The Rainbow by D. H. Lawrence (novels for beginners .txt) 📕

working hoofs of the horses as they cantered near. She could not bear it. She rose and walked swiftly, diagonally across the field. The horses galloped along the other side of the hedge to the corner, where they were held up. She could feel them there in their huddled group all the while she hastened across the bare field. They were almost pathetic, now. Her will alone carried her, till, trembling, she climbed the fence under a leaning thorn tree that overhung the grass by the highroad. The use went from her, she sat on the fence leaning back against the trunk of the thorn tree, motionless.

As she sat there, spent, time and the flux of change passed away from her, she lay as if unconscious upon the bed of the stream, like a stone, unconscious, unchanging, unchangeable, whilst everything rolled by in transience, leaving her there, a stone at rest on the bed of the stream, inalterable and passive, sunk to the bottom of all change.

She lay still a long time, with her back against the thorn tree trunk, in her final isolation. Some colliers passed, tramping heavily up the wet road, their voices sounding out, their shoulders up to their ears, their figures blotched and spectral in the rain. Some did not see her. She opened her eyes languidly as they passed by. Then one man going alone saw her. The whites of his eyes showed in his black face as he looked in wonderment at her. He hesitated in his walk, as if to speak to her, out of frightened concern for her. How she dreaded his speaking to her, dreaded his questioning her.

She slipped from her seat and went vaguely along the path⁠—vaguely. It was a long way home. She had an idea that she must walk for the rest of her life, wearily, wearily. Step after step, step after step, and always along the wet, rainy road between the hedges. Step after step, step after step, the monotony produced a deep, cold sense of nausea in her. How profound was her cold nausea, how profound! That too plumbed the bottom. She seemed destined to find the bottom of all things today: the bottom of all things. Well, at any rate she was walking along the bottommost bed⁠—she was quite safe: quite safe, if she had to go on and on forever, seeing this was the very bottom, and there was nothing deeper. There was nothing deeper, you see, so one could not but feel certain, passive.

She arrived home at last. The climb up the hill to Beldover had been very trying. Why must one climb the hill? Why must one climb? Why not stay below? Why force one’s way up the slope? Why force one’s way up and up, when one is at the bottom? Oh, it was very trying, very wearying, very burdensome. Always burdens, always, always burdens. Still, she must get to the top and go home to bed. She must go to bed.

She got in and went upstairs in the dusk without its being noticed she was in such a sodden condition. She was too tired to go downstairs again. She got into bed and lay shuddering with cold, yet too apathetic to get up or call for relief. Then gradually she became more ill.

She was very ill for a fortnight, delirious, shaken and racked. But always, amid the ache of delirium, she had a dull firmness of being, a sense of permanency. She was in some way like the stone at the bottom of the river, inviolable and unalterable, no matter what storm raged in her body. Her soul lay still and permanent, full of pain, but itself forever. Under all her illness, persisted a deep, inalterable knowledge.

She knew, and she cared no more. Throughout her illness, distorted into vague forms, persisted the question of herself and Skrebensky, like a gnawing ache that was still superficial, and did not touch her isolated, impregnable core of reality. But the corrosion of him burned in her till it burned itself out.

Must she belong to him, must she adhere to him? Something compelled her, and yet it was not real. Always the ache, the ache of unreality, of her belonging to Skrebensky. What bound her to him when she was not bound to him? Why did the falsity persist? Why did the falsity gnaw, gnaw, gnaw at her, why could she not wake up to clarity, to reality. If she could but wake up, if she could but wake up, the falsity of the dream, of her connection with Skrebensky, would be gone. But the sleep, the delirium pinned her down. Even when she was calm and sober she was in its spell.

Yet she was never in its spell. What extraneous thing bound her to him? There was some bond put upon her. Why could she not break it through? What was it? What was it?

In her delirium she beat and beat at the question. And at last her weariness gave her the answer⁠—it was the child. The child bound her to him. The child was like a bond round her brain, tightened on her brain. It bound her to Skrebensky.

But why, why did it bind her to Skrebensky? Could she not have a child of herself? Was not the child her own affair? all her own affair? What had it to do with him? Why must she be bound, aching and cramped with the bondage, to Skrebensky and Skrebensky’s world? Anton’s world: it became in her feverish brain a compression which enclosed her. If she could not get out of the compression she would go mad. The compression was Anton and Anton’s world, not the Anton she possessed, but the Anton she did not possess, that which was owned by some other influence, by the world.

She fought and fought and fought all through her illness to be free of him and his world, to put it aside, to put it aside, into its