Table-Talk by William Hazlitt (best pdf reader for ebooks txt) ๐
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William Hazlitt was a well-regarded critic and essayist in his day, and Table-Talk, a collection of some of his more popular short essays, is perhaps his best-remembered work.
The essays themselves range in subject from philosophy, to art, to literature, culture, society, and politics, with titles like โOn the Pleasures of Paintingโ and โOn Corporate Bodies.โ Hazlittโs intimate style and deep familiarity with many different aspects of art culture (not only was he a literary success, but he studied under Joshua Reynolds to be a portrait painter) make his essays fascinating multi-disciplinary reads.
Table-Talk was originally published in two separate volumes, and, largely due to Hazlittโs political activism, was received poorly by his contemporaries. Today itโs considered one of his masterpieces.
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- Author: William Hazlitt
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Mr. Cobbett is great in attack, not in defence; he cannot fight an uphill battle. He will not bear the least punishing. If anyone turns upon him (which few people like to do) he immediately turns tail. Like an overgrown schoolboy, he is so used to have it all his own way, that he cannot submit to anything like competition or a struggle for the mastery; he must lay on all the blows, and take none. He is bullying and cowardly; a Big Ben in politics, who will fall upon others and crush them by his weight, but is not prepared for resistance, and is soon staggered by a few smart blows. Whenever he has been set upon, he has slunk out of the controversy. The Edinburgh Review made (what is called) a dead set at him some years ago, to which he only retorted by an eulogy on the superior neatness of an English kitchen-garden to a Scotch one. I remember going one day into a booksellerโs shop in Fleet Street to ask for the Review, and on my expressing my opinion to a young Scotchman, who stood behind the counter, that Mr. Cobbett might hit as hard in his reply, the North Briton said with some alarm, โBut you donโt think, sir, Mr. Cobbett will be able to injure the Scottish nation?โ I said I could not speak to that point, but I thought he was very well able to defend himself. He, however, did not, but has borne a grudge to the Edinburgh Review ever since, which he hates worse than the Quarterly. I cannot say I do.23
On People with One IdeaThere are people who have but one idea: at least, if they have more, they keep it a secret, for they never talk but of one subject.
There is Major Cartwright: he has but one idea or subject of discourse, Parliamentary Reform. Now Parliamentary Reform is (as far as I know) a very good subject to talk about; but why should it be the only one? To hear the worthy and gallant Major resume his favourite topic, is like law-business, or a person who has a suit in Chancery going on. Nothing can be attended to, nothing can be talked of but that. Now it is getting on, now again it is standing still; at one time the Master has promised to pass judgment by a certain day, at another he has put it off again and called for more papers, and both are equally reasons for speaking of it. Like the piece of packthread in the barristerโs hands, he turns and twists it all ways, and cannot proceed a step without it. Some schoolboys cannot read but in their own book; and the man of one idea cannot converse out of his own subject. Conversation it is not; but a sort of recital of the preamble of a bill, or a collection of grave arguments for a manโs being of opinion with himself. It would be well if there was anything of character, of eccentricity in all this; but that is not the case. It is a political homily personified, a walking commonplace we have to encounter and listen to. It is just as if a man was to insist on your hearing him go through the fifth chapter of the Book of Judges every time you meet, or like the story of the Cosmogony in the Vicar of Wakefield. It is a tine played on a barrel-organ. It is a common vehicle of discourse into which they get and are set down when they please, without any pain or trouble to themselves. Neither is it professional pedantry or trading quackery: it has no excuse. The man has no more to do with the question which he saddles on all his hearers than you have. This is what makes the matter hopeless. If a farmer talks to you about his pigs or his poultry, or a physician about his patients, or a lawyer about his briefs, or a merchant about stock, or an author about himself, you know how to account for this, it is a common infirmity, you have a laugh at his expense and there is no more to be said. But here is a man who goes out of his way to be absurd, and is troublesome by a romantic effort of generosity. You cannot say to him, โAll this may be interesting to you, but I have no concern in itโ: you cannot put him off in that way. He retorts the Latin adage upon youโ โNihil humani a me alienum puto. He has got possession of a subject which is of universal and paramount interest (not โa fee-grief, due to some single breastโ), and on that plea may hold you by the button as long as he chooses. His delight is to harangue on what nowise regards himself: how then can you refuse to listen to what as little amuses you? Time and tide wait for no man. The business of the state admits of no delay. The question of Universal Suffrage and Annual Parliaments stands first on the order of the dayโ โtakes precedence in its own right of every other question. Any other topic, grave or gay, is looked upon in the light of impertinence, and sent to Coventry. Business is an interruption; pleasure a digression from
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