Arthur Pinero wrote The Second Mrs. Tanqueray in 1893 after penning several successful farces. Playing on the “woman with a past” plot that was popular in melodramas, Pinero steered it in a more serious direction, centering the play around the social consequences arising when Aubrey Tanqueray remarries in an attempt to redeem a woman with a questionable past.
The play’s structure is based on the principles of the “well-made play” popular throughout the 19th-century. But just as Wilde manipulated the conventions of the “well-made play” to produce a new form of comedy, so did Arthur Pinero manipulate it, forgoing the happy ending to produce an elevated form of tragedy.
The Second Mrs. Tanqueray was first performed in 1893, at the St. James Theatre, London, at a time when England was still resisting the growing movement in Europe towards realism and the portrayal of real social problems and human misconduct. But while it was regarded as shocking, it ran well and made a substantial profit. Theatre historian J. P. Wearing phrased it thus: “although not as avant-garde as Ibsen’s plays, Tanqueray confronted its fashionable St. James’s audiences with as forceful a social message as they could stomach.”
question. Finally, Ellean, understand me—I have made up my mind.
Again going to the door.
Ellean
But wait—listen! I have made up my mind also.
Aubrey
Ah! I recognise your mother in you now!
Ellean
You need not speak against my mother because you are angry with me!
Aubrey
I—I hardly know what I’m saying to you. In the morning—in the morning—
He goes out. She remains standing, and turns her head to listen. Then, after a moment’s hesitation she goes softly to the window, and looks out under the verandah.
Ellean
In a whisper. Paula! Paula!
Paula appears outside the window and steps into the room; her face is white and drawn, her hair is a little disordered.
Paula
Huskily. Well?
Ellean
Have you been under the verandah all the while—listening?
Paula
N—no.
Ellean
You have overheard us—I see you have. And it is you who have been speaking to my father against Captain Ardale. Isn’t it? Paula, why don’t you own it or deny it?
Paula
Oh, I—I don’t mind owning it; why should I?
Ellean
Ah! You seem to have been very, very eager to tell your tale.
Paula
No, I wasn’t eager, Ellean. I’d have given something not to have had to do it. I wasn’t eager.
Ellean
Not! Oh, I think you might safely have spared us all for a little while.
Paula
But, Ellean, you forget I—I am your stepmother. It was my—my duty—to tell your father what I—what I knew—
Ellean
What you knew! Why, after all, what can you know! You can only speak from gossip, report, hearsay! How is it possible that you—! She stops abruptly. The two women stand staring at each other for a moment; then Ellean backs away from Paula slowly. Paula!
Paula
What—what’s the matter?
Ellean
You—you knew Captain Ardale in London!
Paula
Why—what do you mean?
Ellean
Oh!
She makes for the door, but Paula catches her by the wrist.
Paula
You shall tell me what you mean!
Ellean
Ah! Suddenly looking fixedly in Paula’s face. You know what I mean.
Paula
You accuse me!
Ellean
It’s in your face!
Paula
Hoarsely. You—you think I’m—that sort of creature, do you?
Ellean
Let me go!
Paula
Answer me! You’ve always hated me! Shaking her. Out with it!
Ellean
You hurt me!
Paula
You’ve always hated me! You shall answer me!
Ellean
Well, then, I have always—always—
Paula
What?
Ellean
I have always known what you were!
Paula
Ah! Who—who told you?
Ellean
Nobody but yourself. From the first moment I saw you I knew you were altogether unlike the good women I’d left; directly I saw you I knew what my father had done. You’ve wondered why I’ve turned from you! There—that’s the reason! Oh, but this is a horrible way for the truth to come home to everyone! Oh!
Paula
It’s a lie! It’s all a lie! Forcing Ellean down upon her knees. You shall beg my pardon for it. Ellean utters a loud shriek of terror. Ellean, I’m a good woman! I swear I am! I’ve always been a good woman! You dare to say I’ve ever been anything else! It’s a lie!
Throwing her off violently.
Aubrey re-enters.
Aubrey
Paula! Paula staggers back as Aubrey advances. Raising Ellean. What’s this? What’s this?
Ellean
Faintly. Nothing. It—it’s my fault. Father, I—I don’t wish to see Captain Ardale again.
She goes out, Aubrey slowly following her to the door.
Paula
Aubrey, she—she guesses.
Aubrey
Guesses?
Paula
About me—and Ardale.
Aubrey
About you—and Ardale?
Paula
She says she suspected my character from the beginning … that’s why she’s always kept me at a distance … and now she sees through—
She falters; he helps her to the ottoman, where she sits.
Aubrey
Bending over her. Paula, you must have said something—admitted something—
Paula
I don’t think so. It—it’s in my face.
Aubrey
What?
Paula
She tells me so. She’s right! I’m tainted through and through; anybody can see it, anybody can find it out. You said much the same to me tonight.
Aubrey
If she has got this idea into her head we must drive it out, that’s all. We must take steps to—What shall we do? We had better—better—What—what?
Sitting and staring before him.
Paula
Ellean! So meek, so demure! You’ve often said she reminded you of her mother. Yes, I know now what your first marriage was like.
Aubrey
We must drive this idea out of her head. We’ll do something. What shall we do?
Paula
She’s a regular woman too. She could forgive him easily enough—but me! That’s just a woman!
Aubrey
What can we do?
Paula
Why, nothing! She’d have no difficulty in following up her suspicions. Suspicions! You should have seen how she looked at me! He buries his head in his hands. There is silence for a time, then she rises slowly, and goes and sits beside him. Aubrey!
Aubrey
Yes.
Paula
I’m very sorry.
Without meeting her eyes, he lays his hand on her arm for a moment.
Aubrey
Well, we must look things straight in the face. Glancing round. At any rate, we’ve done with this.
Paula
I suppose so. After a brief pause. Of course, she and I can’t live under the same roof any more. You know she kissed me tonight, of her own accord.
Aubrey
I asked her to alter towards you.
Paula
That was it, then.
Aubrey
I—I’m sorry I sent her away.
Paula
It was my fault; I made it necessary.
Aubrey
Perhaps now she’ll propose to return to the convent—well, she must.
Paula
Would you like to keep her with you and—and leave me?
Aubrey
Paula—!
Paula
You needn’t be afraid I’d go back to—what I was. I couldn’t.
Aubrey
Sssh, for God’s sake! We—you and I—we’ll get out of this place … what a fool I was to come here again!
Paula
You lived here with your first wife!
Aubrey
We’ll get out of this place and go abroad again, and begin afresh.
Paula
Begin afresh?
Aubrey
There’s no reason why the future shouldn’t be happy for us—no reason that I can see—
Paula
Aubrey!
Aubrey
Yes?
Paula
You’ll never forget this, you know.
Aubrey
This?
Paula
Tonight, and everything that’s led up to it. Our coming here, Ellean, our quarrels—cat and
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