The Great Gatsby by F. Scott Fitzgerald (top e book reader txt) 📕
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The Great Gatsby is a novel that needs no introduction for a certain generation of American readers. Long taught as required reading in American schools, critics have consistently held it up alongside Moby Dick, Huck Finn, and To Kill a Mockingbird as perhaps the quintessential Great American Novel.
Nick Carraway is a young Midwestern man freshly arrived in New York to make his fortune. He rents a shabby apartment in Long Island next door to a sumptuous mansion: the home of the mysterious and wealthy Jay Gatsby. Carraway spends time catching up with his distant cousin Daisy and her industry-baron husband Tom before being invited to one of Gatsby’s wildly lavish weekend parties. There he meets Jordan, a flapper and a golf star, and an intricate web of romances and betrayals begins to unfold.
The novel is a colorful study of America’s Jazz Age—a term said to be coined by Fitzgerald himself—complete with wealthy socialites living in hedonistic abandon, libertine flappers, jazz bands, roaring roadsters, and greasy speakeasies populated with shady grifters. Contrasted against the glamorous lives of wealthy socialites is the entrenched lower class, who live in gray, dingy squalor among smoldering ash-heaps. Fitzgerald uses the setting to examine the American Dream: the idea that anyone in America can achieve success through hard work and dedication. Gatsby has spent his life reaching for his dream. Some say he’s already achieved it. But has he? Is the dream even real for the hard-working poor that Gatsby and Tom race past in their glittering cars on the way to the decadent city?
Fitzgerald wrote much of his real life into the novel. Like Carraway, he was a Midwesterner educated at an Ivy-league school who went to live on Long Island. Despite his meager finances he hobnobbed with socialites, and spent his career struggling for money to maintain the grand style his romantic interests were accustomed to.
The cover art, titled Celestial Eyes, was commissioned from Francis Cugat, who completed it before the novel was finished. The huge eyes gazing down on the blazing city so moved Fitzgerald that he wrote them into the story.
Fitzgerald saw the novel as a purely artistic work, free of the pulp pandering required by his shorter commissions—but despite that, contemporary reviews were mixed, and it sold poorly. Fitzgerald thought it a failure, and died believing the novel to be fatally obscure. Only during World War II did it come back to the public consciousness, buoyed by the support of a ring of writers and critics and printed as an Armed Service Edition to be sent to soldiers on the front. Now it is an American classic.
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- Author: F. Scott Fitzgerald
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“What?” I inquired politely.
But evidently he was not addressing me, for he dropped my hand and covered Gatsby with his expressive nose.
“I handed the money to Katspaugh and I said: ‘All right, Katspaugh, don’t pay him a penny till he shuts his mouth.’ He shut it then and there.”
Gatsby took an arm of each of us and moved forward into the restaurant, whereupon Mr. Wolfshiem swallowed a new sentence he was starting and lapsed into a somnambulatory abstraction.
“Highballs?” asked the head waiter.
“This is a nice restaurant here,” said Mr. Wolfshiem, looking at the presbyterian nymphs on the ceiling. “But I like across the street better!”
“Yes, highballs,” agreed Gatsby, and then to Mr. Wolfshiem: “It’s too hot over there.”
“Hot and small—yes,” said Mr. Wolfshiem, “but full of memories.”
“What place is that?” I asked.
“The old Metropole.”
“The old Metropole,” brooded Mr. Wolfshiem gloomily. “Filled with faces dead and gone. Filled with friends gone now forever. I can’t forget so long as I live the night they shot Rosy Rosenthal there. It was six of us at the table, and Rosy had eat and drunk a lot all evening. When it was almost morning the waiter came up to him with a funny look and says somebody wants to speak to him outside. ‘All right,’ says Rosy, and begins to get up, and I pulled him down in his chair.
“ ‘Let the bastards come in here if they want you, Rosy, but don’t you, so help me, move outside this room.’
“It was four o’clock in the morning then, and if we’d of raised the blinds we’d of seen daylight.”
“Did he go?” I asked innocently.
