The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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Fleur turned in alarm.
“Father, what is it?”
Soames came close enough to see her face.
“Don’t tell me,” he said, “that you’re foolish enough to have any feeling beyond caprice. That would be too much!” And he laughed.
Fleur, who had never heard him laugh like that, thought: “Then it is deep! Oh! what is it?” And putting her hand through his arm she said lightly:
“No, of course; caprice. Only, I like my caprices and I don’t like yours, dear.”
“Mine!” said Soames bitterly, and turned away.
The light outside had chilled, and threw a chalky whiteness on the river. The trees had lost all gaiety of colour. She felt a sudden hunger for Jon’s face, for his hands, and the feel of his lips again on hers. And pressing her arms tight across her breast she forced out a little light laugh.
“O la! la! What a small fuss! as Profond would say. Father, I don’t like that man.”
She saw him stop, and take something out of his breast pocket.
“You don’t?” he said. “Why?”
“Nothing,” murmured Fleur; “just caprice!”
“No,” said Soames; “not caprice!” And he tore what was in his hands across. “You’re right. I don’t like him either!”
“Look!” said Fleur softly. “There he goes! I hate his shoes; they don’t make any noise.”
Down in the failing light Prosper Profond moved, his hands in his side pockets, whistling softly in his beard; he stopped, and glanced up at the sky, as if saying: “I don’t think much of that small moon.”
Fleur drew back. “Isn’t he a great cat?” she whispered; and the sharp click of the billiard-balls rose, as if Jack Cardigan had capped the cat, the moon, caprice, and tragedy with: “In off the red!”
Monsieur Profond had resumed his stroll, to a teasing little tune in his beard. What was it? Oh! yes, from Rigoletto: “Donna é Mobile.” Just what he would think! She squeezed her father’s arm.
“Prowling!” she muttered, as he turned the corner of the house. It was past that disillusioned moment which divides the day and night—still and lingering and warm, with hawthorn scent and lilac scent clinging on the riverside air. A blackbird suddenly burst out. Jon would be in London by now; in the Park perhaps, crossing the Serpentine, thinking of her! A little sound beside her made her turn her eyes; her father was again tearing the paper in his hands. Fleur saw it was a cheque.
“I shan’t sell him my Gauguin,” he said. “I don’t know what your aunt and Imogen see in him.”
“Or Mother.”
“Your mother!” said Soames.
“Poor Father!” she thought. “He never looks happy—not really happy. I don’t want to make him worse, but of course I shall have to, when Jon comes back. Oh! well, sufficient unto the night!”
“I’m going to dress,” she said.
In her room she had a fancy to put on her “freak” dress. It was of gold tissue with little trousers of the same, tightly drawn in at the ankles, a page’s cape slung from the shoulders, little gold shoes, and a gold-winged Mercury helmet; and all over her were tiny gold bells, especially on the helmet; so that if she shook her head she pealed. When she was dressed she felt quite sick because Jon could not see her; it even seemed a pity that the sprightly young man Michael Mont would not have a view. But the gong had sounded, and she went down.
She made a sensation in the drawing-room. Winifred thought it “Most amusing.” Imogen was enraptured. Jack Cardigan called it “stunning,” “ripping,” “topping,” and “corking.”
Monsieur Profond, smiling with his eyes, said: “That’s a nice small dress!” Her mother, very handsome in black, sat looking at her, and said nothing. It remained for her father to apply the test of common sense. “What did you put on that thing for? You’re not going to dance.”
Fleur spun round, and the bells pealed.
“Caprice!”
Soames stared at her, and, turning away, gave his arm to Winifred. Jack Cardigan took her mother. Prosper Profond took Imogen. Fleur went in by herself, with her bells jingling. …
The “small” moon had soon dropped down, and May night had fallen soft and warm, enwrapping with its grape-bloom colour and its scents the billion caprices, intrigues, passions, longings, and regrets of men and women. Happy was Jack Cardigan who snored into Imogen’s white shoulder, fit as a flea; or Timothy in his “mausoleum,” too old for anything but baby’s slumber. For so many lay awake, or dreamed, teased by the crisscross of the world.
The dew fell and the flowers closed; cattle grazed on in the river meadows, feeling with their tongues for the grass they could not see; and the sheep on the Downs lay quiet as stones. Pheasants in the tall trees of the Pangbourne woods, larks on their grassy nests above the gravel-pit at Wansdon, swallows in the eaves at Robin Hill, and the sparrows of Mayfair, all made a dreamless night of it, soothed by the lack of wind. The Mayfly filly, hardly accustomed to her new quarters, scraped at her straw a little; and the few night-flitting things—bats, moths, owls—were vigorous in the warm darkness; but the peace of night lay in the brain of all daytime Nature, colourless and still. Men and women, alone, riding the hobbyhorses of anxiety or love, burned their wavering tapers of dream and thought into the lonely hours.
Fleur, leaning out of her window, heard the hall clock’s muffled chime of twelve, the tiny splash of a fish, the sudden shaking of an aspen’s leaves in the puffs of breeze that rose along the river, the distant rumble of a night train, and time and again the sounds which none can put a name to in the darkness, soft obscure expressions of uncatalogued emotions from man and beast, bird and machine, or, maybe, from departed Forsytes, Darties, Cardigans, taking night strolls back into a world which had once suited their embodied spirits. But Fleur heeded
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