’s my comfort), what a profane ape’s here!
Enter Sir Petronel Flash, Mr. Touchstone, and Mrs. Touchstone. GertrudeIs my knight come? O the lord, my band! Sister, do my cheeks look well? Give me a little box o’ the ear, that I may seem to blush. Now, now! so, there, there! here he is! O my dearest
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