The Worm Ouroboros by E. R. Eddison (nonfiction book recommendations TXT) ๐
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The Worm Ouroboros is considered to be one of the foundational texts of the high fantasy genre, influencing later authors like J. R. R. Tolkien, C. S. Lewis, Ursula K. Leguin, and James Branch Cabell. It is most frequently compared to The Lord of the Rings in its epic scope set against a medieval, magic-laced backdropโa world called โMiddle Earthโ by Eddison, thirty-two years before Tolkienโsโand in its almost mythical portrayal of larger-than-life heroes and villains.
The plot begins simply enough: The Lords of Demonland, a group of heroic warriors enjoying a strained peace, are called upon by an emissary of the warlock king of Witchland, Gorice XI. The emissary demands that Demonland submit to the King of Witchlandโbut the proud Demons refuse, setting off an epic war that spans their entire world. The heroic struggles of the Demons and their allies against the Witches reflect the circular nature of human history: the snake eating its own tail of the title.
The novel is written in a purposefully archaic, almost Jacobean style. The rich, surprising vocabulary and unusual spelling are testaments to Eddisonโs expertise at reading and translating medieval-era texts. To this day, it remains perhaps unique in fantasy literature in the accuracy and precision of its highly affected prose style, perhaps matched only by the out-of-time strangeness of the prose in Hodgsonโs The Night Land. But where critics often find The Night Landโs prose obtuse and difficult, they have nothing but praise for Eddisonโs beautiful, quotable style.
Eddison had already imagined the story and its heroes as a child, and drawings he made as a youth of events in the book are preserved in the Bodleian library. While the novel is without a doubt the work of a mature and skilled writer, and while some of the events and characters are portrayed differently in the novel than they were in his youthful sketches, the names of many of the characters and places remain unchanged. Some of his contemporaries, like Tolkien, wondered about the strange naming style; others criticized it as taking away from the more serious subject matter.
The Worm Ouroboros remains one of the most influential works in the high fantasy genre to this day, and traces of the foundation it laid can be still be found in genre books a century after its publication.
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- Author: E. R. Eddison
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The thunder took form so that music was in the heavens, filling earth and sky as with trumpets calling to battle, first high, then low, then shuddering down to silence. Juss and Brandoch Daha knew it for that great call to battle which had preluded that music in the dark night without her palace, in Koshtra Belorn, when first they stood before her portal divine. The great call went again through earth and air, sounding defiance; and in its train new voices, groping in darkness, rising to passionate lament, hovering, and dying away on the wind, till nought remained but a roll of muffled thunder, long, low, quiet, big with menace.
The Queen turned to Lord Juss. Surely her eyes were like two stars shining in the gloom. She said in a drowned voice, โThy perspectives, my lord.โ
So the Lord Juss made a fire of certain spices and herbs, and smoke rose in a thick cloud full of fiery sparks, with a sweet sharp smell. And he said, โNot we, O my Lady, lest our desires cheat our senses. But look thou in my perspectives through the smoke, and say unto us what thou shalt behold in the east beyond the unharvested sea.โ
The Queen looked. And she said, โI behold a harbour town and a sluggish river coming down to the harbour through a mere set about with mud flats, and a great waste of fen stretching inland from the sea. Inland, by the river side, I behold a great bluff standing above the fens. And walls about the bluff, as it were a citadel. And the bluff and the walled hold perched thereon are black like old night, and like throned iniquity sitting in the place of power, darkening the desolation of that fen.โ
Juss said, โAre the walls thrown down? Or is not the great round tower southwestward thrown down in ruin athwart the walls?โ
She said, โAll is whole and sound as the walls of thine own castle, my lord.โ
Juss said, โTurn the crystal, O Queen, that thou mayest see within the walls if any persons be therein, and tell us their shape and seeming.โ
The Queen was silent for a space, gazing earnestly in the crystal. Then she said, โI see a banquet hall with walls of dark green jasper speckled with red, and a massy cornice borne up by giants three-headed carved in black serpentine; and each giant is bowed beneath the weight of a huge crab-fish. The hall is seven-sided. Two long tables there be and a cross-bench. There be iron braziers in the midst of the hall and flamboys burning in silver stands, and revellers quaffing at the long tables. Some dark young men black of brow and great of jaw, most soldier-like, brothers mayhap. Another with them, ruddy of countenance and kindlier to look on, with long brown moustachios. Another that weareth a brazen byrnie and sea-green kirtle; an old man he, with sparse gray whiskers and flabby cheeks; fat and unwieldy; not a comely old man to look upon.โ
She ceased speaking, and Juss said, โWhom seest thou else in the banquet hall, O Queen?โ
She said, โThe flare of the flamboys hideth the cross-bench. I will turn the crystal again. Now I behold two diverting themselves with dice at the table before the cross-bench. One is well-looking enough, well knit, of a noble port, with curly brown hair and beard and keen eyes like a sailor. The other seemeth younger in years, younger than any of you, my lords. He is smooth shaved, of a fresh complexion and fair curling hair, and his brow is wreathed with a festal garland. A most big broad strong and seemly young man. Yet is there a somewhat maketh me ill at ease beholding him; and for all his fair countenance and royal bearing he seemeth displeasing in mine eyes.
โThere is a damosel there too, watching them while they play. Showily dressed she is, and hath some beauty. Yet scarce can I commend herโ โโ and, ill at ease on a sudden, the Queen suddenly put down the crystal.
The eye of Lord Brandoch Daha twinkled, but he kept silence. Lord Juss said, โMore, I entreat thee, O Queen, ere the reek be gone and the vision fade. If this be all within the banquet hall, seest thou nought without?โ
Queen Sophonisba looked again, and in a while said, โThere is a terrace facing to the west under the inner wall of that fortress of old night, and walking on it in the torchlight a man crowned like a King. Very tall he is: lean of body, and long of limb. He weareth a black doublet bedizened oโer with diamonds, and his crown is in the figure of a crab-fish, and the jewels thereof outface the sun in splendour. But scarce may I mark his apparel for looking on the face of him, which is more terrible than the face of any man that ever I saw. And the whole aspect of the man is full of darkness and power and terror and stern command, that spirits from below earth must tremble at and do his bidding.โ
Juss said, โHeaven forfend that this should prove but a sweet and golden dream, and we wake tomorrow to find it flown.โ
โThere walketh with him,โ said the Queen, โin intimate converse, as of a servant talking to his lord, one with a long black beard curly as the sheepโs wool and glossy as the ravenโs wing. Pale he is as the moon in daylight hours, slender, with fine-cut features and great dark eyes, and his nose hooked like a reaping-hook; gentle-looking and melancholy-looking, yet noble.โ
Lord Brandoch Daha said, โSeest thou none, O Queen, in the lodgings that be in the eastern gallery above the
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