“Sure he went.” Mr. Wolfshiem’s nose flashed at me indignantly. “He turned around in the door and says: ‘Don’t let that waiter take away my coffee!’ Then he went out on the sidewalk, and they shot him three times in his full belly and drove away.”
“Four of them were electrocuted,” I said, remembering.
“Five, with Becker.” His nostrils turned to me in an interested way. “I understand you’re looking for a business gonnegtion.”
The juxtaposition of these two remarks was startling. Gatsby answered for me:
“Oh, no,” he exclaimed, “this isn’t the man.”
“No?” Mr. Wolfshiem seemed disappointed.
“This is just a friend. I told you we’d talk about that some other time.”
“I beg your pardon,” said Mr. Wolfshiem, “I had a wrong man.”
A succulent hash arrived, and Mr. Wolfshiem, forgetting the more sentimental atmosphere of the old Metropole, began to eat with ferocious delicacy. His eyes, meanwhile, roved very slowly all around the room—he completed the arc by turning to inspect the people directly behind. I think that, except for my presence, he would have taken one short glance beneath our own table.
“Look here, old sport,” said Gatsby, leaning toward me, “I’m afraid I made you a little angry this morning in the car.”
There was the smile again, but this time I held out against it.
“I don’t like mysteries,” I answered, “and I don’t understand why you won’t come out frankly and tell me what you want. Why has it all got to come through Miss Baker?”
“Oh, it’s nothing underhand,” he assured me. “Miss Baker’s a great sportswoman, you know, and she’d never do anything that wasn’t all right.”
Suddenly he looked at his watch, jumped up, and hurried from the room, leaving me with Mr. Wolfshiem at the table.
“He has to telephone,” said Mr. Wolfshiem, following him with his eyes. “Fine fellow, isn’t he? Handsome to look at and a perfect gentleman.”
“Yes.”
“He’s an Oggsford man.”
“Oh!”
“He went to Oggsford College in England. You know Oggsford College?”
“I’ve heard of it.”
“It’s one of the most famous colleges in the world.”
“Have you known Gatsby for a long time?” I inquired.
“Several years,” he answered in a gratified way. “I made the pleasure of his acquaintance just after the war. But I knew I had discovered a man of fine breeding after I talked with him an hour. I said to myself: ‘There’s the kind of man you’d like to take home and introduce to your mother and sister.’ ” He paused. “I see you’re looking at my cuff buttons.”
I hadn’t been looking at them, but I did now. They were composed of oddly familiar pieces of ivory.
“Finest specimens of human molars,” he informed me.
“Well!” I inspected them. “That’s a very interesting idea.”
“Yeah.” He flipped his sleeves up under his coat. “Yeah, Gatsby’s very careful about women. He would never so much as look at a friend’s wife.”
When the subject of this instinctive trust returned to the table and sat down Mr. Wolfshiem drank his coffee with a jerk and got to his feet.
“I have enjoyed my lunch,” he said, “and I’m going to run off from you two young men before I outstay my welcome.”
“Don’t hurry Meyer,” said Gatsby, without enthusiasm. Mr. Wolfshiem raised his hand in a sort of benediction.
“You’re very polite, but I belong to another generation,” he announced solemnly. “You sit here and discuss your sports and your young ladies and your—” He supplied an imaginary noun with another wave of his hand. “As for me, I am fifty years old, and I won’t impose myself on you any longer.”
As he shook hands and turned away his tragic nose was trembling. I wondered if I had said anything to offend him.
“He becomes very sentimental sometimes,” explained Gatsby. “This is one of his sentimental days. He’s quite a character around New York—a denizen of Broadway.”
“Who is he, anyhow, an actor?”
“No.”
“A dentist?”
“Meyer Wolfshiem? No, he’s a gambler.” Gatsby hesitated, then added, coolly: “He’s the man who fixed the World’s Series back in 1919.”
“Fixed the World’s Series?” I repeated.
The idea staggered me. I remembered, of course, that the World’s Series had been fixed in 1919, but if I had thought of it at all I would have thought of it as a thing that merely happened, the end of some inevitable chain. It never occurred to me that one man could start to play with the faith of fifty million people—with the single-mindedness of a burglar blowing a
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