Notre-Dame de Paris by Victor Hugo (e reader for manga txt) 📕
Description
Esmeralda is a breathtaking beauty and attracts the attention of men all around her, including an actor, a captain, and an archdeacon, to whom she is of course forbidden. But because of a kindness she paid to him, there is one whose love for her is pure: the archdeacon’s bellringer. The actions of the archdeacon, who cannot control his lust for the young woman, ultimately draws all four men into her orbit, and his, with tragic consequences.
Hugo’s tragic novel is an ode to gothic architecture in general and that of Notre-Dame de Paris in particular. Hugo was upset both at the neglect of buildings like Notre-Dame, and the modernization of those that weren’t being neglected. By centering on the building, he was able to bring all classes into his story: from kings and nobles to bellringers and sewer rats. The first American translation changed the title to “The Hunchback of Notre Dame,” shifting attention to the bellringer, but Hugo’s focus was always on Notre-Dame and the beautiful gothic architecture of Paris.
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- Author: Victor Hugo
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“There is one yonder, under the shed of the Pillar-House,” replied the man. “Is it on this justice that the thing is to be done?” he added, pointing to the stone gibbet.
“Yes.”
“Ho, hé!” continued the man with a huge laugh, which was still more brutal than that of the provost, “we shall not have far to go.”
“Make haste!” said Tristan, “you shall laugh afterwards.”
In the meantime, the recluse had not uttered another word since Tristan had seen her daughter and all hope was lost. She had flung the poor gypsy, half dead, into the corner of the cellar, and had placed herself once more at the window with both hands resting on the angle of the sill like two claws. In this attitude she was seen to cast upon all those soldiers her glance which had become wild and frantic once more. At the moment when Rennet Cousin approached her cell, she showed him so savage a face that he shrank back.
“Monseigneur,” he said, returning to the provost, “which am I to take?”
“The young one.”
“So much the better, for the old one seemeth difficult.”
“Poor little dancer with the goat!” said the old sergeant of the watch.
Rennet Cousin approached the window again. The mother’s eyes made his own droop. He said with a good deal of timidity—
“Madam”—
She interrupted him in a very low but furious voice—
“What do you ask?”
“It is not you,” he said, “it is the other.”
“What other?”
“The young one.”
She began to shake her head, crying—
“There is no one! there is no one! there is no one!”
“Yes, there is!” retorted the hangman, “and you know it well. Let me take the young one. I have no wish to harm you.”
She said, with a strange sneer—
“Ah! so you have no wish to harm me!”
“Let me have the other, madam; ’tis monsieur the provost who wills it.”
She repeated with a look of madness—
“There is no one here.”
“I tell you that there is!” replied the executioner. “We have all seen that there are two of you.”
“Look then!” said the recluse, with a sneer. “Thrust your head through the window.”
The executioner observed the mother’s fingernails and dared not.
“Make haste!” shouted Tristan, who had just ranged his troops in a circle round the Rat-Hole, and who sat on his horse beside the gallows.
Rennet returned once more to the provost in great embarrassment. He had flung his rope on the ground, and was twisting his hat between his hands with an awkward air.
“Monseigneur,” he asked, “where am I to enter?”
“By the door.”
“There is none.”
“By the window.”
“ ’Tis too small.”
“Make it larger,” said Tristan angrily. “Have you not pickaxes?”
The mother still looked on steadfastly from the depths of her cavern. She no longer hoped for anything, she no longer knew what she wished, except that she did not wish them to take her daughter.
Rennet Cousin went in search of the chest of tools for the night man, under the shed of the Pillar-House. He drew from it also the double ladder, which he immediately set up against the gallows. Five or six of the provost’s men armed themselves with picks and crowbars, and Tristan betook himself, in company with them, towards the window.
“Old woman,” said the provost, in a severe tone, “deliver up to us that girl quietly.”
She looked at him like one who does not understand.
“Tête Dieu!” continued Tristan, “why do you try to prevent this sorceress being hung as it pleases the king?”
The wretched woman began to laugh in her wild way.
“Why? She is my daughter.”
The tone in which she pronounced these words made even Henriet Cousin shudder.
“I am sorry for that,” said the provost, “but it is the king’s good pleasure.”
She cried, redoubling her terrible laugh—
“What is your king to me? I tell you that she is my daughter!”
“Pierce the wall,” said Tristan.
In order to make a sufficiently wide opening, it sufficed to dislodge one course of stone below the window. When the mother heard the picks and crowbars mining her fortress, she uttered a terrible cry; then she began to stride about her cell with frightful swiftness, a wild beasts’ habit which her cage had imparted to her. She no longer said anything, but her eyes flamed. The soldiers were chilled to the very soul.
All at once she seized her paving stone, laughed, and hurled it with both fists upon the workmen. The stone, badly flung (for her hands trembled), touched no one, and fell short under the feet of Tristan’s horse. She gnashed her teeth.
In the meantime, although the sun had not yet risen, it was broad daylight; a beautiful rose color enlivened the ancient, decayed chimneys of the Pillar-House. It was the hour when the earliest windows of the great city open joyously on the roofs. Some workmen, a few fruit-sellers on their way to the markets on their asses, began to traverse the Grève; they halted for a moment before this group of soldiers clustered round the Rat-Hole, stared at it with an air of astonishment and passed on.
The recluse had gone and seated herself by her daughter, covering her with her body, in front of her, with staring eyes, listening to the poor child, who did not stir, but who kept murmuring in a low voice, these words only, “Phoebus! Phoebus!” In proportion as the work of the demolishers seemed to advance, the mother mechanically retreated, and pressed the young girl closer and closer to the wall. All at once, the recluse beheld the stone (for she was standing guard and never took her eyes from it), move, and she heard Tristan’s voice encouraging the workers. Then she aroused from the depression into which she had fallen during the
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