Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âNot at all. It is nothing so dignifiedâ âmerely nervous. Oh! dismiss the topic.â
âWhen it is exhausted; not till then. Nervous alarms should always be communicated, that they may be dissipated. I wish I had the gift of persuasion, and could incline you to speak willingly. I believe confession, in your case, would be half equivalent to cure.â
âNo,â said Shirley abruptly. âI wish that were at all probable; but I am afraid it is not.â
She suspended her work a moment. She was now seated. Resting her elbow on the table, she leaned her head on her hand. Mr. Moore looked as if he felt he had at last gained some footing in this difficult path. She was serious, and in her wish was implied an important admission; after that she could no longer affirm that nothing ailed her.
The tutor allowed her some minutes for repose and reflection ere he returned to the charge. Once his lips moved to speak, but he thought better of it, and prolonged the pause. Shirley lifted her eye to his. Had he betrayed injudicious emotion, perhaps obstinate persistence in silence would have been the result; but he looked calm, strong, trustworthy.
âI had better tell you than my aunt,â she said, âor than my cousins, or my uncle. They would all make such a bustle, and it is that very bustle I dreadâ âthe alarm, the flurry, the Ă©clat. In short, I never liked to be the centre of a small domestic whirlpool. You can bear a little shockâ âeh?â
âA great one, if necessary.â
Not a muscle of the manâs frame moved, and yet his large heart beat fast in his deep chest. What was she going to tell him? Was irremediable mischief done?
âHad I thought it right to go to you, I would never have made a secret of the matter one moment,â she continued. âI would have told you at once, and asked advice.â
âWhy was it not right to come to me?â
âIt might be rightâ âI do not mean that; but I could not do it. I seemed to have no title to trouble you. The mishap concerned me only. I wanted to keep it to myself, and people will not let me. I tell you, I hate to be an object of worrying attention, or a theme for village gossip. Besides, it may pass away without resultâ âGod knows!â
Moore, though tortured with suspense, did not demand a quick explanation. He suffered neither gesture, glance, nor word to betray impatience. His tranquillity tranquillized Shirley; his confidence reassured her.
âGreat effects may spring from trivial causes,â she remarked, as she loosened a bracelet from her wrist. Then, unfastening her sleeve, and partially turning it up, âLook here, Mr. Moore.â
She showed a mark in her white armâ ârather a deep though healed-up indentationâ âsomething between a burn and a cut.
âI would not show that to anyone in Briarfield but you, because you can take it quietly.â
âCertainly there is nothing in the little mark to shock. Its history will explain.â
âSmall as it is, it has taken my sleep away, and made me nervous, thin, and foolish; because, on account of that little mark, I am obliged to look forward to a possibility that has its terrors.â
The sleeve was readjusted, the bracelet replaced.
âDo you know that you try me?â he said, smiling. âI am a patient sort of man, but my pulse is quickening.â
âWhatever happens, you will befriend me, Mr. Moore? You will give me the benefit of your self-possession, and not leave me at the mercy of agitated cowards?â
âI make no promise now. Tell me the tale, and then exact what pledge you will.â
âIt is a very short tale. I took a walk with Isabella and Gertrude one day, about three weeks ago. They reached home before me; I stayed behind to speak to John. After leaving him, I pleased myself with lingering in the lane, where all was very still and shady. I was tired of chattering to the girls, and in no hurry to rejoin them. As I stood leaning against the gate-pillar, thinking some very happy thoughts about my future lifeâ âfor that morning I imagined that events were beginning to turn as I had long wished them to turnâ ââ
âAh! Nunnely had been with her the evening before!â thought Moore parenthetically.
âI heard a panting sound; a dog came running up the lane. I know most of the dogs in this neighbourhood. It was Phoebe, one of Mr. Sam Wynneâs pointers. The poor creature ran with her head down, her tongue hanging out; she looked as if bruised and beaten all over. I called her. I meant to coax her into the house and give her some water and dinner. I felt sure she had been ill-used. Mr. Sam often flogs his pointers cruelly. She was too flurried to know me; and when I attempted to pat her head, she turned and snatched at my arm. She bit it so as to draw blood, then ran panting on. Directly after, Mr. Wynneâs keeper came up, carrying a gun. He asked if I had seen a dog. I told him I had seen Phoebe.
âââYou had better chain up Tartar, maâam,â he said, âand tell your people to keep within the house. I am after Phoebe to shoot her, and the groom is gone another way. She is raging mad.âââ
Mr. Moore leaned back in his chair and folded his arms across his chest. Miss Keeldar resumed her square of silk canvas, and continued the creation of a wreath of Parmese violets.
âAnd you told no one, sought no help, no cure? You would not come to me?â
âI got as far as the schoolroom door; there my courage failed. I preferred to cushion the matter.â
âWhy? What can I demand better in this world than to be of use to you?â
âI had no claim.â
âMonstrous! And you did nothing?â
âYes. I walked straight into the laundry, where they are ironing most
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