Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) 📕
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Daniel Deronda, published in 1876, was George Eliot’s last novel. It deals with two major characters whose lives intersect: One is a spoiled young woman named Gwendolen Harleth who makes an unwise marriage to escape impending poverty; the other is the titular character, Daniel Deronda, a wealthy young man who feels a mission to help the suffering.
During her childhood Gwendolen’s family was well-off. She lived in comfort and was indulged and pampered. But the family’s fortune is lost through an unwise investment, and she returns to a life of near-poverty, a change which she greatly resents both for herself and for her widowed mother. The only escape seems to be for her to marry a wealthy older man who has been courting her in a casual, unemotional way. The marriage turns out to be a terrible mistake.
Daniel Deronda has been raised by Sir Hugo Mallinger as his nephew, but Daniel has never discovered his true parentage, thinking it likely that he is Sir Hugo’s natural son. This consciousness of his probable illegitimacy moves him to kindness and tolerance towards anyone who is suffering from disadvantage. One evening, while rowing on the river Thames, he spots a young woman about to leap into the water to drown herself. He persuades her instead to come with him for shelter to a family he knows. The young woman turns out to be Jewish, and through his trying to help her find her lost family, Deronda comes into contact with Jewish culture—and in particular with a man named Mordecai, who has a passionate vision for the future of the Jewish race and who sees in Daniel a kindred spirit.
The paths that Gwendolen and Daniel follow intersect often, and Daniel’s kindly nature moves him to try to offer her comfort and advice in her moments of distress. Unsurprisingly, Gwendolen misinterprets Daniel’s attentions.
In Daniel Deronda Eliot demonstrates considerable sympathy towards the Jewish people, their culture, and their aspirations for a national homeland. At the time this was an unpopular and even controversial view. A foreword in this edition reproduces a letter Evans wrote to Harriet Beecher Stowe, defending her stance in this regard. Nevertheless, the novel was a success, and was translated almost immediately into German and Dutch. It is considered to have had a positive influence on Zionist thinkers.
Daniel Deronda has been adapted both for film and television, with the 2002 B.B.C. series winning several awards.
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- Author: George Eliot
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“What should you like to do?” said Rex, quite guilelessly, and in real anxiety.
“Oh, I don’t know!—go to the North Pole, or ride steeplechases, or go to be a queen in the East like Lady Hester Stanhope,” said Gwendolen, flightily. Her words were born on her lips, but she would have been at a loss to give an answer of deeper origin.
“You don’t mean you would never be married?”
“No; I didn’t say that. Only when I married, I should not do as other women do.”
“You might do just as you liked if you married a man who loved you more dearly than anything else in the world,” said Rex, who, poor youth, was moving in themes outside the curriculum in which he had promised to win distinction. “I know one who does.”
“Don’t talk of Mr. Middleton, for heaven’s sake,” said Gwendolen, hastily, a quick blush spreading over her face and neck; “that is Anna’s chant. I hear the hounds. Let us go on.”
She put her chestnut to a canter, and Rex had no choice but to follow her. Still he felt encouraged. Gwendolen was perfectly aware that her cousin was in love with her; but she had no idea that the matter was of any consequence, having never had the slightest visitation of painful love herself. She wished the small romance of Rex’s devotion to fill up the time of his stay at Pennicote, and to avoid explanations which would bring it to an untimely end. Besides, she objected, with a sort of physical repulsion, to being directly made love to. With all her imaginative delight in being adored, there was a certain fierceness of maidenhood in her.
But all other thoughts were soon lost for her in the excitement of the scene at the Three Barns. Several gentlemen of the hunt knew her, and she exchanged pleasant greetings. Rex could not get another word with her. The color, the stir of the field had taken possession of Gwendolen with a strength which was not due to habitual associations, for she had never yet ridden after the hounds—only said she should like to do it, and so drawn forth a prohibition; her mamma dreading the danger, and her uncle declaring that for his part he held that kind of violent exercise unseemly in a woman, and that whatever might be done in other parts of the country, no lady of good position followed the Wessex hunt: no one but Mrs. Gadsby, the yeomanry captain’s wife, who had been a kitchenmaid and still spoke like one. This last argument had some effect on Gwendolen, and had kept her halting between her desire to assert her freedom and her horror of being classed with Mrs. Gadsby.
Some of the most unexceptionable women in the neighborhood occasionally went to see the hounds throw off; but it happened that none of them were present this morning to abstain from following, while Mrs. Gadsby, with her doubtful antecedents, grammatical and otherwise, was not visible to make following seem unbecoming. Thus Gwendolen felt no check on the animal stimulus that came from the stir and tongue of the hounds, the pawing of the horses, the varying voices of men, the movement hither and thither of vivid color on the background of green and gray stillness:—that utmost excitement of the coming chase which consists in feeling something like a combination of dog and horse, with the superadded thrill of social vanities and consciousness of centaur-power which belongs to humankind.
Rex would have felt more of the same enjoyment if he could have kept nearer to Gwendolen, and not seen her constantly occupied with acquaintances, or looked at by would-be acquaintances, all on lively horses which veered about and swept the surrounding space as effectually as a revolving lever.
“Glad to see you here this fine morning, Miss Harleth,” said Lord Brackenshaw, a middle-aged peer of aristocratic seediness in stained pink, with easygoing manners which would have made the threatened deluge seem of no consequence. “We shall have a first-rate run. A pity you didn’t go with us. Have you ever tried your little chestnut at a ditch? you wouldn’t be afraid, eh?”
“Not the least in the world,” said Gwendolen. And that was true: she was never fearful in action and companionship. “I have often taken him at some rails and a ditch too, near—”
“Ah, by Jove!” said his lordship, quietly, in notation that something was happening which must break off the dialogue: and as he reined off his horse, Rex was bringing his sober hackney up to Gwendolen’s side when—the hounds gave tongue, and the whole field was in motion as if the whirl of the earth were carrying it; Gwendolen along with everything else; no word of notice to Rex, who without a second thought followed too. Could he let Gwendolen go alone? under other circumstances he would have enjoyed the run, but he was just now perturbed by the check which had been put on the impetus to utter his love, and get utterance in return, an impetus which could not at once resolve itself into a totally different sort of chase, at least with the consciousness of being on his father’s gray nag, a good horse enough in his way, but of sober years and ecclesiastical habits. Gwendolen on her spirited little chestnut was up with the best, and felt as secure as an immortal goddess, having, if she had thought of risk, a core of confidence that no ill luck would happen to her. But she thought of no such thing, and certainly not of any risk there might be for her cousin. If she had thought of him, it would have struck her as a droll picture that he should be gradually falling behind, and looking round in search of gates: a fine lithe youth, whose heart must be panting with all the spirit of a beagle, stuck as if under a wizard’s spell on a stiff clerical hackney, would have made her laugh with a sense of fun much
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