Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âWell, you have Caroline Helstone.â
âYes. And you have Mr. Hall.â
âYes. Mrs. Pryor is a wise, good woman. She can counsel you when you need counsel.â
âFor your part, you have your brother Robert.â
âFor any right-hand defections, there is the Rev. Matthewson Helstone, M.A., to lean upon; for any left-hand fallings-off there is Hiram Yorke, Esq. Both elders pay you homage.â
âI never saw Mrs. Yorke so motherly to any young man as she is to you. I donât know how you have won her heart, but she is more tender to you than she is to her own sons. You have, besides, your sister Hortense.â
âIt appears we are both well provided.â
âIt appears so.â
âHow thankful we ought to be!â
âYes.â
âHow contented!â
âYes.â
âFor my part, I am almost contented just now, and very thankful. Gratitude is a divine emotion. It fills the heart, but not to bursting; it warms it, but not to fever. I like to taste leisurely of bliss. Devoured in haste, I do not know its flavour.â
Still leaning on the back of Miss Keeldarâs chair, Moore watched the rapid motion of her fingers, as the green and purple garland grew beneath them. After a prolonged pause, he again asked, âIs the shadow quite gone?â
âWholly. As I was two hours since, and as I am now, are two different states of existence. I believe, Mr. Moore, griefs and fears nursed in silence grow like Titan infants.â
âYou will cherish such feelings no more in silence?â
âNot if I dare speak.â
âIn using the word âdare,â to whom do you allude?â
âTo you.â
âHow is it applicable to me?â
âOn account of your austerity and shyness.â
âWhy am I austere and shy?â
âBecause you are proud.â
âWhy am I proud?â
âI should like to know. Will you be good enough to tell me?â
âPerhaps, because I am poor, for one reason. Poverty and pride often go together.â
âThat is such a nice reason. I should be charmed to discover another that would pair with it. Mate that turtle, Mr. Moore.â
âImmediately. What do you think of marrying to sober Poverty many-tinted Caprice?â
âAre you capricious?â
âYou are.â
âA libel. I am steady as a rock, fixed as the polar star.â
âI look out at some early hour of the day, and see a fine, perfect rainbow, bright with promise, gloriously spanning the beclouded welkin of life. An hour afterwards I look again: half the arch is gone, and the rest is faded. Still later, the stern sky denies that it ever wore so benign a symbol of hope.â
âWell, Mr. Moore, you should contend against these changeful humours. They are your besetting sin. One never knows where to have you.â
âMiss Keeldar, I had once, for two years, a pupil who grew very dear to me. Henry is dear, but she was dearer. Henry never gives me trouble; sheâ âwell, she did. I think she vexed me twenty-three hours out of the twenty-fourâ ââ
âShe was never with you above three hours, or at the most six at a time.â
âShe sometimes spilled the draught from my cup, and stole the food from my plate; and when she had kept me unfed for a day (and that did not suit me, for I am a man accustomed to take my meals with reasonable relish, and to ascribe due importance to the rational enjoyment of creature comforts)â ââ
âI know you do. I can tell what sort of dinners you like bestâ âperfectly well. I know precisely the dishes you preferâ ââ
âShe robbed these dishes of flavour, and made a fool of me besides. I like to sleep well. In my quiet days, when I was my own man, I never quarrelled with the night for being long, nor cursed my bed for its thorns. She changed all this.â
âMr. Mooreâ ââ
âAnd having taken from me peace of mind and ease of life, she took from me herselfâ âquite coolly, just as if, when she was gone, the world would be all the same to me. I knew I should see her again at some time. At the end of two years, it fell out that we encountered again under her own roof, where she was mistress. How do you think she bore herself towards me, Miss Keeldar?â
âLike one who had profited well by lessons learned from yourself.â
âShe received me haughtily. She meted out a wide space between us, and kept me aloof by the reserved gesture, the rare and alienated glance, the word calmly civil.â
âShe was an excellent pupil! Having seen you distant, she at once learned to withdraw. Pray, sir, admire in her hauteur a careful improvement on your own coolness.â
âConscience, and honour, and the most despotic necessity dragged me apart from her, and kept me sundered with ponderous fetters. She was free: she might have been clement.â
âNever free to compromise her self-respect, to seek where she had been shunned.â
âThen she was inconsistent; she tantalized as before. When I thought I had made up my mind to seeing in her only a lofty stranger, she would suddenly show me such a glimpse of loving simplicityâ âshe would warm me with such a beam of reviving sympathy, she would gladden an hour with converse so gentle, gay, and kindlyâ âthat I could no more shut my heart on her image than I could close that door against her presence. Explain why she distressed me so.â
âShe could not bear to be quite outcast; and then she would sometimes get a notion into her head, on a cold, wet day, that the schoolroom was no cheerful place, and feel it incumbent on her to go and see if you and Henry kept up a good fire; and once there, she liked to stay.â
âBut she should not be changeful. If she came at all, she should come oftener.â
âThere is such a thing as intrusion.â
âTomorrow you will not be as you are today.â
âI donât know. Will you?â
âI am not mad, most noble Berenice! We may give one day to dreaming, but the next we must awake; and I shall awake to purpose the morning you are married to Sir Philip Nunnely. The fire shines on you and me, and shows us very
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