Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) 📕
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Daniel Deronda, published in 1876, was George Eliot’s last novel. It deals with two major characters whose lives intersect: One is a spoiled young woman named Gwendolen Harleth who makes an unwise marriage to escape impending poverty; the other is the titular character, Daniel Deronda, a wealthy young man who feels a mission to help the suffering.
During her childhood Gwendolen’s family was well-off. She lived in comfort and was indulged and pampered. But the family’s fortune is lost through an unwise investment, and she returns to a life of near-poverty, a change which she greatly resents both for herself and for her widowed mother. The only escape seems to be for her to marry a wealthy older man who has been courting her in a casual, unemotional way. The marriage turns out to be a terrible mistake.
Daniel Deronda has been raised by Sir Hugo Mallinger as his nephew, but Daniel has never discovered his true parentage, thinking it likely that he is Sir Hugo’s natural son. This consciousness of his probable illegitimacy moves him to kindness and tolerance towards anyone who is suffering from disadvantage. One evening, while rowing on the river Thames, he spots a young woman about to leap into the water to drown herself. He persuades her instead to come with him for shelter to a family he knows. The young woman turns out to be Jewish, and through his trying to help her find her lost family, Deronda comes into contact with Jewish culture—and in particular with a man named Mordecai, who has a passionate vision for the future of the Jewish race and who sees in Daniel a kindred spirit.
The paths that Gwendolen and Daniel follow intersect often, and Daniel’s kindly nature moves him to try to offer her comfort and advice in her moments of distress. Unsurprisingly, Gwendolen misinterprets Daniel’s attentions.
In Daniel Deronda Eliot demonstrates considerable sympathy towards the Jewish people, their culture, and their aspirations for a national homeland. At the time this was an unpopular and even controversial view. A foreword in this edition reproduces a letter Evans wrote to Harriet Beecher Stowe, defending her stance in this regard. Nevertheless, the novel was a success, and was translated almost immediately into German and Dutch. It is considered to have had a positive influence on Zionist thinkers.
Daniel Deronda has been adapted both for film and television, with the 2002 B.B.C. series winning several awards.
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- Author: George Eliot
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“When you resolved on that, you meant that I should never know my origin?” said Deronda, impulsively. “You have at least changed in your feeling on that point.”
“Yes, that was what I meant. That is what I persevered in. And it is not true to say that I have changed. Things have changed in spite of me. I am still the same Leonora”—she pointed with her forefinger to her breast—“here within me is the same desire, the same will, the same choice, but”—she spread out her hands, palm upward, on each side of her, as she paused with a bitter compression of her lip, then let her voice fall into muffled, rapid utterance—“events come upon us like evil enchantments: and thoughts, feelings, apparitions in the darkness are events—are they not? I don’t consent. We only consent to what we love. I obey something tyrannic”—she spread out her hands again—“I am forced to be withered, to feel pain, to be dying slowly. Do I love that? Well, I have been forced to obey my dead father. I have been forced to tell you that you are a Jew, and deliver to you what he commanded me to deliver.”
“I beseech you to tell me what moved you—when you were young, I mean—to take the course you did,” said Deronda, trying by this reference to the past to escape from what to him was the heartrending piteousness of this mingled suffering and defiance. “I gather that my grandfather opposed your bent to be an artist. Though my own experience has been quite different, I enter into the painfulness of your struggle. I can imagine the hardship of an enforced renunciation.”
“No,” said the Princess, shaking her head and folding her arms with an air of decision. “You are not a woman. You may try—but you can never imagine what it is to have a man’s force of genius in you, and yet to suffer the slavery of being a girl. To have a pattern cut out—‘this is the Jewish woman; this is what you must be; this is what you are wanted for; a woman’s heart must be of such a size and no larger, else it must be pressed small, like Chinese feet; her happiness is to be made as cakes are, by a fixed receipt.’ That was what my father wanted. He wished I had been a son; he cared for me as a makeshift link. His heart was set on his Judaism. He hated that Jewish women should be thought of by the Christian world as a sort of ware to make public singers and actresses of. As if we were not the more enviable for that! That is a chance of escaping from bondage.”
“Was my grandfather a learned man?” said Deronda, eager to know particulars that he feared his mother might not think of.
She answered impatiently, putting up her hand, “Oh, yes—and a clever physician—and good: I don’t deny that he was good. A man to be admired in a play—grand, with an iron will. Like the old Foscari before he pardons. But such men turn their wives and daughters into slaves. They would rule the world if they could; but not ruling the world, they throw all the weight of their will on the necks and souls of women. But nature sometimes thwarts them. My father had no other child than his daughter, and she was like himself.”
She had folded her arms again, and looked as if she were ready to face some impending attempt at mastery.
“Your father was different. Unlike me—all lovingness and affection. I knew I could rule him; and I made him secretly promise me, before I married him, that he would put no hindrance in the way of my being an artist. My father was on his deathbed when we were married: from the first he had fixed his mind on my marrying my cousin Ephraim. And when a woman’s will is as strong as the man’s who wants to govern her, half her strength must be concealment. I meant to have my will in the end, but I could only have it by seeming to obey. I had an awe of my father—always I had had an
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