War and Peace by Leo Tolstoy (ebook reader for pc TXT) 📕
Description
Against the backdrop of the Napoleonic Wars, five aristocratic families in Russia are transformed by the vagaries of life, by war, and by the intersection of their lives with each other. Hundreds of characters populate War and Peace, many of them historical persons, including Napoleon and Tsar Alexander I, and all of them come to life under Tolstoy’s deft hand.
War and Peace is generally considered to be Tolstoy’s masterpiece, a pinnacle of Russian literature, and one of history’s great novels. Tolstoy himself refused to call it that, saying it was “not a novel, even less is it a poem, and still less a historical chronicle.” It contains elements of history, narrative, and philosophy, the latter increasing in quantity as the book moves towards its climax. Whatever it is called, it is a triumph whose breadth and depth is perhaps unmatched in literature.
This production restores the Russian given names that were anglicized by the Maudes in their translation, the use of Russian patronymics and diminutives that they eliminated, and Tolstoy’s original four-book structure.
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- Author: Leo Tolstoy
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“Of course she will!” whispered Natásha, but did not finish … suddenly Sónya pushed away the glass she was holding and covered her eyes with her hand.
“Oh, Natásha!” she cried.
“Did you see? Did you? What was it?” exclaimed Natásha, holding up the looking glass.
Sónya had not seen anything, she was just wanting to blink and to get up when she heard Natásha say, “Of course she will!” She did not wish to disappoint either Dunyásha or Natásha, but it was hard to sit still. She did not herself know how or why the exclamation escaped her when she covered her eyes.
“You saw him?” urged Natásha, seizing her hand.
“Yes. Wait a bit … I … saw him,” Sónya could not help saying, not yet knowing whom Natásha meant by him, Nikoláy or Prince Andréy.
“But why shouldn’t I say I saw something? Others do see! Besides who can tell whether I saw anything or not?” flashed through Sónya’s mind.
“Yes, I saw him,” she said.
“How? Standing or lying?”
“No, I saw … At first there was nothing, then I saw him lying down.”
“Andréy lying? Is he ill?” asked Natásha, her frightened eyes fixed on her friend.
“No, on the contrary, on the contrary! His face was cheerful, and he turned to me.” And when saying this she herself fancied she had really seen what she described.
“Well, and then, Sónya? …”
“After that, I could not make out what there was; something blue and red. …”
“Sónya! When will he come back? When shall I see him! O, God, how afraid I am for him and for myself and about everything! …” Natásha began, and without replying to Sónya’s words of comfort she got into bed, and long after her candle was out lay open-eyed and motionless, gazing at the moonlight through the frosty windowpanes.
XIIISoon after the Christmas holidays Nikoláy told his mother of his love for Sónya and of his firm resolve to marry her. The countess, who had long noticed what was going on between them and was expecting this declaration, listened to him in silence and then told her son that he might marry whom he pleased, but that neither she nor his father would give their blessing to such a marriage. Nikoláy, for the first time, felt that his mother was displeased with him and that, despite her love for him, she would not give way. Coldly, without looking at her son, she sent for her husband and, when he came, tried briefly and coldly to inform him of the facts, in her son’s presence, but unable to restrain herself she burst into tears of vexation and left the room. The old count began irresolutely to admonish Nikoláy and beg him to abandon his purpose. Nikoláy replied that he could not go back on his word, and his father, sighing and evidently disconcerted, very soon became silent and went in to the countess. In all his encounters with his son, the count was always conscious of his own guilt toward him for having wasted the family fortune, and so he could not be angry with him for refusing to marry an heiress and choosing the dowerless Sónya. On this occasion, he was only more vividly conscious of the fact that if his affairs had not been in disorder, no better wife for Nikoláy than Sónya could have been wished for, and that no one but himself with his Mítenka and his uncomfortable habits was to blame for the condition of the family finances.
The father and mother did not speak of the matter to their son again, but a few days later the countess sent for Sónya and, with a cruelty neither of them expected, reproached her niece for trying to catch Nikoláy and for ingratitude. Sónya listened silently with downcast eyes to the countess’ cruel words, without understanding what was required of her. She was ready to sacrifice everything for her benefactors. Self-sacrifice was her most cherished idea but in this case she could not see what she ought to sacrifice, or for whom. She could not help loving the countess and the whole Rostóv family, but neither could she help loving Nikoláy and knowing that his happiness depended on that love. She was silent and sad and did not reply. Nikoláy felt the situation to be intolerable and went to have an explanation with his mother. He first implored her to forgive him and Sónya and consent to their marriage, then he threatened that if she molested Sónya he would at once marry her secretly.
The countess, with a coldness her son had never seen in her before, replied that he was of age, that Prince Andréy was marrying without his father’s consent, and he could do the same, but that she would never receive that intriguer as her daughter.
Exploding at the word intriguer, Nikoláy, raising his voice, told his mother he had never expected her to try to force him to sell his feelings, but if that were so, he would say for the last time. … But he had no time to utter the decisive word which the expression of his face caused his mother to await with terror, and which would perhaps have forever remained a cruel memory to them both. He had not time to say it, for Natásha, with a pale and set face, entered the room from the door at which she had been listening.
“Nikólenka, you are talking nonsense! Be quiet, be quiet, be quiet, I tell you! …” she almost screamed, so as to drown his voice.
“Mamma darling, it’s not at all so … my poor, sweet darling,” she said to her mother, who conscious that they had been on the brink of a rupture gazed at her son with terror, but in the obstinacy and excitement of the conflict could not and would not give way.
“Nikólenka, I’ll explain to you. Go away! Listen, Mamma darling,” said Natásha.
Her words were incoherent, but they attained the purpose at which she was aiming.
The countess, sobbing heavily, hid her face on her daughter’s breast, while
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