The Worm Ouroboros by E. R. Eddison (nonfiction book recommendations TXT) 📕
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The Worm Ouroboros is considered to be one of the foundational texts of the high fantasy genre, influencing later authors like J. R. R. Tolkien, C. S. Lewis, Ursula K. Leguin, and James Branch Cabell. It is most frequently compared to The Lord of the Rings in its epic scope set against a medieval, magic-laced backdrop—a world called “Middle Earth” by Eddison, thirty-two years before Tolkien’s—and in its almost mythical portrayal of larger-than-life heroes and villains.
The plot begins simply enough: The Lords of Demonland, a group of heroic warriors enjoying a strained peace, are called upon by an emissary of the warlock king of Witchland, Gorice XI. The emissary demands that Demonland submit to the King of Witchland—but the proud Demons refuse, setting off an epic war that spans their entire world. The heroic struggles of the Demons and their allies against the Witches reflect the circular nature of human history: the snake eating its own tail of the title.
The novel is written in a purposefully archaic, almost Jacobean style. The rich, surprising vocabulary and unusual spelling are testaments to Eddison’s expertise at reading and translating medieval-era texts. To this day, it remains perhaps unique in fantasy literature in the accuracy and precision of its highly affected prose style, perhaps matched only by the out-of-time strangeness of the prose in Hodgson’s The Night Land. But where critics often find The Night Land’s prose obtuse and difficult, they have nothing but praise for Eddison’s beautiful, quotable style.
Eddison had already imagined the story and its heroes as a child, and drawings he made as a youth of events in the book are preserved in the Bodleian library. While the novel is without a doubt the work of a mature and skilled writer, and while some of the events and characters are portrayed differently in the novel than they were in his youthful sketches, the names of many of the characters and places remain unchanged. Some of his contemporaries, like Tolkien, wondered about the strange naming style; others criticized it as taking away from the more serious subject matter.
The Worm Ouroboros remains one of the most influential works in the high fantasy genre to this day, and traces of the foundation it laid can be still be found in genre books a century after its publication.
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- Author: E. R. Eddison
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The Queen answered, “I see a lofty bedchamber hung with arras. It is dark, save for two branching candlesticks of lights burning before a great mirror. I see a lady standing before the mirror, crowned with a queen’s crown of purple amethysts on her deep hair that hath the colour of the tipmost tongues of a flame. A man cometh through the door behind her, parting the heavy hangings left and right. A big man he is, and looketh like a king, in his great wolfskin mantle and his kirtle of russet velvet with ornaments of gold. His bald head set about with grizzled curls and his bushy beard flecked with gray speak him something past his prime; but the light of youth burns in his eager eyes and the vigour of youth is in his tread. She turneth to greet him. Tall she is, and young she is, and beautiful, and proud-faced, and sweet-faced, and most gallant-hearted too, and merry of heart too, if her looks belie her not.”
Queen Sophonisba covered her eyes, saying, “My lords, I see no more. The crystal curdles within like foam in a whirlpool under a high force in rainy weather. Mine eyes grow sore with watching. Let us row back, for the night is far spent and I am weary.”
But Juss stayed her and said, “Let me dream yet awhile. The double pillar of the world, that member thereof which we, blind instruments of inscrutable Heaven, did shatter, restored again? From this time forth to maintain, I and he, his and mine, ageless and deathless forever, forever our high contention whether he or we should be great masters of all the earth? If this be but phantoms, O Queen, thou’st ’ticed us to the very heart of bitterness. This we could have missed, unseen and unimagined: but not now. Yet how were it possible the Gods should relent and the years return?”
But the Queen spake, and her voice was like the falling shades of evening, pulsing with hidden splendour, as of a sense of wakening starlight alive behind the fading blue. “This King,” she said, “in the wickedness of his impious pride did wear on his thumb the likeness of that worm Ouroboros, as much as to say his kingdom should never end. Yet was he, when the appointed hour did come, thundered down into the depths of Hell. And if now he be raised again and his days continued, ’tis not for his virtue but for your sake, my lords, whom the Almighty Gods do love. Therefore I pray you possess your hearts awhile with humility before the most high Gods, and speak no unprofitable words. Let us row back.”
Dawn came golden-fingered, but the lords of Demonland lay along abed after their watch in the night. About the third hour before noon, the presence was filled in the high presence chamber, and the three brethren sat upon their thrones, as four years ago they sat, between the golden hippogriffs, and beside them were thrones set for Queen Sophonisba and Lord Brandoch Daha. All else of beauty and splendour in Galing Castle had the Queen beheld, but not till now this presence chamber; and much she marvelled at its matchless beauties and rarities, the hangings and the carvings on the walls, the fair pictures, the lamps of moonstone and escarbuncle self-effulgent, the monsters on the four-and-twenty pillars, carved in precious stones so great that two men might scarce circle them with their arms, and the constellations burning in that firmament of lapis lazuli below the golden canopy. And when they drank unto Lord Juss the cup of glory to be, wishing him long years and joy and greatness forever more, the Queen took a little cithern saying, “O my lord, I will sing a sonnet to thee and to you my lords and to seagirt Demonland.” So saying, she smote the strings, and sang in that crystal voice of hers, so true and delicate that all that were in that hall were ravished by its beauty:
“Shall I compare thee to a Summers day?
Thou art more lovely and more temperate:
Rough windes do shake the darling buds of Maie,
And Sommers lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimn’d;
And every faire from faire sometime declines,
By chance or natures changing course untrim’d;
But thy eternall Sommer shall not fade
Nor loose possession of that faire thou ow’st;
Nor shall Death brag thou wandr’st in his shade.
When in eternall lines to time thou grow’st:
So long as men can breath, or eyes can see,
So long lives this, and this gives life to thee.”
When she had done, Lord Juss rose up very nobly and kissed her hand, saying, “O Queen Sophonisba, fosterling of the Gods, shame us not with praises that be too high for mortal men. For well thou knowest what thing alone might bring us content. And ’tis not to be thought that that which was seen at Moonmere Head last night was very truth indeed, but rather the dream of a night vision.”
But Queen Sophonisba answered and said, “My Lord Juss, blaspheme not the bounty of the blessed Gods, lest They be angry and withdraw it, Who have granted unto you of Demonland from this day forth youth everlasting and unwaning strength and skill in arms, and—but hark!” she said, for a trumpet sounded at the gate, three strident blasts.
At the sound of that trumpet blown, the lords Goldry and Spitfire sprang from their seats, clapping hand to sword. Lord Juss stood like a stag at gaze. Lord Brandoch Daha sat still in his golden chair, scarce changing his pose of easeful grace. But all his frame seemed alight with action near to birth, as the active principle of light pulses and grows in the sky at sunrise. He looked at the Queen, his eyes filled with a wild surmise. A serving man, obedient to
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