Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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After tea Hortense went upstairs. She had not rummaged her drawers for a month past, and the impulse to perform that operation was now become resistless. During her absence the talk passed into Carolineâs hands. She took it up with ease; she fell into her best tone of conversation. A pleasing facility and elegance of language gave fresh charm to familiar topics; a new music in the always soft voice gently surprised and pleasingly captivated the listener; unwonted shades and lights of expression elevated the young countenance with character, and kindled it with animation.
âCaroline, you look as if you had heard good tidings,â said Moore, after earnestly gazing at her for some minutes.
âDo I?â
âI sent for you this evening that I might be cheered; but you cheer me more than I had calculated.â
âI am glad of that. And I really cheer you?â
âYou look brightly, move buoyantly, speak musically.â
âIt is pleasant to be here again.â
âTruly it is pleasant; I feel it so. And to see health on your cheek and hope in your eye is pleasant, Cary; but what is this hope, and what is the source of this sunshine I perceive about you?â
âFor one thing, I am happy in mamma. I love her so much, and she loves me. Long and tenderly she nursed me. Now, when her care has made me well, I can occupy myself for and with her all the day. I say it is my turn to attend to her; and I do attend to her. I am her waiting-woman as well as her child. I likeâ âyou would laugh if you knew what pleasure I have in making dresses and sewing for her. She looks so nice now, Robert; I will not let her be old-fashioned. And then, she is charming to talk toâ âfull of wisdom, ripe in judgment, rich in information, exhaustless in stores her observant faculties have quietly amassed. Every day that I live with her I like her better, I esteem her more highly, I love her more tenderly.â
âThat for one thing, then, Cary. You talk in such a way about âmammaâ it is enough to make one jealous of the old lady.â
âShe is not old, Robert.â
âOf the young lady, then.â
âShe does not pretend to be young.â
âWell, of the matron. But you said mammaâs affection was one thing that made you happy; now for the other thing.â
âI am glad you are better.â
âWhat besides?â
âI am glad we are friends.â
âYou and I?â
âYes. I once thought we never should be.â
âCary, some day I mean to tell you a thing about myself that is not to my credit, and consequently will not please you.â
âAh, donât! I cannot bear to think ill of you.â
âAnd I cannot bear that you should think better of me than I deserve.â
âWell, but I half know your âthing;â indeed, I believe I know all about it.â
âYou do not.â
âI believe I do.â
âWhom does it concern besides me?â
She coloured; she hesitated; she was silent.
âSpeak, Cary! Whom does it concern?â
She tried to utter a name, and could not.
âTell me; there is none present but ourselves. Be frank.â
âBut if I guess wrong?â
âI will forgive. Whisper, Cary.â
He bent his ear to her lips. Still she would not, or could not, speak clearly to the point. Seeing that Moore waited and was resolved to hear something, she at last said, âMiss Keeldar spent a day at the rectory about a week since. The evening came on very wintry, and we persuaded her to stay all night.â
âAnd you and she curled your hair together?â
âHow do you know that?â
âAnd then you chattered, and she told youâ ââ
âIt was not at curling-hair time, so you are not as wise as you think; and, besides, she didnât tell me.â
âYou slept together afterwards?â
âWe occupied the same room and bed. We did not sleep much; we talked the whole night through.â
âIâll be sworn you did! And then it all came outâ âtant pis. I would rather you had heard it from myself.â
âYou are quite wrong. She did not tell me what you suspectâ âshe is not the person to proclaim such things; but yet I inferred something from parts of her discourse. I gathered more from rumour, and I made out the rest by instinct.â
âBut if she did not tell you that I wanted to marry her for the sake of her money, and that she refused me indignantly and scornfully (you need neither start nor blush; nor yet need you prick your trembling fingers with your needle. That is the plain truth, whether you like it or not)â âif such was not the subject of her august confidences, on what point did they turn? You say you talked the whole night through; what about?â
âAbout things we never thoroughly discussed before, intimate friends as we have been; but you hardly expect I should tell you?â
âYes, yes, Cary; you will tell me. You said we were friends, and friends should always confide in each other.â
âBut you are sure you wonât repeat it?â
âQuite sure.â
âNot to Louis?â
âNot even to Louis. What does Louis care for young ladiesâ secrets?â
âRobert, Shirley is a curious, magnanimous being.â
âI dare say. I can imagine there are both odd points and grand points about her.â
âI have found her chary in showing her feelings; but when they rush out, river-like, and pass full and powerful before youâ âalmost without leave from herâ âyou gaze, wonder; you admire, andâ âI thinkâ âlove her.â
âYou saw this spectacle?â
âYes; at dead of night, when all the house was silent, and starlight and the cold reflection from the snow glimmered in our chamber, then I saw Shirleyâs heart.â
âHer heartâs core? Do you think she showed you that?â
âHer heartâs core.â
âAnd how was it?â
âLike a shrine, for it was holy; like snow, for it was pure; like flame, for it was warm; like death, for it was strong.â
âCan she love? tell me that.â
âWhat think you?â
âShe has loved none that have loved her yet.â
âWho are those that have loved her?â
He named a list of gentlemen, closing
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