Women and Economics by Charlotte Perkins Gilman (english novels to read .TXT) 📕
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Charlotte Perkins Gilman, most famous for her short story “The Yellow Wallpaper,” wrote Women and Economics in 1898, at a time when the roles of women in society were already undergoing radical change: women were entering the work force in large numbers, the suffrage movement was agitating for the vote, and young women were looking for a new definition of their place other than as a wife or mother.
The book takes the position that humans are the only species in which the female depends on the male for her survival, and that this arrangement must change for the human race to continue to be successful. Gilman argues for the evolution of marriage, family, home life, and what she calls the sexuo-economic relationship between men and women.
Although she was in demand as a lecturer and writer, Women and Economics was the first book-length work to consolidate her views. As a feminist text, it’s significant not necessarily for its profundity or for its appeal for women’s rights, but rather for its application of social Darwinism, espousing the theory that the roles played by women inevitably evolve and that the gendered division of labor produces warped human beings of both sexes. Its popularity was also helped by its accessibility—as one of her critics stated, “it stirs no deep reverberations of the soul … but you can quote it, and remember its points.”
As suffragism progressed and first wave feminism began to fade, Gilman’s ideas were somewhat forgotten. But as feminism resurged in the 1960s, her work was rediscovered and interest rebounded in this groundbreaking feminist who played an important role in shaping public opinion, disseminating radical ideas, and encouraging women (and men) to change their thinking about gender roles.
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- Author: Charlotte Perkins Gilman
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Besides this maintenance of primeval individualism in the growing collectivity of social economic process and the introduction of the element of sex-combat into the narrowing field of industrial competition, there is another side to the evil influence of the sexuo-economic relation upon social development. This is in the attitude of woman as a nonproductive consumer.
In the industrial evolution of the human race, that marvellous and subtle drawing out and interlocking of special functions which constitute the organic life of society, we find that production and consumption go hand in hand; and production comes first. One cannot consume what has not been produced. Economic production is the natural expression of human energy—not sex-energy at all, but race-energy—the unconscious functioning of the social organism. Socially organized human beings tend to produce, as a gland to secrete: it is the essential nature of the relation. The creative impulse, the desire to make, to express the inner thought in outer form, “just for the work’s sake, no use at all i’ the work!” this is the distinguishing character of humanity. “I want to mark!” cries the child, demanding the pencil. He does not want to eat. He wants to mark. He is not seeking to get something into himself, but to put something out of himself. He generally wants to do whatever he sees done—to make piecrust or to make shavings, as it happens. The pie he may eat, the shavings not; but he likes to make both. This is the natural process of production, and is followed by the natural process of consumption, where practicable. But consumption is not the main end, the governing force. Under this organic social law, working naturally, we have the evolution of those arts and crafts in the exercise of which consists our human living, and on the product of which we live. So does society evolve within itself—secrete as it were—the social structure with all its complex machinery; and we function therein as naturally as so many glands, other things being equal.
But other things are not equal. Half the human race is denied free productive expression, is forced to confine its productive human energies to the same channels as its reproductive sex-energies. Its creative skill is confined to the level of immediate personal bodily service, to the making of clothes and preparing of food for individuals. No social service is possible. While its power of production is checked, its power of consumption is inordinately increased by the showering upon it of the “unearned increment” of masculine gifts. For the woman there is, first, no free production allowed; and, second, no relation maintained between what she does produce and what she consumes. She is forbidden to make, but encouraged to take. Her industry is not the natural output of creative energy, not the work she does because she has the inner power and strength to do it; nor is her industry even the measure of her gain. She has, of course, the natural desire to consume; and to that is set no bar save the capacity or the will of her husband.
Thus we have painfully and laboriously evolved and carefully maintain among us an enormous class of nonproductive consumers—a class which is half the world, and mother of the other half. We have built into the constitution of the human race the habit and desire of taking, as divorced from its natural precursor and concomitant of making. We have made for ourselves this endless array of “horseleech’s daughters, crying, Give! give!” To consume food, to consume clothes, to consume houses and furniture and decorations and ornaments and amusements, to take and take and take forever—from one man if they are virtuous, from many if they are vicious, but always to take and never to think of giving anything in return except their womanhood—this is the enforced condition of the mothers of the race. What wonder that their sons go into business “for what there is in it”! What wonder that the world is full of the desire to get as much as possible and to give as little as possible! What wonder, either, that the glory and sweetness of love are but a name among us, with here and there a strange and beautiful exception, of which our admiration proves the rarity!
Between the brutal ferocity of excessive male energy struggling in the marketplace as in a battlefield and the unnatural greed generated by the perverted condition of female energy, it is not remarkable that the industrial evolution of humanity has shown peculiar symptoms. One of the minor effects of this last condition—this limiting of female industry to close personal necessities, and this tendency of her over-developed sex-nature to overestimate the so-called “duties of her position”—has been to produce an elaborate devotion to individuals and their personal needs—not to the understanding and developing of their higher natures, but to the intensification of their bodily tastes and pleasure. The wife and mother, pouring the rising tide of racial power into the same old channels that were allowed her primitive ancestors, constantly ministers to the physical needs of her family with a ceaseless and concentrated intensity. They like it, of course. But it maintains in the individuals of the race an exaggerated sense of the importance of food and clothes and ornaments to themselves, without at all including a knowledge of their right use and value to us all. It develops personal selfishness.
Again, the consuming female, debarred from any free production, unable to estimate the labor involved in the making of what she so lightly destroys, and her consumption limited mainly to those things which minister to physical pleasure, creates a market for sensuous decoration and personal ornament, for all that is luxurious and enervating, and for a false and capricious variety in such supplies, which operates as a most deadly check to true industry and true art. As the priestess of the temple of consumption, as the limitless demander of things to use up, her
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