National Avenue by Booth Tarkington (book recommendations website .txt) 📕
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National Avenue, originally titled The Midlander, is Booth Tarkington’s final entry in his Growth Trilogy. Like the previous entries in the series, National Avenue addresses the rapid industrialization of small-town America at the turn of the century, and the socioeconomic changes that such change brings with it.
Dan Oliphant and his brother Harlan are the children of a wealthy small-town businessman. Harlan is a traditional upper-class man—affecting an accent, dressing for dinner, and contemplating beauty and culture—while Dan is boisterous and lively, eager to do big things. Dan sees the rise of industry in America’s east as a harbinger for his own Midwestern town, and sets his mind on building an industrial suburb, Ornaby Addition, next to his city’s downtown.
Dan’s idea is met with scorn and mockery from not only his family, but also his fellow townspeople. Dan persists nonetheless, and soon the town must contend with his dream becoming a reality: noisy cars, smoky factories, huge, unappealing buildings, and the destruction of nature and the environment become the new normal as Dan’s industrial dream is realized.
Where The Turmoil focuses on industrialization’s effect on art and culture, and The Magnificent Ambersons focuses on industry’s destruction of family and of small-town life, National Avenue focuses on the men and women who actually bring that change about. Dan is portrayed sympathetically, but Tarkington makes it clear that his dreams and choices lead to a deeply unhappy family life and the ruination of the land around him. But can Dan really be faulted for his dream, or is industry inevitable, and inevitably destructive?
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- Author: Booth Tarkington
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“Quite so! That’s one reason why everybody downtown is laughing at Dan. Your father will never do it, Martha. Have you any idea he will?”
“Not much of one,” she admitted sadly, and shook her head. “He doesn’t understand Dan’s theory that the car line would pay for itself by fares from the people who’d build along the line.”
“No, I shouldn’t think he’d understand that—at least not very sympathetically!”
“Dan isn’t discouraged, is he?” she asked.
“No, he isn’t the temperament to be discouraged by anything. It’s a matter of disposition, not of facts, and Dan was born to be a helpless optimist all his life. For instance, he still believes that when he marries his Miss McMillan and brings her here to live, grandmother will learn to like her! Yet he ought to know by this time that grandmother’s a perfect duplicate of your father in the matter of plaster of Paris. I suppose you’ve seen Miss McMillan’s photograph, Martha?”
Harlan glanced at her as if casually, but she answered without any visible embarrassment: “Oh, yes; he brought it over, and talked of her a whole evening. If the photograph’s like her—” She paused.
“It’s one of those photographs that are like,” Harlan observed. “My own judgment is that she’s not precisely the girl to put on a pair of overalls and go out and help Dan clear the underbrush off his ‘Addition.’ ”
“Is he doing that himself? I haven’t seen him for days and days.”
“No,” said Harlan. “You wouldn’t, because he is doing just about that. I believe he has five or six darkies helping him; but he keeps overalls for himself out there in a shed. He gets up before six, drives out in his runabout, with a nosebag of oats for his horse under the seat, and he gets home after dark ready to drop, but still talking about what a success he’s going to make of the great and only Ornaby Addition. He wears shabby clothes all the time—he seems not to care at all how he looks—and Saturdays he comes home at noon and spends the rest of the day downtown making orations to bankers and business men, especially your father.”
“To no effect at all,” Martha said gloomily.
“Oh, but I think he’s had an extraordinarily distinct effect!”
“What effect is it?”
“Well, I’m afraid,” Harlan said slowly;—“I’m afraid he’s been successful in making himself the laughing stock of the town.”
“They—they think he’s just a joke?”
“Not ‘just’ one,” the precise Harlan replied. “They think he’s the biggest one they’ve ever seen.”
Martha uttered a sound of angry protest, though she did not speak at once, but stared frowningly at the fire; then she turned abruptly to Harlan. “Why don’t you help him?”
“I? Well, he hasn’t asked me to help him, precisely. Did he tell you I—”
“No; he didn’t say anything about you. But why don’t you?”
“As a matter of fact,” Harlan explained, a little annoyed, “he didn’t ask me for help, but he did want me to go in with him on strictly business grounds. He was certain that if I joined him as a partner, it would be a great thing for both of us. He wanted me to do the same thing he did—invest what grandfather left me in making the Ornaby farm blossom with horrible bungalows and corner drug stores.”
“And you wouldn’t,” Martha said affirmatively.
“Why should I, since I don’t believe in his scheme?”
“But why couldn’t you believe in Dan himself?”
“Good heavens!” Harlan exclaimed, and uttered a sound of impatient laughter. “I’ve never looked upon Dan as precisely a genius, Martha. Besides, even if by a miracle he could do something of what he dreams he can, what on earth would be the use of it? It would only be an extension of ugliness into a rather inoffensive landscape. I don’t believe he can do it in the first place; and in the second, I don’t believe in doing it even if it can be done.”
“Don’t you?” she asked, and looked at him thoughtfully. “What do you believe in, Harlan?”
“A number of things,” he said gravely. “For instance, I don’t believe in kicking up a lot of dust and confusion to turn a nice old farm into horrible-looking lots with hideous signboards blaring all over ’em.”
“How characteristic!”
“What is?”
“I asked you what you believed in,” she explained. “You said you believed in ‘a number of things,’ and went straight on: ‘For instance, I don’t believe—’ ”
“Yes,” he said, “I was keeping to the argument about Dan.”
Martha laughed at his calm sophistry, but was content to seem to accept it and to waive her point. “What do your father and mother think of Ornaby Addition?”
“Oh, you know them! They understand as well as anybody that it’s all folly, but they don’t say so to Dan. I think poor father would even put something in just to please Dan, if he could spare it after what he’s lost in bad loans this year.”
“How about Mrs. Savage?”
“Grandmother!” Harlan was amused at this suggestion. “Dan has to keep away from her; she’s taken such a magnificently healthy prejudice against his little Miss McMillan she won’t talk to him about anything else, and Dan can’t stand it. Not much chance for ‘Ornaby’ there, Martha!”
“No; she is a plaster of Paris old thing!”
“Inordinately. She’s always been set about me, Martha,” Harlan remarked with a ruefulness in which there was a measure of philosophic amusement. “She’s always maintained that I’d never amount to anything—I have the terrible faults of being an egotist and smoking cigarettes—but she’s sometimes admitted she thought Dan might. That’s why she’s furious with him about throwing himself away on this ‘spoiled ninny of a photograph girl’—her usual way of referring to Miss McMillan. Grandmother’s twice as furious with him as if she hadn’t always been like you, Martha.”
“Like me? How?”
“I mean about your feeling toward Dan and me.” Harlan smiled, but his eyes were expressive of something far from amusement. It was as if here he
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