War and Peace by Leo Tolstoy (ebook reader for pc TXT) π
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Against the backdrop of the Napoleonic Wars, five aristocratic families in Russia are transformed by the vagaries of life, by war, and by the intersection of their lives with each other. Hundreds of characters populate War and Peace, many of them historical persons, including Napoleon and Tsar Alexander I, and all of them come to life under Tolstoyβs deft hand.
War and Peace is generally considered to be Tolstoyβs masterpiece, a pinnacle of Russian literature, and one of historyβs great novels. Tolstoy himself refused to call it that, saying it was βnot a novel, even less is it a poem, and still less a historical chronicle.β It contains elements of history, narrative, and philosophy, the latter increasing in quantity as the book moves towards its climax. Whatever it is called, it is a triumph whose breadth and depth is perhaps unmatched in literature.
This production restores the Russian given names that were anglicized by the Maudes in their translation, the use of Russian patronymics and diminutives that they eliminated, and Tolstoyβs original four-book structure.
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- Author: Leo Tolstoy
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He was not a gambler, at any rate he did not care about winning. He was not vain. He did not mind what people thought of him. Still less could he be accused of ambition. More than once he had vexed his father by spoiling his own career, and he laughed at distinctions of all kinds. He was not mean, and did not refuse anyone who asked of him. All he cared about was gaiety and women, and as according to his ideas there was nothing dishonorable in these tastes, and he was incapable of considering what the gratification of his tastes entailed for others, he honestly considered himself irreproachable, sincerely despised rogues and bad people, and with a tranquil conscience carried his head high.
Rakes, those male Magdalenes, have a secret feeling of innocence similar to that which female Magdalenes have, based on the same hope of forgiveness. βAll will be forgiven her, for she loved much; and all will be forgiven him, for he enjoyed much.β
DΓ³lokhov, who had reappeared that year in Moscow after his exile and his Persian adventures, and was leading a life of luxury, gambling, and dissipation, associated with his old Petersburg comrade KurΓ‘gin and made use of him for his own ends.
Anatole was sincerely fond of DΓ³lokhov for his cleverness and audacity. DΓ³lokhov, who needed Anatole KurΓ‘ginβs name, position, and connections as a bait to draw rich young men into his gambling set, made use of him and amused himself at his expense without letting the other feel it. Apart from the advantage he derived from Anatole, the very process of dominating anotherβs will was in itself a pleasure, a habit, and a necessity to DΓ³lokhov.
NatΓ‘sha had made a strong impression on KurΓ‘gin. At supper after the opera he described to DΓ³lokhov with the air of a connoisseur the attractions of her arms, shoulders, feet, and hair and expressed his intention of making love to her. Anatole had no notion and was incapable of considering what might come of such lovemaking, as he never had any notion of the outcome of any of his actions.
βSheβs first-rate, my dear fellow, but not for us,β replied DΓ³lokhov.
βI will tell my sister to ask her to dinner,β said Anatole. βEh?β
βYouβd better wait till sheβs married.β ββ β¦β
βYou know, I adore little girls, they lose their heads at once,β pursued Anatole.
βYou have been caught once already by a βlittle girl,βββ said DΓ³lokhov who knew of KurΓ‘ginβs marriage. βTake care!β
βWell, that canβt happen twice! Eh?β said Anatole, with a good-humored laugh.
XIIThe day after the opera the RostΓ³vs went nowhere and nobody came to see them. MΓ‘rya DmΓtrievna talked to the count about something which they concealed from NatΓ‘sha. NatΓ‘sha guessed they were talking about the old prince and planning something, and this disquieted and offended her. She was expecting Prince AndrΓ©y any moment and twice that day sent a manservant to the VozdvΓzhenka to ascertain whether he had come. He had not arrived. She suffered more now than during her first days in Moscow. To her impatience and pining for him were now added the unpleasant recollection of her interview with Princess MΓ‘rya and the old prince, and a fear and anxiety of which she did not understand the cause. She continually fancied that either he would never come or that something would happen to her before he came. She could no longer think of him by herself calmly and continuously as she had done before. As soon as she began to think of him, the recollection of the old prince, of Princess MΓ‘rya, of the theater, and of KurΓ‘gin mingled with her thoughts. The question again presented itself whether she was not guilty, whether she had not already broken faith with Prince AndrΓ©y, and again she found herself recalling to the minutest detail every word, every gesture, and every shade in the play of expression on the face of the man who had been able to arouse in her such an incomprehensible and terrifying feeling. To the family NatΓ‘sha seemed livelier than usual, but she was far less tranquil and happy than before.
On Sunday morning MΓ‘rya DmΓtrievna invited her visitors to Mass at her parish churchβ βthe Church of the Assumption built over the graves of victims of the plague.
βI donβt like those fashionable churches,β she said, evidently priding herself on her independence of thought. βGod is the same everywhere. We have an excellent priest, he conducts the service decently and with dignity, and the deacon is the same. What holiness is there in giving concerts in the choir? I donβt like it, itβs just self-indulgence!β
MΓ‘rya DmΓtrievna liked Sundays and knew how to keep them. Her whole house was scrubbed and cleaned on Saturdays; neither she nor the servants worked, and they all wore holiday dress and went to church. At her table there were extra dishes at dinner, and the servants had vodka and roast goose or suckling pig. But in nothing in the house was the holiday so noticeable as in MΓ‘rya DmΓtrievnaβs broad, stern face, which on that day wore an invariable look of solemn festivity.
After Mass, when they had finished their coffee in the dining room where the loose covers had been removed from the furniture, a
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