Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) 📕
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Daniel Deronda, published in 1876, was George Eliot’s last novel. It deals with two major characters whose lives intersect: One is a spoiled young woman named Gwendolen Harleth who makes an unwise marriage to escape impending poverty; the other is the titular character, Daniel Deronda, a wealthy young man who feels a mission to help the suffering.
During her childhood Gwendolen’s family was well-off. She lived in comfort and was indulged and pampered. But the family’s fortune is lost through an unwise investment, and she returns to a life of near-poverty, a change which she greatly resents both for herself and for her widowed mother. The only escape seems to be for her to marry a wealthy older man who has been courting her in a casual, unemotional way. The marriage turns out to be a terrible mistake.
Daniel Deronda has been raised by Sir Hugo Mallinger as his nephew, but Daniel has never discovered his true parentage, thinking it likely that he is Sir Hugo’s natural son. This consciousness of his probable illegitimacy moves him to kindness and tolerance towards anyone who is suffering from disadvantage. One evening, while rowing on the river Thames, he spots a young woman about to leap into the water to drown herself. He persuades her instead to come with him for shelter to a family he knows. The young woman turns out to be Jewish, and through his trying to help her find her lost family, Deronda comes into contact with Jewish culture—and in particular with a man named Mordecai, who has a passionate vision for the future of the Jewish race and who sees in Daniel a kindred spirit.
The paths that Gwendolen and Daniel follow intersect often, and Daniel’s kindly nature moves him to try to offer her comfort and advice in her moments of distress. Unsurprisingly, Gwendolen misinterprets Daniel’s attentions.
In Daniel Deronda Eliot demonstrates considerable sympathy towards the Jewish people, their culture, and their aspirations for a national homeland. At the time this was an unpopular and even controversial view. A foreword in this edition reproduces a letter Evans wrote to Harriet Beecher Stowe, defending her stance in this regard. Nevertheless, the novel was a success, and was translated almost immediately into German and Dutch. It is considered to have had a positive influence on Zionist thinkers.
Daniel Deronda has been adapted both for film and television, with the 2002 B.B.C. series winning several awards.
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- Author: George Eliot
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“My contempt for them binds me to see that I don’t adopt their mistake on a small scale,” said Deronda, “and make myself deaf with the assumption that there cannot be any momentous relation between this Jew and me, simply because he has clad it in illusory notions. What I can be to him, or he to me, may not at all depend on his persuasion about the way we came together. To me the way seems made up of plainly discernible links. If I had not found Mirah, it is probable that I should not have begun to be specially interested in the Jews, and certainly I should not have gone on that loitering search after an Ezra Cohen which made me pause at Ram’s bookshop and ask the price of Maimon. Mordecai, on his side, had his visions of a disciple, and he saw me by their light; I corresponded well enough with the image his longing had created. He took me for one of his race. Suppose that his impression—the elderly Jew at Frankfort seemed to have something like it—suppose in spite of all presumptions to the contrary, that his impression should somehow be proved true, and that I should come actually to share any of the ideas he is devoted to? This is the only question which really concerns the effect of our meeting on my life.
“But if the issue should be quite different?—well, there will be something painful to go through. I shall almost inevitably have to be an active cause of that poor fellow’s crushing disappointment. Perhaps this issue is the one I had need prepare myself for. I fear that no tenderness of mine can make his suffering lighter. Would the alternative—that I should not disappoint him—be less painful to me?”
Here Deronda wavered. Feelings had lately been at work within him which had very much modified the reluctance he would formerly have had to think of himself as probably a Jew. And, if you like, he was romantic. That young energy and spirit of adventure which have helped to create the worldwide legions of youthful heroes going to seek the hidden tokens of their birth and its inheritance of tasks, gave him a certain quivering interest in the bare possibility that he was entering on a like track—all the more because the track was one of thought as well as action.
“The bare possibility.” He could not admit it to be more. The belief that his father was an Englishman only grew firmer under the weak assaults of unwarranted doubt. And that a moment should ever come in which that belief was declared a delusion, was something of which Deronda would not say, “I should be glad.” His lifelong affection for Sir Hugo, stronger than all his resentment, made him shrink from admitting that wish.
Which way soever the truth might lie, he repeated to himself what he had said to Mordecai—that he could not without farther reasons undertake to hasten its discovery. Nay, he was tempted now to regard his uncertainty as a condition to be cherished for the present. If further intercourse revealed nothing but illusions as what he was expected to share in, the want of any valid evidence that he was a Jew might save Mordecai the worst shock in the refusal of fraternity. It might even be justifiable to use the uncertainty on this point in keeping up a suspense which would induce Mordecai to accept those offices of friendship that Deronda longed to urge on him.
These were the meditations that busied Deronda in the interval of four days before he could fulfill his promise to call for Mordecai at Ezra Cohen’s, Sir Hugo’s demands on him often lasting to an hour so late as to put the evening expedition to Holborn out of the question.
XLIIWenn es eine Stufenleiter von Leiden giebt, so hat Israel die höchste Staffel erstiegen; wen die Dauer der Schmerzen und die Geduld, mit welcher sie ertragen werden, adeln, so nehmen es die Juden mit den Hochgeborenen aller Länder auf; wenn eine Literatur reich genannt wird, die wenige klassische Trauerspiele besitzt, welcher Platz gebührt dann einer Tragodie die anderthalb Jahrtausende wahrt, gedichtet und dargestellt von den Helden selber?
—Zunz: Die Synagogale Poesie des Mittelalters.“If there are ranks in suffering, Israel takes precedence of all the nations—if the duration of sorrows and the patience with which they are borne ennoble, the Jews are among the aristocracy of every land—if a literature is called rich in the possession of a few classic tragedies, what shall we say to a National Tragedy lasting for fifteen hundred years, in which the poets and the actors were also the heroes?”
Deronda had lately been reading that passage of Zunz, and it occurred to him by way of contrast when he was going to the Cohens, who certainly bore no obvious stamp of distinction in sorrow or in any other form of aristocracy. Ezra Cohen was not clad in the sublime pathos of the martyr, and his taste for money-getting seemed to be favored with that success which has been the most exasperating difference in the greed of Jews during all the
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