The Lerouge Case by Émile Gaboriau (best classic books TXT) 📕
Description
Considered by many to be the first detective novel, The Lerouge Case (aka The Widow Lerouge) introduces Monsieur Lecoq (later Inspector Lecoq), a former “habitual criminal” who becomes a police officer. Émile Gaboriau based Lecoq at least in part on an actual criminal-turned-police-officer, Eugène Vidocq, who went on to be the first director of the Sûreté. In this first book, Lecoq plays a relatively small part, the bulk of the mystery solving being done by Lecoq’s mentor Tabaret, an amateur detective.
Gaboriau thus introduces both a police detective and an amateur detective at the same time. Many of the attributes now taken for granted in the mystery arena originated with Gaboriau and Lecoq—hyper attention to detail, mastery of disguises, amateur “agents” who assist the detective, and the above-mentioned amateur detectives that assist and sometimes out-perform the police versions.
Gaboriau’s Lecoq novels were wildly successful until another amateur detective named Holmes made his appearance. Holmes even comments on Lecoq in A Study in Scarlet, dismissing him as a “miserable bungler” in response to Dr. Watson’s question. Nevertheless, Arthur Conan Doyle was obviously influenced by Gaboriau and Lecoq, as many of Holmes’ traits can be seen first in Lecoq.
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- Author: Émile Gaboriau
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The barrister alighted at the spot named, and dismissed the cabman. When he had seen him drive off, Noel turned into the Rue de Provence, and, after walking a few yards, rang the bell of one of the handsomest houses in the street. The door was immediately opened. As Noel passed before him the concierge made a most respectful, and at the same time patronizing bow, one of those salutations which Parisian concierges reserve for their favorite tenants, generous mortals always ready to give. On reaching the second floor, the barrister paused, drew a key from his pocket, and opening the door facing him, entered as if at home. But at the sound of the key in the lock, though very faint, a lady’s maid, rather young and pretty, with a bold pair of eyes, ran toward him.
“Ah! it is you, sir,” cried she.
This exclamation escaped her just loud enough to be audible at the extremity of the apartment, and serve as a signal if needed. It was as if she had cried, “Take care!”
Noel did not seem to notice it. “Madame is there?” asked he.
“Yes, sir, and very angry too. This morning she wanted to send someone to you. A little while ago she spoke of going to find you, sir, herself. I have had much difficulty in prevailing on her not to disobey your orders.”
“Very well,” said the barrister.
“Madame is in the smoking room,” continued the girl “I am making her a cup of tea. Will you have one, sir?”
“Yes,” replied Noel. “Show me a light, Charlotte.”
He passed successively through a magnificent dining-room, a splendid gilded drawing-room in Louis XIV style, and entered the smoking-room. This was a rather large apartment with a very high ceiling. Once inside one might almost fancy oneself three thousand miles from Paris, in the house of some opulent mandarin of the celestial Empire. Furniture, carpet, hangings, pictures, all had evidently been imported direct from Hong Kong or Shanghai. A rich silk tapestry representing brilliantly coloured figures, covered the walls, and hid the doors from view. All the empire of the sun and moon was depicted thereon in vermillion landscapes: corpulent mandarins surrounded by their lantern-bearers; learned men lay stupefied with opium, sleeping under their parasols; young girls with elevated eyebrows, stumbled upon their diminutive feet swathed in bandages. The carpet of a manufacture unknown to Europeans, was strewn with fruits and flowers, so true to nature that they might have deceived a bee. Some great artist of Peking had painted on the silk which covered the ceiling numerous fantastic birds, opening on azure ground their wings of purple and gold. Slender rods of lacquer, inlaid with mother of pearl, bordered the draperies, and marked the angles of the apartment. Two fantastic looking chests entirely occupied one side of the room. Articles of furniture of capricious and incoherent forms, tables with porcelain tops, and chiffoniers of precious woods encumbered every recess or angle. There were also ornamental cabinets and shelves purchased of Lien-Tsi, the Tahan of Sou-Tcheou, the artistic city, and a thousand curiosities, both miscellaneous and costly, from the ivory sticks which are used instead of forks, to the porcelain teacups, thinner than soap bubbles—miracles of the reign of Kien-Loung. A very large and very low divan piled up with cushions, covered with tapestry similar to the hangings, occupied one end of the room. There was no regular window, but instead a large single pane of glass, fixed into the wall of the house; in front of it was a double glass door with moveable panes, and the space between was filled with the most rare flowers. The grate was replaced by registers adroitly concealed, which maintained in the apartment a temperature fit for hatching silkworms, thus truly harmonising with the furniture.
When Noel entered, a woman, still young, was reclining on the divan, smoking a cigarette. In spite of the tropical heat, she was enveloped in heavy Cashmere shawls. She was small, but then only small women can unite in their persons every perfection. Women who are above the medium height must be either essays, or errors of nature. No matter how lovely they may look, they invariably present some defect, like the work of a statuary, who, though possessed of genius, attempts for the first time sculpture on a grand scale. She was small, but her neck, her shoulders, and her arms had the most exquisite contours. Her hands with their tapering fingers and rosy nails looked like jewels preciously cared for. Her feet, encased in silken stockings almost as thin as a spider’s-web, were a marvel; not that they recalled the very fabulous foot which Cinderella thrust into the glass slipper; but the other, very real, very celebrated and very palpable foot, of which the fair owner (the lovely wife of a well-known banker) used to present the model either in bronze or in marble to her numerous admirers. Her face was, not beautiful, nor even pretty; but her features were such as one seldom forgets; for,
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