Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âYou are so grave; you have such a square brow; and your face is sallow. I never regard you as a young man, nor as Robertâs junior.â
âDonât you? I thought not. Imagine Robertâs clear-cut, handsome face looking over my shoulder. Does not the apparition make vividly manifest the obtuse mould of my heavy traits? There!â (he started), âI have been expecting that wire to vibrate this last half-hour.â
The dinner-bell rang, and Shirley rose.
âMr. Moore,â she said, as she gathered up her silks, âhave you heard from your brother lately? Do you know what he means by staying in town so long? Does he talk of returning?â
âHe talks of returning; but what has caused his long absence I cannot tell. To speak the truth, I thought none in Yorkshire knew better than yourself why he was reluctant to come home.â
A crimson shadow passed across Miss Keeldarâs cheek.
âWrite to him and urge him to come,â she said. âI know there has been no impolicy in protracting his absence thus far. It is good to let the mill stand, while trade is so bad; but he must not abandon the county.â
âI am aware,â said Louis, âthat he had an interview with you the evening before he left, and I saw him quit Fieldhead afterwards. I read his countenance, or tried to read it. He turned from me. I divined that he would be long away. Some fine, slight fingers have a wondrous knack at pulverizing a manâs brittle pride. I suppose Robert put too much trust in his manly beauty and native gentlemanhood. Those are better off who, being destitute of advantage, cannot cherish delusion. But I will write, and say you advise his return.â
âDo not say I advise his return, but that his return is advisable.â
The second bell rang, and Miss Keeldar obeyed its call.
XXIX Louis MooreLouis Moore was used to a quiet life. Being a quiet man, he endured it better than most men would. Having a large world of his own in his own head and heart, he tolerated confinement to a small, still corner of the real world very patiently.
How hushed is Fieldhead this evening! All but Mooreâ âMiss Keeldar, the whole family of the Sympsons, even Henryâ âare gone to Nunnely. Sir Philip would have them come; he wished to make them acquainted with his mother and sisters, who are now at the priory. Kind gentleman as the baronet is, he asked the tutor too; but the tutor would much sooner have made an appointment with the ghost of the Earl of Huntingdon to meet him, and a shadowy ring of his merry men, under the canopy of the thickest, blackest, oldest oak in Nunnely Forest. Yes, he would rather have appointed tryst with a phantom abbess, or mist-pale nun, among the wet and weedy relics of that ruined sanctuary of theirs, mouldering in the core of the wood. Louis Moore longs to have something near him tonight; but not the boy-baronet, nor his benevolent but stern mother, nor his patrician sisters, nor one soul of the Sympsons.
This night is not calm; the equinox still struggles in its storms. The wild rains of the day are abated; the great single cloud disparts and rolls away from heaven, not passing and leaving a sea all sapphire, but tossed buoyant before a continued, long-sounding, high-rushing moonlight tempest. The moon reigns glorious, glad of the gale, as glad as if she gave herself to his fierce caress with love. No Endymion will watch for his goddess tonight. There are no flocks out on the mountains; and it is well, for tonight she welcomes Aeolus.
Moore, sitting in the schoolroom, heard the storm roar round the other gable and along the hall-front. This end was sheltered. He wanted no shelter; he desired no subdued sounds or screened position.
âAll the parlours are empty,â said he. âI am sick at heart of this cell.â
He left it, and went where the casements, larger and freer than the branch-screened lattice of his own apartment, admitted unimpeded the dark-blue, the silver-fleeced, the stirring and sweeping vision of the autumn night-sky. He carried no candle; unneeded was lamp or fire. The broad and clear though cloud-crossed and fluctuating beam of the moon shone on every floor and wall.
Moore wanders through all the rooms. He seems following a phantom from parlour to parlour. In the oak room he stops. This is not chill, and polished, and fireless like the salon. The hearth is hot and ruddy; the cinders tinkle in the intense heat of their clear glow; near the rug is a little worktable, a desk upon it, a chair near it.
Does the vision Moore has tracked occupy that chair? You would think so, could you see him standing before it. There is as much interest now in his eye, and as much significance in his face, as if in this household solitude he had found a living companion, and was going to speak to it.
He makes discoveries. A bagâ âa small satin bagâ âhangs on the chair-back. The desk is open, the keys are in the lock. A pretty seal, a silver pen, a crimson berry or two of ripe fruit on a green leaf, a small, clean, delicate gloveâ âthese trifles at once decorate and disarrange the stand they strew. Order forbids details in a pictureâ âshe puts them tidily away; but details give charm.
Moore spoke.
âHer mark,â he said. âHere she has beenâ âcareless, attractive thing!â âcalled away in haste, doubtless, and forgetting to return and put all to rights. Why does she leave fascination in her footprints? Whence did she acquire the gift to be heedless and never offend? There is always something to chide in her, and the reprimand never settles in displeasure on the heart, but, for her lover or her husband, when
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