Bulfinch’s Mythology by Thomas Bulfinch (best ebook reader for chromebook TXT) 📕
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Thomas Bulfinch was an American banker and Latin scholar. Bulfinch’s Mythology is a posthumous compilation of three volumes published by Bulfinch during his lifetime which were intended to introduce the general reader to the myths and legends of Western Civilization by presenting them in simple prose with occasional commentary by the author. Bulfinch also includes many quotations showing how these stories have been handled by poets and playwrights of later years.
The three original volumes are The Age of Fable (1855), dealing largely with Greek and Roman mythology but also touching on the mythology of other cultures such as the Indian, Egyptian and Norse myths; The Age of Chivalry (1858), dealing with Arthurian legend, the Holy Grail and the Mabinogeon; and Legends of Charlemagne (1863), dealing with the fantastical legends surrounding Charlemagne and his “paladins” such as Orlando, Oliver and Rogero.
The combined volume entitled Bulfinch’s Mythology quickly became very popular, and by some accounts it is one of the most popular books ever published in the United States.
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- Author: Thomas Bulfinch
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When at last terror had scattered everything before him, he entered a cottage which was abandoned by its inhabitants, and there found that which served for food. His long fast had caused him to feel the most ravenous hunger. Seizing whatever he found that was eatable, whether roots, acorns, or bread, raw meat or cooked, he gorged it indiscriminately.
Issuing thence again, the frantic Orlando gave chase to whatever living thing he saw, whether men or animals. Sometimes he pursued the deer and hind, sometimes he attacked bears and wolves, and with his naked hands killed and tore them, and devoured their flesh.
Thus he wandered, from place to place, through France, imperilling his life a thousand ways, yet always preserved by some mysterious providence from a fatal result. But here we leave Orlando for a time, that we may record what befell Zerbino and Isabella after their parting with him.
The prince and his fair bride waited, by Orlando’s request, near the scene of the battle for three days, that, if Mandricardo should return, they might inform him where Orlando would give him another meeting. At the end of that time their anxiety to know the issue led them to follow Orlando’s traces, which led them at last to the wood where the trees were inscribed with the names of Angelica and Medoro. They remarked how all these inscriptions were defaced, and how the grotto was disordered, and the fountain clogged with rubbish. But that which surprised them and distressed them most of all was to find on the grass the cuirass of Orlando, and not far from it his helmet, the same which the renowned Almontes once wore.
Hearing a horse neigh in the forest, Zerbino turned his eyes in that direction, and saw Brigliadoro, with the bridle yet hanging at the saddlebow. He looked round for Durindana, and found that famous sword, without the scabbard, lying on the grass. He saw also the fragments of Orlando’s other arms and clothing scattered on all sides over the plain.
Zerbino and Isabella stood in astonishment and grief, not knowing what to think, but little imagining the true cause. If they had found any marks of blood on the arms or on the fragments of the clothing, they would have supposed him slain, but there were none. While they were in this painful uncertainty they saw a young peasant approach. He, not yet recovered from the terror of the scene, which he had witnessed from the top of a rock, told them the whole of the sad events.
Zerbino, with his eyes full of tears, carefully collected all the scattered arms. Isabella also dismounted to aid him in the sad duty. When they had collected all the pieces of that rich armor they hung them like a trophy on a pine; and to prevent their being violated by any passersby, Zerbino inscribed on the bark this caution: “These are the arms of the Paladin Orlando.”
Having finished this pious work, he remounted his horse, and just then a knight rode up, and requested Zerbino to tell him the meaning of the trophy. The prince related the facts as they had happened; and Mandricardo, for it was that Saracen knight, full of joy, rushed forward, and seized the sword, saying, “No one can censure me for what I do; this sword is mine; I can take my own wherever I find it. It is plain that Orlando, not daring to defend it against me, has counterfeited madness to excuse him in surrendering it.”
Zerbino vehemently exclaimed, “Touch not that sword. Think not to possess it without a contest. If it be true that the arms you wear are those of Hector, you must have got them by theft, and not by prowess.”
Immediately they attacked one another with the utmost fury. The air resounded with thick-falling blows. Zerbino, skilful and alert, evaded for a time with good success the strokes of Durindana; but at length a terrible blow struck him on the neck. He fell from his horse, and the Tartar king, possessed of the spoils of his victory, rode away.
Zerbino
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