Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
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Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âI have called her careless. It is remarkable that her carelessness never compromises her refinement. Indeed, through this very loophole of character, the reality, depth, genuineness of that refinement may be ascertained. A whole garment sometimes covers meagreness and malformation; through a rent sleeve a fair round arm may be revealed. I have seen and handled many of her possessions, because they are frequently astray. I never saw anything that did not proclaim the ladyâ ânothing sordid, nothing soiled. In one sense she is as scrupulous as, in another, she is unthinking. As a peasant girl, she would go ever trim and cleanly. Look at the pure kid of this little glove, at the fresh, unsullied satin of the bag.
âWhat a difference there is between S. and that pearl C. H.! Caroline, I fancy, is the soul of conscientious punctuality and nice exactitude. She would precisely suit the domestic habits of a certain fastidious kinsman of mineâ âso delicate, dexterous, quaint, quick, quietâ âall done to a minute, all arranged to a strawbreadth. She would suit Robert. But what could I do with anything so nearly faultless? She is my equal, poor as myself. She is certainly pretty: a little Raphael head hersâ âRaphael in feature, quite English in expression, all insular grace and purity; but where is there anything to alter, anything to endure, anything to reprimand, to be anxious about? There she is, a lily of the valley, untinted, needing no tint. What change could improve her? What pencil dare to paint? My sweetheart, if I ever have one, must bear nearer affinity to the roseâ âa sweet, lively delight guarded with prickly peril. My wife, if I ever marry, must stir my great frame with a sting now and then; she must furnish use to her husbandâs vast mass of patience. I was not made so enduring to be mated with a lamb; I should find more congenial responsibility in the charge of a young lioness or leopardess. I like few things sweet but what are likewise pungentâ âfew things bright but what are likewise hot. I like the summer day, whose sun makes fruit blush and corn blanch. Beauty is never so beautiful as when, if I tease it, it wreathes back on me with spirit. Fascination is never so imperial as when, roused and half ireful, she threatens transformation to fierceness. I fear I should tire of the mute, monotonous innocence of the lamb; I should ere long feel as burdensome the nestling dove which never stirred in my bosom; but my patience would exult in stilling the flutterings and training the energies of the restless merlin. In managing the wild instincts of the scarce manageable bĂȘte fauve my powers would revel.
âO my pupil! O Peri! too mutinous for heaven, too innocent for hell, never shall I do more than see, and worship, and wish for thee. Alas! knowing I could make thee happy, will it be my doom to see thee possessed by those who have not that power?
âHowever kindly the hand, if it is feeble, it cannot bend Shirley; and she must be bent. It cannot curb her; and she must be curbed.
âBeware, Sir Philip Nunnely! I never see you walking or sitting at her side, and observe her lips compressed, or her brow knit, in resolute endurance of some trait of your character which she neither admires nor likes, in determined
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