Table-Talk by William Hazlitt (best pdf reader for ebooks txt) ๐
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William Hazlitt was a well-regarded critic and essayist in his day, and Table-Talk, a collection of some of his more popular short essays, is perhaps his best-remembered work.
The essays themselves range in subject from philosophy, to art, to literature, culture, society, and politics, with titles like โOn the Pleasures of Paintingโ and โOn Corporate Bodies.โ Hazlittโs intimate style and deep familiarity with many different aspects of art culture (not only was he a literary success, but he studied under Joshua Reynolds to be a portrait painter) make his essays fascinating multi-disciplinary reads.
Table-Talk was originally published in two separate volumes, and, largely due to Hazlittโs political activism, was received poorly by his contemporaries. Today itโs considered one of his masterpieces.
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- Author: William Hazlitt
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Paine said on some occasion, โWhat I have written, I have writtenโโ โas rendering any further declaration of his principles unnecessary. Not so Mr. Cobbett. What he has written is no rule to him what he is to write maintain the opinions of the last six days against friend or foe. I doubt whether this outrageous inconsistency, this headstrong fickleness, this understood want of all rule and method, does not enable him to go on with the spirit, vigour, and variety that he does. He is not pledged to repeat himself. Every new Register is a kind of new Prospectus. He blesses himself from all ties and shackles on his understanding; he has no mortgages on his brain; his notions are free and unencumbered. If he was put in trammels, he might become a vile hack like so many more. But he gives himself โample scope and verge enough.โ He takes both sides of a question, and maintains one as sturdily as the other. If nobody else can argue against him, he is a very good match for himself. He writes better in favour of Reform than anybody else; he used to write better against it. Wherever he is, there is the tug of war, the weight of the argument, the strength of abuse. He is not like a man in danger of being โbed-ridโ in his facultiesโ โhe tosses and tumbles about his unwieldy bulk, and when he is tired of lying on one side, relieves himself by turning on the other. His shifting his point of view from time to time not merely adds variety and greater compass to his topics (so that the Political Register is an armoury and magazine for all the materials and weapons of political warfare), but it gives a greater zest and liveliness to his manner of treating them. Mr. Cobbett takes nothing for granted as what he has proved before; he does not write a book of reference. We see his ideas in their first concoction, fermenting and overflowing with the ebullitions of a lively conception. We look on at the actual process, and are put in immediate possession of the grounds and materials on which he forms his sanguine, unsettled conclusions. He does not give us samples of reasoning, but the whole solid mass, refuse and all.
โHe pours out all as plain
As downright Shippen or as old Montaigne.โ
This is one cause of the clearness and force of his writings. An argument does not stop to stagnate and muddle in his brain, but passes at once to his paper. His ideas are served up, like pancakes, hot and hot. Fresh theories give him fresh courage. He is like a young and lusty bridegroom that divorces a favourite speculation every morning, and marries a new one every night. He is not wedded to his notions, not he. He has not one Mrs. Cobbett among all his opinions. He makes the most of the last thought that has come in his way, seizes fast hold of it, rumbles it about in all directions with rough strong hands, has his wicked will of it, takes a surfeit, and throws it away.โ โOur authorโs changing his opinions for new ones is not so wonderful; what is more remarkable is his facility in forgetting his old ones. He does not pretend to consistency (like Mr. Coleridge); he frankly disavows all connection with himself. He feels no personal responsibility in this way, and cuts a friend or principle with the same decided indifference that Antipholis of Ephesus cuts Aegeon of Syracuse. It is a hollow thing. The only time he ever grew romantic was in bringing over the relics of Mr. Thomas Paine with him from America to go a progress with them through the disaffected districts. Scarce had he landed in Liverpool when he left the bones of a great man to shift for themselves; and no sooner did he arrive in London than he made a speech to disclaim all participation in the political and theological sentiments of his late idol, and to place the whole stock of his admiration and enthusiasm towards him to the account of his financial speculations, and of his having predicted the fate of paper-money. If he had erected a little gold statue to him, it might have proved the sincerity of this assertion; but to make a martyr and a patron saint of a man, and to dig up โhis canonised bonesโ in order to expose them as objects of devotion to the rabbleโs gaze, asks something that has more life and spirit in it, more mind and vivifying soul, than has to do with any calculation of pounds, shillings, and pence! The fact is, he โrattedโ from his own project. He found the thing not so ripe as he had expected. His heart failed him; his enthusiasm fled, and he made his retractation. His admiration is short-lived; his contempt only is rooted, and his resentment lasting.โ โThe above was only one instance of his building too much on practical data. He has an ill habit of prophesying, and
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