The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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“And the misery is,” she said vehemently, “that if the poor thing didn’t bark at everyone who passes it wouldn’t be kept there. I do think men are cunning brutes. I’ve let it go twice, on the sly; it’s nearly bitten me both times, and then it goes simply mad with joy; but it always runs back home at last, and they chain it up again. If I had my way, I’d chain that man up.” Jon saw her teeth and her eyes gleam. “I’d brand him on his forehead with the word ‘Brute.’ that would teach him!”
Jon agreed that it would be a good remedy.
“It’s their sense of property,” he said, “which makes people chain things. The last generation thought of nothing but property; and that’s why there was the War.”
“Oh!” said Fleur, “I never thought of that. Your people and mine quarrelled about property. And anyway we’ve all got it—at least, I suppose your people have.”
“Oh! yes, luckily; I don’t suppose I shall be any good at making money.”
“If you were, I don’t believe I should like you.”
Jon slipped his hand tremulously under her arm. Fleur looked straight before her and chanted:
“Jon, Jon, the farmer’s son,
Stole a pig, and away he run!”
Jon’s arm crept round her waist.
“This is rather sudden,” said Fleur calmly; “do you often do it?”
Jon dropped his arm. But when she laughed his arm stole back again; and Fleur began to sing:
“O who will oer the downs so free,
O who will with me ride?
O who will up and follow me—”
“Sing, Jon!”
Jon sang. The larks joined in, sheep-bells, and an early morning church far away over in Steyning. They went on from tune to tune, till Fleur said:
“My God! I am hungry now!”
“Oh! I am sorry!”
She looked round into his face.
“Jon, you’re rather a darling.”
And she pressed his hand against her waist. Jon almost reeled from happiness. A yellow-and-white dog coursing a hare startled them apart. They watched the two vanish down the slope, till Fleur said with a sigh: “He’ll never catch it, thank goodness! What’s the time? Mine’s stopped. I never wound it.”
Jon looked at his watch. “By Jove!” he said, “mine’s stopped, too.”
They walked on again, but only hand in hand.
“If the grass is dry,” said Fleur, “let’s sit down for half a minute.”
Jon took off his coat, and they shared it.
“Smell! Actually wild thyme!”
With his arm round her waist again, they sat some minutes in silence.
“We are goats!” cried Fleur, jumping up; “we shall be most fearfully late, and look so silly, and put them on their guard. Look here, Jon! We only came out to get an appetite for breakfast, and lost our way. See?”
“Yes,” said Jon.
“It’s serious; there’ll be a stopper put on us. Are you a good liar?”
“I believe not very; but I can try.”
Fleur frowned.
“You know,” she said, “I realize that they don’t mean us to be friends.”
“Why not?”
“I told you why.”
“But that’s silly.”
“Yes; but you don’t know my father!”
“I suppose he’s fearfully fond of you.”
“You see, I’m an only child. And so are you—of your mother. Isn’t it a bore? There’s so much expected of one. By the time they’ve done expecting, one’s as good as dead.”
“Yes,” muttered Jon, “life’s beastly short. One wants to live forever, and know everything.”
“And love everybody?”
“No,” cried Jon; “I only want to love once—you.”
“Indeed! You’re coming on! Oh! Look! There’s the chalk-pit; we can’t be very far now. Let’s run.”
Jon followed, wondering fearfully if he had offended her.
The chalk-pit was full of sunshine and the murmuration of bees. Fleur flung back her hair.
“Well,” she said, “in case of accidents, you may give me one kiss, Jon,” and she pushed her cheek forward. With ecstasy he kissed that hot soft cheek.
“Now, remember! We lost our way; and leave it to me as much as you can. I’m going to be rather beastly to you; it’s safer; try and be beastly to me!”
Jon shook his head. “That’s impossible.”
“Just to please me; till five o’clock, at all events.”
“Anybody will be able to see through it,” said Jon gloomily.
“Well, do your best. Look! There they are! Wave your hat! Oh! you haven’t got one. Well, I’ll cooee! Get a little away from me, and look sulky.”
Five minutes later, entering the house and doing his utmost to look sulky, Jon heard her clear voice in the dining-room:
“Oh! I’m simply ravenous! He’s going to be a farmer—and he loses his way! The boy’s an idiot!”
IX GoyaLunch was over and Soames mounted to the picture-gallery in his house near Mapleduram. He had what Annette called “a grief.” Fleur was not yet home. She had been expected on Wednesday; had wired that it would be Friday; and again on Friday that it would be Sunday afternoon; and here were her aunt, and her cousins the Cardigans, and this fellow Profond, and everything flat as a pancake for the want of her. He stood before his Gauguin—sorest point of his collection. He had bought the ugly great thing with two early Matisses before the War, because there was such a fuss about those Post-Impressionist chaps. He was wondering whether Profond would take them off his hands—the fellow seemed not to know what to do with his money—when he heard his sister’s voice say: “I think that’s a horrid thing, Soames,” and saw that Winifred had followed him up.
“Oh! you do?” he said dryly; “I gave five hundred for it.”
“Fancy! Women aren’t made like that even if they are black.”
Soames uttered a glum laugh. “You didn’t
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