The Great Gatsby by F. Scott Fitzgerald (top e book reader txt) 📕
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The Great Gatsby is a novel that needs no introduction for a certain generation of American readers. Long taught as required reading in American schools, critics have consistently held it up alongside Moby Dick, Huck Finn, and To Kill a Mockingbird as perhaps the quintessential Great American Novel.
Nick Carraway is a young Midwestern man freshly arrived in New York to make his fortune. He rents a shabby apartment in Long Island next door to a sumptuous mansion: the home of the mysterious and wealthy Jay Gatsby. Carraway spends time catching up with his distant cousin Daisy and her industry-baron husband Tom before being invited to one of Gatsby’s wildly lavish weekend parties. There he meets Jordan, a flapper and a golf star, and an intricate web of romances and betrayals begins to unfold.
The novel is a colorful study of America’s Jazz Age—a term said to be coined by Fitzgerald himself—complete with wealthy socialites living in hedonistic abandon, libertine flappers, jazz bands, roaring roadsters, and greasy speakeasies populated with shady grifters. Contrasted against the glamorous lives of wealthy socialites is the entrenched lower class, who live in gray, dingy squalor among smoldering ash-heaps. Fitzgerald uses the setting to examine the American Dream: the idea that anyone in America can achieve success through hard work and dedication. Gatsby has spent his life reaching for his dream. Some say he’s already achieved it. But has he? Is the dream even real for the hard-working poor that Gatsby and Tom race past in their glittering cars on the way to the decadent city?
Fitzgerald wrote much of his real life into the novel. Like Carraway, he was a Midwesterner educated at an Ivy-league school who went to live on Long Island. Despite his meager finances he hobnobbed with socialites, and spent his career struggling for money to maintain the grand style his romantic interests were accustomed to.
The cover art, titled Celestial Eyes, was commissioned from Francis Cugat, who completed it before the novel was finished. The huge eyes gazing down on the blazing city so moved Fitzgerald that he wrote them into the story.
Fitzgerald saw the novel as a purely artistic work, free of the pulp pandering required by his shorter commissions—but despite that, contemporary reviews were mixed, and it sold poorly. Fitzgerald thought it a failure, and died believing the novel to be fatally obscure. Only during World War II did it come back to the public consciousness, buoyed by the support of a ring of writers and critics and printed as an Armed Service Edition to be sent to soldiers on the front. Now it is an American classic.
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- Author: F. Scott Fitzgerald
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“Your place looks like the World’s Fair,” I said.
“Does it?” He turned his eyes toward it absently. “I have been glancing into some of the rooms. Let’s go to Coney Island, old sport. In my car.”
“It’s too late.”
“Well, suppose we take a plunge in the swimming pool? I haven’t made use of it all summer.”
“I’ve got to go to bed.”
“All right.”
He waited, looking at me with suppressed eagerness.
“I talked with Miss Baker,” I said after a moment. “I’m going to call up Daisy tomorrow and invite her over here to tea.”
“Oh, that’s all right,” he said carelessly. “I don’t want to put you to any trouble.”
“What day would suit you?”
“What day would suit you?” he corrected me quickly. “I don’t want to put you to any trouble, you see.”
“How about the day after tomorrow?”
He considered for a moment. Then, with reluctance: “I want to get the grass cut,” he said.
We both looked down at the grass—there was a sharp line where my ragged lawn ended and the darker, well-kept expanse of his began. I suspected that he meant my grass.
“There’s another little thing,” he said uncertainly, and hesitated.
“Would you rather put it off for a few days?” I asked.
“Oh, it isn’t about that. At least—” He fumbled with a series of beginnings. “Why, I thought—why, look here, old sport, you don’t make much money, do you?”
“Not very much.”
This seemed to reassure him and he continued more confidently.
“I thought you didn’t, if you’ll pardon my—you see, I carry on a little business on the side, a sort of side line, you understand. And I thought that if you don’t make very much—You’re selling bonds, aren’t you, old sport?”
“Trying to.”
“Well, this would interest you. It wouldn’t take up much of your time and you might pick up a nice bit of money. It happens to be a rather confidential sort of thing.”
I realize now that under different circumstances that conversation might have been one of the crises of my life. But, because the offer was obviously and tactlessly for a service to be rendered, I had no choice except to cut him off there.
“I’ve got my hands full,” I said. “I’m much obliged but I couldn’t take on any more work.”
“You wouldn’t have to do any business with Wolfshiem.” Evidently he thought that I was shying away from the “gonnegtion” mentioned at lunch, but I assured him he was wrong. He waited a moment longer, hoping I’d begin a conversation, but I was too absorbed to be responsive, so he went unwillingly home.
The evening had made me lightheaded and happy; I think I walked into a deep sleep as I entered my front door. So I don’t know whether or not Gatsby went to Coney Island, or for how many hours he “glanced into rooms” while his house blazed gaudily on. I called up Daisy from the office next morning, and invited her to come to tea.
“Don’t bring Tom,” I warned her.
“What?”
“Don’t bring Tom.”
“Who is ‘Tom’?” she asked innocently.
The day agreed upon was pouring rain. At eleven o’clock a man in a raincoat, dragging a lawn-mower, tapped at my front door and said that Mr. Gatsby had sent him over to cut my grass. This reminded me that I had forgotten to tell my Finn to come back, so I drove into West Egg Village to search for her among soggy whitewashed alleys and to buy some cups and lemons and flowers.
The flowers were unnecessary, for at two o’clock a greenhouse arrived from Gatsby’s, with innumerable receptacles to contain it. An hour later the front door opened nervously, and Gatsby in a white flannel suit, silver shirt, and gold-coloured tie, hurried in. He was pale, and there were dark signs of sleeplessness beneath his eyes.
“Is everything all right?” he asked immediately.
“The grass looks fine, if that’s what you mean.”
“What grass?” he inquired blankly. “Oh, the grass in the yard.” He looked out the window at it, but, judging from his expression, I don’t believe he saw a thing.
“Looks very good,” he remarked vaguely. “One of the papers said they thought the rain would stop about four. I think it was The Journal. Have you got everything you need in the shape of—of tea?”
I took him into the pantry, where he looked a little reproachfully at the Finn. Together we scrutinized the twelve lemon cakes from the delicatessen shop.
“Will they do?” I asked.
“Of course, of course! They’re fine!” and he added hollowly, “… old sport.”
The rain cooled about half-past three to a damp mist, through which occasional thin drops swam like dew. Gatsby looked with vacant eyes through a copy of Clay’s Economics, starting at the Finnish tread that shook the kitchen floor, and peering towards the bleared windows from time to time as if a series of invisible but alarming happenings were taking place outside. Finally he got up and informed me, in an uncertain voice, that he was going home.
“Why’s that?”
“Nobody’s coming to tea. It’s too late!” He looked at his watch as if there was some pressing demand on his time elsewhere. “I can’t wait all day.”
“Don’t be silly; it’s just two minutes to four.”
He sat down miserably, as if I had pushed him, and simultaneously there was the sound of a motor turning into my lane. We both jumped up, and, a little harrowed myself, I went out into the yard.
Under the dripping bare lilac-trees a large open car was coming up the drive. It stopped. Daisy’s face, tipped sideways beneath a three-cornered lavender hat, looked out at me with a bright ecstatic smile.
“Is this absolutely where you live, my dearest one?”
The exhilarating ripple of her voice was a
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