Bulfinch’s Mythology by Thomas Bulfinch (best ebook reader for chromebook TXT) 📕
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Thomas Bulfinch was an American banker and Latin scholar. Bulfinch’s Mythology is a posthumous compilation of three volumes published by Bulfinch during his lifetime which were intended to introduce the general reader to the myths and legends of Western Civilization by presenting them in simple prose with occasional commentary by the author. Bulfinch also includes many quotations showing how these stories have been handled by poets and playwrights of later years.
The three original volumes are The Age of Fable (1855), dealing largely with Greek and Roman mythology but also touching on the mythology of other cultures such as the Indian, Egyptian and Norse myths; The Age of Chivalry (1858), dealing with Arthurian legend, the Holy Grail and the Mabinogeon; and Legends of Charlemagne (1863), dealing with the fantastical legends surrounding Charlemagne and his “paladins” such as Orlando, Oliver and Rogero.
The combined volume entitled Bulfinch’s Mythology quickly became very popular, and by some accounts it is one of the most popular books ever published in the United States.
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- Author: Thomas Bulfinch
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Orlando, on the loss of Angelica, laid aside his crest and arms, and arrayed himself in a suit of black armor expressive of his despair. In this guise he carried such slaughter among the ranks of the infidels that both armies were astonished at the achievements of the stranger knight. Mandricardo, who had been absent from the battle, heard the report of these achievements, and determined to test for himself the valor of the knight so extolled. He it was who broke in upon the conference of Zerbino and Isabella, and their benefactor Orlando, as they stood occupied in mutual felicitations, after the happy reunion of the lovers by the prowess of the paladin.
Mandricardo, after contemplating the group for a moment, addressed himself to Orlando in these words: “Thou must be the man I seek. For ten days and more I have been on thy track. The fame of thy exploits has brought me hither, that I may measure my strength with thine. Thy crest and shield prove thee the same who spread such slaughter among our troops. But these marks are superfluous, and if I saw thee among a hundred I should know thee by thy martial bearing to be the man I seek.”
“I respect thy courage,” said Orlando; “such a design could not have sprung up in any but a brave and generous soul. If the desire to see me has brought thee hither, I would, if it were possible, show thee my inmost soul. I will remove my visor, that you may satisfy your curiosity; but when you have done so I hope that you will also try and see if my valor corresponds to my appearance.”
“Come on,” said the Saracen, “my first wish was to see and know thee; I will not gratify my second.”
Orlando, observing Mandricardo, was surprised to see no sword at his side, nor mace at his saddlebow. “And what weapon hast thou,” said he, “if thy lance fail thee?”
“Do not concern yourself about that,” said Mandricardo; “I have made many good knights give ground with no other weapon than you see. Know that I have sworn an oath never to bear a sword until I win back that famous Durindana that Orlando, the paladin, carries. That sword belongs to the suit of armor which I wear; that only is wanting. Without doubt it was stolen, but how it got into the hands of Orlando I know not. But I will make him pay dearly for it when I find him. I seek him the more anxiously that I may avenge with his blood the death of King Agrican, my father, whom he treacherously slew. I am sure he must have done it by treachery, for it was not in his power to subdue in fair fight such a warrior as my father.”
“Thou liest,” cried Orlando; “and all who say so lie. I am Orlando, whom you seek; yes, I am he who slew your father honorably. Hold, here is the sword: you shall have it if your courage avails to merit it. Though it belongs to me by right, I will not use it in this dispute. See, I hang it on this tree; you shall be master of it, if you bereave me of life; not else.”
At these words Orlando drew Durindana, and hung it on one of the branches of a tree nearby.
Both knights, boiling with equal ardor, rode off in a semicircle; then rushed together with reins thrown loose, and struck one another with their lances. Both kept their seats, immovable. The splinters of their lances flew into the air, and no weapon remained for either but the fragment which he held in his hand. Then those two knights, covered with iron mail, were reduced to the necessity of fighting with staves, in the manner of two rustics, who dispute the boundary of a meadow, or the possession of a spring.
These clubs could not long keep whole in the hands of such sturdy smiters, who were soon reduced to fight with naked fists. Such warfare was more painful to him that gave than to him that received the blows. They next clasped, and strained each his adversary, as Hercules did Antaeus. Mandricardo, more enraged than Orlando, made violent efforts to unseat the paladin, and dropped the rein of his horse. Orlando, more calm, perceived it. With one hand he resisted Mandricardo, with the other he twitched the horse’s bridle over the ears of the animal. The Saracen dragged Orlando with all his might, but Orlando’s thighs held the saddle like a vise. At last the efforts of the Saracen broke the girths of Orlando’s horse; the saddle slipped; the knight, firm in his stirrups, slipped with it, and came to the ground hardly conscious of his fall. The noise of his armor in falling startled Mandricardo’s horse, now without a bridle. He started off in full career, heeding neither trees nor rocks nor broken ground. Urged by fright, he ran with furious speed, carrying his master, who, almost distracted with rage, shouted and beat the animal with his fists, and thereby impelled his flight. After running thus three miles or more, a deep ditch opposed their progress. The horse and rider fell headlong into it, and did not find the bottom covered with featherbeds
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