The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
Read free book «The Forsyte Saga by John Galsworthy (acx book reading txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: John Galsworthy
Read book online «The Forsyte Saga by John Galsworthy (acx book reading txt) 📕». Author - John Galsworthy
“Miss Fleur is walking up, sir, by the towing-path.”
Walking all those miles? Soames stared. The man’s face had the beginning of a smile on it. What was he grinning at? And very quickly he turned, saying, “All right, Sims!” and went into the house. He mounted to the picture-gallery once more. He had from there a view of the river bank, and stood with his eyes fixed on it, oblivious of the fact that it would be an hour at least before her figure showed there. Walking up! And that fellow’s grin! The boy—! He turned abruptly from the window. He couldn’t spy on her. If she wanted to keep things from him—she must; he could not spy on her. His heart felt empty, and bitterness mounted from it into his very mouth. The staccato shouts of Jack Cardigan pursuing the ball, the laugh of young Mont rose in the stillness and came in. He hoped they were making that chap Profond run. And the girl in La Vendimia stood with her arm akimbo and her dreamy eyes looking past him. “I’ve done all I could for you,” he thought, “since you were no higher than my knee. You aren’t going to—to—hurt me, are you?”
But the Goya copy answered not, brilliant in colour just beginning to tone down. “There’s no real life in it,” thought Soames. “Why doesn’t she come?”
X TrioAmong those four Forsytes of the third, and, as one might say, fourth generation, at Wansdon under the Downs, a weekend prolonged unto the ninth day had stretched the crossing threads of tenacity almost to snapping-point. Never had Fleur been so “fine,” Holly so watchful, Val so stable-secretive, Jon so silent and disturbed. What he learned of farming in that week might have been balanced on the point of a penknife and puffed off. He, whose nature was essentially averse from intrigue, and whose adoration of Fleur disposed him to think that any need for concealing it was “skittles,” chafed and fretted, yet obeyed, taking what relief he could in the few moments when they were alone. On Thursday, while they were standing in the bay window of the drawing-room, dressed for dinner, she said to him:
“Jon, I’m going home on Sunday by the 3:40 from Paddington; if you were to go home on Saturday you could come up on Sunday and take me down, and just get back here by the last train, after. You were going home anyway, weren’t you?”
Jon nodded.
“Anything to be with you,” he said; “only why need I pretend—”
Fleur slipped her little finger into his palm:
“You have no instinct, Jon; you must leave things to me. It’s serious about our people. We’ve simply got to be secret at present, if we want to be together.” The door was opened, and she added loudly: “You are a duffer, Jon.”
Something turned over within Jon; he could not bear this subterfuge about a feeling so natural, so overwhelming, and so sweet.
On Friday night about eleven he had packed his bag, and was leaning out of his window, half miserable, and half lost in a dream of Paddington station, when he heard a tiny sound, as of a fingernail tapping on his door. He rushed to it and listened. Again the sound. It was a nail. He opened. Oh! What a lovely thing came in!
“I wanted to show you my fancy dress,” it said, and struck an attitude at the foot of his bed.
Jon drew a long breath and leaned against the door. The apparition wore white muslin on its head, a fichu round its bare neck over a wine-coloured dress, fulled out below its slender waist.
It held one arm akimbo, and the other raised, right-angled, holding a fan which touched its head.
“This ought to be a basket of grapes,” it whispered, “but I haven’t got it here. It’s my Goya dress. And this is the attitude in the picture. Do you like it?”
“It’s a dream.”
The apparition pirouetted. “Touch it, and see.”
Jon knelt down and took the skirt reverently.
“Grape colour,” came the whisper, “all grapes—La Vendimia—the vintage.”
Jon’s fingers scarcely touched each side of the waist; he looked up, with adoring eyes.
“Oh! Jon,” it whispered; bent, kissed his forehead, pirouetted again, and, gliding out, was gone.
Jon stayed on his knees, and his head fell forward against the bed. How long he stayed like that he did not know. The little noises—of the tapping nail, the feet, the skirts rustling—as in a dream—went on about him; and before his closed eyes the figure stood and smiled and whispered,
Comments (0)