One of the most celebrated English comedies of manners, Sheridan’sThe School for Scandal was first produced in 1777 at London’s Drury Lane Theatre. It opened just a year after Sheridan succeeded the famous actor/manager David Garrick as manager and, after Garrick had read the play, he even volunteered to write the prologue—lending his much desired endorsement to the production. The School for Scandal was extremely well received by its audiences as well as by many contemporary critics.
The plot revolves around members of London’s Georgian society who delight in rumor and gossip and the infelicities and flaws of others. Although they draw their victims from their own membership, they let no action go un-noted or uncriticized. But as the plot unfolds events don’t always prove quite so titillating, and not a few find themselves victims of their own love of scandal.
The comedy of manners was a staple of Restoration theatre with William Congreve and Molière being its most famous proponents. After it fell out of favor it was revived in the later part of the 1700s when a new generation of playwrights like William Goldsmith and Richard Sheridan took up writing them again. Praised for its tight writing and razor wit, The School for Scandal skewered high-society with such spirited ridicule and insight that it earned Sheridan the epithet of “the modern Congreve.”
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independent of you; so that you may sink the original and not hurt the picture. — No, no; the merit of these is the inveterate likeness—all stiff and awkward as the originals, and like nothing in human nature besides.
Sir Oliver
Ah! we shall never see such figures of men again.
Charles Surface
I hope not. — Well, you see, Master Premium, what a domestic character I am; here I sit of an evening surrounded by my family. — But come, get to your pulpit, Mr. Auctioneer;17 here’s an old gouty chair of my grandfather’s will answer the purpose.
Careless
Ay, ay, this will do. — But, Charles, I haven’t a hammer; and what’s an auctioneer without his hammer?
Charles Surface
Egad, that’s true. What parchment have we here? Oh, our genealogy in full. Taking pedigree down. Here, Careless, you shall have no common bit of mahogany, here’s the family tree for you, you rogue! This shall be your hammer, and now you may knock down my ancestors with their own pedigree.
Sir Oliver
What an unnatural rogue!—an ex post facto parricide! Aside.
Careless
Yes, yes, here’s a list of your generation indeed;—faith, Charles, this is the most convenient thing you could have found for the business, for ’t will not only serve as a hammer, but a catalogue into the bargain. Come, begin—A-going, a-going, a-going!
Charles Surface
Bravo, Careless! Well, here’s my great-uncle, Sir Richard Raveline,18 a marvellous good general in his day, I assure you. He served in all the Duke of Marlborough’s wars, and got that cut over his eye at the battle of Malplaquet. What say you, Mr. Premium? look at him—there’s a hero! not cut out of his feathers, as your modern clipped captains are, but enveloped in wig and regimentals, as a general should be. — What do you bid?
Sir Oliver
Aside to Moses. Bid him speak.
Moses
Mr. Premium would have you speak.
Charles Surface
Why, then, he shall have him for ten pounds, and I’m sure that’s not dear for a staff-officer.
Sir Oliver
Aside. Heaven deliver me! his famous uncle Richard for ten pounds!—Aloud. Very well, sir, I take him at that.
Charles Surface
Careless, knock down my uncle Richard. — Here, now, is a maiden sister of his, my great-aunt Deborah, done by Kneller, thought to be in his best manner, and a very formidable likeness. There she is, you see, a shepherdess feeding her flock. You shall have her for five pounds ten—the sheep are worth the money.
Sir Oliver
Aside. Ah! poor Deborah! a woman who set such a value on herself!—Aloud. Five pounds ten—she’s mine.
Charles Surface
Knock down my aunt Deborah!—Here, now, are two that were a sort of cousins of theirs. — You see, Moses, these pictures were done some time ago, when beaux wore wigs, and the ladies their own hair.
Sir Oliver
Yes, truly, headdresses appear to have been a little lower in those days.
Charles Surface
Well, take that couple for the same.
Moses
’T is a good bargain.
Charles Surface
Careless!—This, now, is a grandfather of my mother’s, a learned judge, well known on the western circuit. — What do you rate him at, Moses?
Moses
Four guineas.
Charles Surface
Four guineas! Gad’s life, you don’t bid me the price of his wig. — Mr. Premium, you have more respect for the woolsack; do let us knock his lordship down at fifteen.
Sir Oliver
By all means.
Careless
Gone!
Charles Surface
And there are two brothers of his, William and Walter Blunt, Esquires, both members of parliament, and noted speakers; and, what’s very extraordinary, I believe, this is the first time they were ever bought or sold.
Sir Oliver
That is very extraordinary, indeed! I’ll take them at your own price, for the honour of parliament.
Careless
Well said, little Premium!—I’ll knock them down at forty.
Charles Surface
Here’s a jolly fellow—I don’t know what relation, but he was mayor of Manchester: take him at eight pounds.
Sir Oliver
No, no; six will do for the mayor.
Charles Surface
Come, make it guineas, and I’ll throw you the two aldermen there into the bargain.
Sir Oliver
They’re mine.
Charles Surface
Careless, knock down the mayor and aldermen. — But, plague on’t! we shall be all day retailing in this manner: do let us deal wholesale; what say you, little Premium? Give me three hundred pounds for the rest of the family in the lump.
Careless
Ay, ay, that will be the best way.
Sir Oliver
Well, well, anything to accommodate you; they are mine. But there is one portrait which you have always passed over.
Careless
What, that ill-looking little fellow over the settee?
Sir Oliver
Yes, sir, I mean that; though I don’t think him so ill-looking a little fellow, by any means.
Charles Surface
What, that?—Oh; that’s my uncle Oliver! ’twas done before he went to India.
Careless
Your uncle Oliver!—Gad, then you’ll never be friends, Charles. That, now, to me, is as stern a looking rogue as ever I saw; an unforgiving eye, and a damned disinheriting countenance! an inveterate knave, depend on’t. Don’t you think so, little Premium?
Sir Oliver
Upon my soul, sir, I do not; I think it is as honest a looking face as any in the room, dead or alive. — But I suppose uncle Oliver goes with the rest of the lumber?
Charles Surface
No, hang it! I’ll not part with poor Noll. The old fellow has been very good to me, and, egad, I’ll keep his picture while I’ve a room to put it in.
Sir Oliver
Aside. The rogue’s my nephew after all!—Aloud. But, sir, I have somehow taken a fancy to that picture.
Charles Surface
I’m sorry for ’t, for you certainly will not have it. Oons, haven’t you got enough of them?
Sir Oliver
Aside. I forgive him everything!—Aloud. But, sir, when I take a whim in my head, I don’t value money. I’ll give you as much for that as for all the rest.
Charles Surface
Don’t tease me, master broker; I tell you I’ll not part with it, and there’s an end of it.
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