The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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“What’s his father doing?”
“He’s away in Paris,” Val said, staring at the very queer expression on his uncle’s face, like—like that of a snarling dog.
“Artists!” said James. The word coming from the very bottom of his soul, broke up the dinner.
Opposite his mother in the cab going home, Val tasted the after-fruits of heroism, like medlars overripe.
She only said, indeed, that he must go to his tailor’s at once and have his uniform properly made, and not just put up with what they gave him. But he could feel that she was very much upset. It was on his lips to console her with the spoken thought that he would be out of the way of that beastly divorce, but the presence of Imogen, and the knowledge that his mother would not be out of the way, restrained him. He felt aggrieved that she did not seem more proud of him. When Imogen had gone to bed, he risked the emotional.
“I’m awfully sorry to have to leave you, Mother.”
“Well, I must make the best of it. We must try and get you a commission as soon as we can; then you won’t have to rough it so. Do you know any drill, Val?”
“Not a scrap.”
“I hope they won’t worry you much. I must take you about to get the things tomorrow. Good night; kiss me.”
With that kiss, soft and hot, between his eyes, and those words, “I hope they won’t worry you much,” in his ears, he sat down to a cigarette, before a dying fire. The heat was out of him—the glow of cutting a dash. It was all a damned heart-aching bore. “I’ll be even with that chap Jolly,” he thought, trailing up the stairs, past the room where his mother was biting her pillow to smother a sense of desolation which was trying to make her sob.
And soon only one of the diners at James’ was awake—Soames, in his bedroom above his father’s.
So that fellow Jolyon was in Paris—what was he doing there? Hanging round Irene! The last report from Polteed had hinted that there might be something soon. Could it be this? That fellow, with his beard and his cursed amused way of speaking—son of the old man who had given him the nickname “Man of Property,” and bought the fatal house from him. Soames had ever resented having had to sell the house at Robin Hill; never forgiven his uncle for having bought it, or his cousin for living in it.
Reckless of the cold, he threw his window up and gazed out across the Park. Bleak and dark the January night; little sound of traffic; a frost coming; bare trees; a star or two. “I’ll see Polteed tomorrow,” he thought. “By God! I’m mad, I think, to want her still. That fellow! If—? Um! No!”
X Death of the Dog BalthasarJolyon, who had crossed from Calais by night, arrived at Robin Hill on Sunday morning. He had sent no word beforehand, so walked up from the station, entering his domain by the coppice gate. Coming to the log seat fashioned out of an old fallen trunk, he sat down, first laying his overcoat on it.
“Lumbago!” he thought; “that’s what love ends in at my time of life!” And suddenly Irene seemed very near, just as she had been that day of rambling at Fontainebleau when they had sat on a log to eat their lunch. Hauntingly near! Odour drawn out of fallen leaves by the pale-filtering sunlight soaked his nostrils. “I’m glad it isn’t spring,” he thought. With the scent of sap, and the song of birds, and the bursting of the blossoms, it would have been unbearable! “I hope I shall be over it by then, old fool that I am!” and picking up his coat, he walked on into the field. He passed the pond and mounted the hill slowly.
Near the top a hoarse barking greeted him. Up on the lawn above the fernery he could see his old dog Balthasar. The animal, whose dim eyes took his master for a stranger, was warning the world against him. Jolyon gave his special whistle. Even at that distance of a hundred yards and more he could see the dawning recognition in the obese brown-white body. The old dog got off his haunches, and his tail, close-curled over his back, began a feeble, excited fluttering; he came waddling forward, gathered momentum, and disappeared over the edge of the fernery. Jolyon expected to meet him at the wicket gate, but Balthasar was not there, and, rather alarmed, he turned into the fernery. On his fat side, looking up with eyes already glazing, the old dog lay.
“What is it, my poor old man?” cried Jolyon. Balthasar’s curled and fluffy tail just moved; his filming eyes seemed saying: “I can’t get up, master, but I’m glad to see you.”
Jolyon knelt down; his eyes, very dimmed, could hardly see the slowly ceasing heave of the dog’s side. He raised the head a little—very heavy.
“What is it, dear man? Where are you hurt?” The tail fluttered once; the eyes lost the look of life. Jolyon passed his hands all over the inert warm bulk.
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