The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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“Only Miss Holly is in, sir.”
“Oh! thanks. Might I take my horse round to the stables? And would you say—her cousin, Mr. Val Dartie.”
When he returned she was in the hall, very flushed and shy. She led him to the far end, and they sat down on a wide window-seat.
“I’ve been awfully anxious,” said Val in a low voice. “What’s the matter?”
“Jolly knows about our riding.”
“Is he in?”
“No; but I expect he will be soon.”
“Then—!” cried Val, and diving forward, he seized her hand. She tried to withdraw it, failed, gave up the attempt, and looked at him wistfully.
“First of all,” he said, “I want to tell you something about my family. My Dad, you know, isn’t altogether—I mean, he’s left my mother and they’re trying to divorce him; so they’ve ordered him to come back, you see. You’ll see that in the paper tomorrow.”
Her eyes deepened in colour and fearful interest; her hand squeezed his. But the gambler in Val was roused now, and he hurried on:
“Of course there’s nothing very much at present, but there will be, I expect, before it’s over; divorce suits are beastly, you know. I wanted to tell you, because—because—you ought to know—if—” and he began to stammer, gazing at her troubled eyes, “if—if you’re going to be a darling and love me, Holly. I love you—ever so; and I want to be engaged.” He had done it in a manner so inadequate that he could have punched his own head; and dropping on his knees, he tried to get nearer to that soft, troubled face. “You do love me—don’t you? If you don’t I. …” There was a moment of silence and suspense, so awful that he could hear the sound of a mowing-machine far out on the lawn pretending there was grass to cut. Then she swayed forward; her free hand touched his hair, and he gasped: “Oh, Holly!”
Her answer was very soft: “Oh, Val!”
He had dreamed of this moment, but always in an imperative mood, as the masterful young lover, and now he felt humble, touched, trembly. He was afraid to stir off his knees lest he should break the spell; lest, if he did, she should shrink and deny her own surrender—so tremulous was she in his grasp, with her eyelids closed and his lips nearing them. Her eyes opened, seemed to swim a little; he pressed his lips to hers. Suddenly he sprang up; there had been footsteps, a sort of startled grunt. He looked round. No one! But the long curtains which barred off the outer hall were quivering.
“My God! Who was that?”
Holly too was on her feet.
“Jolly, I expect,” she whispered.
Val clenched fists and resolution.
“All right!” he said, “I don’t care a bit now we’re engaged,” and striding towards the curtains, he drew them aside. There at the fireplace in the hall stood Jolly, with his back elaborately turned. Val went forward. Jolly faced round on him.
“I beg your pardon for hearing,” he said.
With the best intentions in the world, Val could not help admiring him at that moment; his face was clear, his voice quiet, he looked somehow distinguished, as if acting up to principle.
“Well!” Val said abruptly, “it’s nothing to you.”
“Oh!” said Jolly; “you come this way,” and he crossed the hall. Val followed. At the study door he felt a touch on his arm; Holly’s voice said:
“I’m coming too.”
“No,” said Jolly.
“Yes,” said Holly.
Jolly opened the door, and they all three went in. Once in the little room, they stood in a sort of triangle on three corners of the worn Turkey carpet; awkwardly upright, not looking at each other, quite incapable of seeing any humour in the situation.
Val broke the silence.
“Holly and I are engaged.”
Jolly stepped back and leaned against the lintel of the window.
“This is our house,” he said; “I’m not going to insult you in it. But my father’s away. I’m in charge of my sister. You’ve taken advantage of me.”
“I didn’t mean to,” said Val hotly.
“I think you did,” said Jolly. “If you hadn’t meant to, you’d have spoken to me, or waited for my father to come back.”
“There were reasons,” said Val.
“What reasons?”
“About my family—I’ve just told her. I wanted her to know before things happen.”
Jolly suddenly became less distinguished.
“You’re kids,” he said, “and you know you are.”
“I am not a kid,” said Val.
“You are—you’re not twenty.”
“Well, what are you?”
“I am twenty,” said Jolly.
“Only just; anyway, I’m as good a man as you.”
Jolly’s face crimsoned, then clouded. Some struggle was evidently taking place in him; and Val and Holly stared at him, so clearly was that struggle marked; they could even hear him breathing. Then his face cleared up and became oddly resolute.
“We’ll see that,” he said. “I dare you to do what I’m going to do.”
“Dare me?”
Jolly smiled. “Yes,” he said, “dare you; and I know very well you won’t.”
A stab of misgiving shot through Val; this was riding very blind.
“I haven’t forgotten that you’re a fire-eater,” said Jolly slowly, “and I think that’s about all you are; or that you called me a pro-Boer.”
Val heard a gasp above the sound of his own hard breathing, and saw Holly’s face poked a little forward, very pale, with big eyes.
“Yes,” went on Jolly with a sort of smile, “we shall soon see. I’m going to join the Imperial Yeomanry, and I dare you to do the same, Mr. Val Dartie.”
Val’s head jerked on its stem. It was like a blow between the eyes, so utterly unthought of, so extreme and ugly in the midst of his dreaming; and he looked at Holly
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