Bulfinch’s Mythology by Thomas Bulfinch (best ebook reader for chromebook TXT) 📕
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Thomas Bulfinch was an American banker and Latin scholar. Bulfinch’s Mythology is a posthumous compilation of three volumes published by Bulfinch during his lifetime which were intended to introduce the general reader to the myths and legends of Western Civilization by presenting them in simple prose with occasional commentary by the author. Bulfinch also includes many quotations showing how these stories have been handled by poets and playwrights of later years.
The three original volumes are The Age of Fable (1855), dealing largely with Greek and Roman mythology but also touching on the mythology of other cultures such as the Indian, Egyptian and Norse myths; The Age of Chivalry (1858), dealing with Arthurian legend, the Holy Grail and the Mabinogeon; and Legends of Charlemagne (1863), dealing with the fantastical legends surrounding Charlemagne and his “paladins” such as Orlando, Oliver and Rogero.
The combined volume entitled Bulfinch’s Mythology quickly became very popular, and by some accounts it is one of the most popular books ever published in the United States.
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- Author: Thomas Bulfinch
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Zerbino, furious at the death of his two comrades, ran upon Medoro, seized his golden hair, and dragged him forward to slay him. But the sight of so much youth and beauty commanded pity. He stayed his arm. The young man spoke in suppliant tones. “Ah! signor,” said he, “I conjure you by the God whom you serve, deprive me not of life until I shall have buried the body of the prince, my master. Fear not that I will ask you any other favor; life is not dear to me; I desire death as soon as I shall have performed this sacred duty. Do with me then as you please. Give my limbs a prey to the birds and beasts; only let me first bury my prince.” Medoro pronounced these words with an air so sweet and tender that a heart of stone would have been moved by them. Zerbino was so to the bottom of his soul. He was on the point of uttering words of mercy, when a cruel subaltern, forgetting all respect to his commander, plunged his lance into the breast of the young Moor. Zerbino, enraged at his brutality, turned upon the wretch to take vengeance, but he saved himself by a precipitate flight.
Cloridan, who saw Medoro fall, could contain himself no longer. He rushed from his concealment, threw down his bow, and, sword in hand, seemed only desirous of vengeance for Medoro, and to die with him. In a moment, pierced through and through with many wounds, he exerts the last remnant of his strength in dragging himself to Medoro, to die embracing him. The cavaliers left them thus to rejoin Zerbino, whose rage against the murderer of Medoro had drawn him away from the spot.
Cloridan died; and Medoro, bleeding copiously, was drawing near his end when help arrived.
A young maiden approached the fallen knights at this critical moment. Her dress was that of a peasant-girl, but her air was noble, and her beauty celestial; sweetness and goodness reigned in her lovely countenance. It was no other than Angelica, the Princess of Cathay.
When she had recovered that precious ring, as we have before related, Angelica, knowing its value, felt proud in the power it conferred, travelled alone without fear, not without a secret shame that she had ever been obliged to seek protection in her wanderings of the Count Orlando and of Sacripant. She reproached herself too as with a weakness that she had ever thought of marrying Rinaldo; in fine, her pride grew so high as to persuade her that no man living was worthy to aspire to her hand.
Moved with pity at the sight of the young man wounded, and melted to tears at hearing the cause, she quickly recalled to remembrance the knowledge she had acquired in India, where the virtues of plants and the art of healing formed part of the education even of princesses. The beautiful queen ran into the adjoining meadow to gather plants of virtue to staunch the flow of blood. Meeting on her way a countryman on horseback seeking a strayed heifer, she begged him to come to her assistance, and endeavor to remove the wounded man to a more secure asylum.
Angelica, having prepared the plants by bruising them between two stones, laid them with her fair hand on Medoro’s wound. The remedy soon restored in some degree the strength of the wounded man, who, before he would quit the spot, made them cover with earth and turf the bodies of his friend and of the prince. Then surrendering himself to the pity of his deliverers, he allowed them to place him on the horse of the shepherd, and conduct him to his cottage. It was a pleasant farmhouse on the borders of the wood, bearing marks of comfort and competency. There the shepherd lived with his wife and children. There Angelica tended Medoro, and there, by the devoted care of the beautiful queen, his sad wound closed over, and he recovered his perfect health.
O Count Rinaldo, O King Sacripant! what availed it you to possess so many virtues and such fame? What advantage have you derived from all your high deserts? O hapless king, great Agrican! if you could return to life, how would you endure to see yourself rejected by one who will bow to the yoke of Hymen in favor of a young soldier of humble birth? And thou, Ferrau, and ye numerous others who a hundred times have put your lives at hazard for this cruel beauty, how bitter will it be to you to see her sacrifice you all to the claims of the humble Medoro!
There, under the low roof of a shepherd, the flame of Hymen was lighted for this haughty queen. She takes the shepherd’s wife to serve in place of mother, the shepherd and his children for witnesses, and marries the happy Medoro.
Angelica, after her
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