The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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Her voice interrupted:
“Are you going to be nice to me, dear boy?”
Val grinned doubtfully.
“Will you come with me this morning. …”
“I’ve got to see. …” began Val, but something in her face stopped him. “I say,” he said, “you don’t mean. …”
“Yes, I have to go to the Court this morning.” Already!—that damned business which he had almost succeeded in forgetting, since nobody ever mentioned it. In self-commiseration he stood picking little bits of skin off his fingers. Then noticing that his mother’s lips were all awry, he said impulsively: “All right, mother; I’ll come. The brutes!” What brutes he did not know, but the expression exactly summed up their joint feeling, and restored a measure of equanimity.
“I suppose I’d better change into a ‘shooter,’ ” he muttered, escaping to his room. He put on the “shooter,” a higher collar, a pearl pin, and his neatest grey spats, to a somewhat blasphemous accompaniment. Looking at himself in the glass, he said, “Well, I’m damned if I’m going to show anything!” and went down. He found his grandfather’s carriage at the door, and his mother in furs, with the appearance of one going to a Mansion House Assembly. They seated themselves side by side in the closed barouche, and all the way to the Courts of Justice Val made but one allusion to the business in hand. “There’ll be nothing about those pearls, will there?”
The little tufted white tails of Winifred’s muff began to shiver.
“Oh, no,” she said, “it’ll be quite harmless today. Your grandmother wanted to come too, but I wouldn’t let her. I thought you could take care of me. You look so nice, Val. Just pull your coat collar up a little more at the back—that’s right.”
“If they bully you. …” began Val.
“Oh! they won’t. I shall be very cool. It’s the only way.”
“They won’t want me to give evidence or anything?”
“No, dear; it’s all arranged.” And she patted his hand. The determined front she was putting on it stayed the turmoil in Val’s chest, and he busied himself in drawing his gloves off and on. He had taken what he now saw was the wrong pair to go with his spats; they should have been grey, but were deerskin of a dark tan; whether to keep them on or not he could not decide. They arrived soon after ten. It was his first visit to the Law Courts, and the building struck him at once.
“By Jove!” he said as they passed into the hall, “this’d make four or five jolly good racket courts.”
Soames was awaiting them at the foot of some stairs.
“Here you are!” he said, without shaking hands, as if the event had made them too familiar for such formalities. “It’s Happerly Browne, Court I. We shall be on first.”
A sensation such as he had known when going in to bat was playing now in the top of Val’s chest, but he followed his mother and uncle doggedly, looking at no more than he could help, and thinking that the place smelled fuggy. People seemed to be lurking everywhere, and he plucked Soames by the sleeve.
“I say, Uncle, you’re not going to let those beastly papers in, are you?”
Soames gave him the sideway look which had reduced many to silence in its time.
“In here,” he said. “You needn’t take off your furs, Winifred.”
Val entered behind them, nettled and with his head up. In this confounded hole everybody—and there were a good many of them—seemed sitting on everybody else’s knee, though really divided from each other by pews; and Val had a feeling that they might all slip down together into the well. This, however, was but a momentary vision—of mahogany, and black gowns, and white blobs of wigs and faces and papers, all rather secret and whispery—before
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