The Great Gatsby by F. Scott Fitzgerald (top e book reader txt) 📕
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The Great Gatsby is a novel that needs no introduction for a certain generation of American readers. Long taught as required reading in American schools, critics have consistently held it up alongside Moby Dick, Huck Finn, and To Kill a Mockingbird as perhaps the quintessential Great American Novel.
Nick Carraway is a young Midwestern man freshly arrived in New York to make his fortune. He rents a shabby apartment in Long Island next door to a sumptuous mansion: the home of the mysterious and wealthy Jay Gatsby. Carraway spends time catching up with his distant cousin Daisy and her industry-baron husband Tom before being invited to one of Gatsby’s wildly lavish weekend parties. There he meets Jordan, a flapper and a golf star, and an intricate web of romances and betrayals begins to unfold.
The novel is a colorful study of America’s Jazz Age—a term said to be coined by Fitzgerald himself—complete with wealthy socialites living in hedonistic abandon, libertine flappers, jazz bands, roaring roadsters, and greasy speakeasies populated with shady grifters. Contrasted against the glamorous lives of wealthy socialites is the entrenched lower class, who live in gray, dingy squalor among smoldering ash-heaps. Fitzgerald uses the setting to examine the American Dream: the idea that anyone in America can achieve success through hard work and dedication. Gatsby has spent his life reaching for his dream. Some say he’s already achieved it. But has he? Is the dream even real for the hard-working poor that Gatsby and Tom race past in their glittering cars on the way to the decadent city?
Fitzgerald wrote much of his real life into the novel. Like Carraway, he was a Midwesterner educated at an Ivy-league school who went to live on Long Island. Despite his meager finances he hobnobbed with socialites, and spent his career struggling for money to maintain the grand style his romantic interests were accustomed to.
The cover art, titled Celestial Eyes, was commissioned from Francis Cugat, who completed it before the novel was finished. The huge eyes gazing down on the blazing city so moved Fitzgerald that he wrote them into the story.
Fitzgerald saw the novel as a purely artistic work, free of the pulp pandering required by his shorter commissions—but despite that, contemporary reviews were mixed, and it sold poorly. Fitzgerald thought it a failure, and died believing the novel to be fatally obscure. Only during World War II did it come back to the public consciousness, buoyed by the support of a ring of writers and critics and printed as an Armed Service Edition to be sent to soldiers on the front. Now it is an American classic.
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- Author: F. Scott Fitzgerald
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“How did he happen to do that?” I asked after a minute.
“He just saw the opportunity.”
“Why isn’t he in jail?”
“They can’t get him, old sport. He’s a smart man.”
I insisted on paying the check. As the waiter brought my change I caught sight of Tom Buchanan across the crowded room.
“Come along with me for a minute,” I said; “I’ve got to say hello to someone.”
When he saw us Tom jumped up and took half a dozen steps in our direction.
“Where’ve you been?” he demanded eagerly. “Daisy’s furious because you haven’t called up.”
“This is Mr. Gatsby, Mr. Buchanan.”
They shook hands briefly, and a strained, unfamiliar look of embarrassment came over Gatsby’s face.
“How’ve you been, anyhow?” demanded Tom of me. “How’d you happen to come up this far to eat?”
“I’ve been having lunch with Mr. Gatsby.”
I turned toward Mr. Gatsby, but he was no longer there.
One October day in nineteen-seventeen—
(said Jordan Baker that afternoon, sitting up very straight on a straight chair in the tea-garden at the Plaza Hotel)
—I was walking along from one place to another, half on the sidewalks and half on the lawns. I was happier on the lawns because I had on shoes from England with rubber knobs on the soles that bit into the soft ground. I had on a new plaid skirt also that blew a little in the wind, and whenever this happened the red, white, and blue banners in front of all the houses stretched out stiff and said tut-tut-tut-tut, in a disapproving way.
The largest of the banners and the largest of the lawns belonged to Daisy Fay’s house. She was just eighteen, two years older than me, and by far the most popular of all the young girls in Louisville. She dressed in white, and had a little white roadster, and all day long the telephone rang in her house and excited young officers from Camp Taylor demanded the privilege of monopolizing her that night. “Anyways, for an hour!”
When I came opposite her house that morning her white roadster was beside the kerb, and she was sitting in it with a lieutenant I had never seen before. They were so engrossed in each other that she didn’t see me until I was five feet away.
“Hello, Jordan,” she called unexpectedly. “Please come here.”
I was flattered that she wanted to speak to me, because of all the older girls I admired her most. She asked me if I was going to the Red Cross to make bandages. I was. Well, then, would I tell them that she couldn’t come that day? The officer looked at Daisy while she was speaking, in a way that every young girl wants to be looked at sometime, and because it seemed romantic to me I have remembered the incident ever since. His name was Jay Gatsby, and I didn’t lay eyes on him again for over four years—even after I’d met him on Long Island I didn’t realize it was the same man.
That was nineteen-seventeen. By the next year I had a few beaux myself, and I began to play in tournaments, so I didn’t see Daisy very often. She went with a slightly older crowd—when she went with anyone at all. Wild rumours were circulating about her—how her mother had found her packing her bag one winter night to go to New York and say goodbye to a soldier who was going overseas. She was effectually prevented, but she wasn’t on speaking terms with her family for several weeks. After that she didn’t play around with the soldiers any more, but only with a few flat-footed, shortsighted young men in town, who couldn’t get into the army at all.
By the next autumn she was gay again, gay as ever. She had a début after the armistice, and in February she was presumably engaged to a man from New Orleans. In June she married Tom Buchanan of Chicago, with more pomp and circumstance than Louisville ever knew before. He came down with a hundred people in four private cars, and hired a whole floor of the Muhlbach Hotel, and the day before the wedding he gave her a string of pearls valued at three hundred and fifty thousand dollars.
I was a bridesmaid. I came into her room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress—and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other.
“ ’Gratulate me,” she muttered. “Never had a drink before, but oh how I do enjoy it.”
“What’s the matter, Daisy?”
I was scared, I can tell you; I’d never seen a girl like that before.
“Here, dearies.” She groped around in a wastebasket she had with her on the bed and pulled out the string of pearls. “Take ’em downstairs and give ’em back to whoever they belong to. Tell ’em all Daisy’s change’ her mine. Say: ‘Daisy’s change’ her mine!’ ”
She began to cry—she cried and cried. I rushed out and found her mother’s maid, and we locked the door and got her into a cold bath. She wouldn’t let go of the letter. She took it into the tub with her and squeezed it up in a wet ball, and only let me leave it in the soap-dish when she saw that it was coming to pieces like snow.
But she didn’t say another word. We gave her spirits of ammonia and put ice on her forehead and hooked her back into her dress, and half an hour later, when we walked out of the room, the pearls were around her neck and the incident was over. Next day at five o’clock she married Tom Buchanan without so much as a shiver, and started off on a three months’ trip to the South Seas.
I saw them in Santa Barbara when they came back, and I thought I’d never seen a girl so mad about her husband. If he left the room for a minute she’d look
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