Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) 📕
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Daniel Deronda, published in 1876, was George Eliot’s last novel. It deals with two major characters whose lives intersect: One is a spoiled young woman named Gwendolen Harleth who makes an unwise marriage to escape impending poverty; the other is the titular character, Daniel Deronda, a wealthy young man who feels a mission to help the suffering.
During her childhood Gwendolen’s family was well-off. She lived in comfort and was indulged and pampered. But the family’s fortune is lost through an unwise investment, and she returns to a life of near-poverty, a change which she greatly resents both for herself and for her widowed mother. The only escape seems to be for her to marry a wealthy older man who has been courting her in a casual, unemotional way. The marriage turns out to be a terrible mistake.
Daniel Deronda has been raised by Sir Hugo Mallinger as his nephew, but Daniel has never discovered his true parentage, thinking it likely that he is Sir Hugo’s natural son. This consciousness of his probable illegitimacy moves him to kindness and tolerance towards anyone who is suffering from disadvantage. One evening, while rowing on the river Thames, he spots a young woman about to leap into the water to drown herself. He persuades her instead to come with him for shelter to a family he knows. The young woman turns out to be Jewish, and through his trying to help her find her lost family, Deronda comes into contact with Jewish culture—and in particular with a man named Mordecai, who has a passionate vision for the future of the Jewish race and who sees in Daniel a kindred spirit.
The paths that Gwendolen and Daniel follow intersect often, and Daniel’s kindly nature moves him to try to offer her comfort and advice in her moments of distress. Unsurprisingly, Gwendolen misinterprets Daniel’s attentions.
In Daniel Deronda Eliot demonstrates considerable sympathy towards the Jewish people, their culture, and their aspirations for a national homeland. At the time this was an unpopular and even controversial view. A foreword in this edition reproduces a letter Evans wrote to Harriet Beecher Stowe, defending her stance in this regard. Nevertheless, the novel was a success, and was translated almost immediately into German and Dutch. It is considered to have had a positive influence on Zionist thinkers.
Daniel Deronda has been adapted both for film and television, with the 2002 B.B.C. series winning several awards.
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- Author: George Eliot
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“I am not like what you thought I was,” said the mother decisively, withdrawing her hands from his shoulders, and folding her arms as before, looking at him as if she invited him to observe her. He had often pictured her face in his imagination as one which had a likeness to his own: he saw some of the likeness now, but amidst more striking differences. She was a remarkable looking being. What was it that gave her son a painful sense of aloofness?—Her worn beauty had a strangeness in it as if she were not quite a human mother, but a Melusina, who had ties with some world which is independent of ours.
“I used to think that you might be suffering,” said Deronda, anxious above all not to wound her. “I used to wish that I could be a comfort to you.”
“I am suffering. But with a suffering that you can’t comfort,” said the Princess, in a harder voice than before, moving to a sofa where cushions had been carefully arranged for her. “Sit down.” She pointed to a seat near her; and then discerning some distress in Deronda’s face, she added, more gently, “I am not suffering at this moment. I am at ease now. I am able to talk.”
Deronda seated himself and waited for her to speak again. It seemed as if he were in the presence of a mysterious Fate rather than of the longed-for mother. He was beginning to watch her with wonder, from the spiritual distance to which she had thrown him.
“No,” she began: “I did not send for you to comfort me. I could not know beforehand—I don’t know now—what you will feel toward me. I have not the foolish notion that you can love me merely because I am your mother, when you have never seen or heard of me in all your life. But I thought I chose something better for you than being with me. I did not think I deprived you of anything worth having.”
“You cannot wish me to believe that your affection would not have been worth having,” said Deronda, finding that she paused as if she expected him to make some answer.
“I don’t mean to speak ill of myself,” said the princess, with proud impetuosity, “But I had not much affection to give you. I did not want affection. I had been stifled with it. I wanted to live out the life that was in me, and not to be hampered with other lives. You wonder what I was. I was no princess then.” She rose with a sudden movement, and stood as she had done before. Deronda immediately rose too; he felt breathless.
“No princess in this tame life that I live in now. I was a great singer, and I acted as well as I sang. All the rest were poor beside me. Men followed me from one country to another. I was living a myriad lives in one. I did not want a child.”
There was a passionate self-defence in her tone. She had cast all precedent out of her mind. Precedent had no excuse for her and she could only seek a justification in the intensest words she could find for her experience. She seemed to fling out the last words against some possible reproach in the mind of her son, who had to stand and hear them—clutching his coat-collar as if he were keeping himself above water by it, and feeling his blood in the sort of commotion that might have been excited if he had seen her going through some strange rite of a religion which gave a sacredness to crime. What else had she to tell him? She went on with the same intensity and a sort of pale illumination in her face.
“I did not want to marry. I was forced into marrying your father—forced, I mean, by my father’s wishes and commands; and besides, it was my best way of getting some freedom. I could rule my husband, but not my father. I had a right to be free. I had a right to seek my freedom from a bondage that I hated.”
She seated herself again, while there was that subtle movement in her eyes and closed lips which is like the suppressed continuation of speech. Deronda continued standing, and after a moment or two she looked up at him with a less defiant pleading as she said,
“And the bondage I hated for myself I wanted to keep you from. What better could the most loving mother have done? I relieved you from the bondage of having been born a Jew.”
“Then I am a Jew?” Deronda burst out with a deep-voiced energy that made his mother shrink a little backward against her cushions. “My father was a Jew, and you are a Jewess?”
“Yes, your father was my cousin,” said the mother, watching him with a change in her look, as if she saw something that she might have to be afraid of.
“I am glad of it,” said Deronda, impetuously, in the veiled voice of passion. He could not have imagined beforehand how he would have come to say that which he had never hitherto admitted. He could not have dreamed that it would be in impulsive opposition to his mother. He was shaken by a mixed anger which no reflection could come soon enough to check, against this mother who it seemed had borne him unwillingly, had willingly made herself a stranger to him, and—perhaps—was now making herself known unwillingly. This last suspicion seemed to flash some explanation over her speech.
But the mother was equally shaken by an anger differently mixed, and her frame was less equal to any repression. The shaking with her was visibly physical, and her eyes looked the larger for her pallid excitement as she said violently,
“Why do you say you are glad? You are an English gentleman. I secured you that.”
“You did not know what you secured me.
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