The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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On his way to Green Street it occurred to Soames that he ought to go into Dumetrius’ in Suffolk Street about the possibility of the Bolderby Old Crome. Almost worth while to have fought the war to have the Bolderby Old Crome, as it were, in flux! Old Bolderby had died, his son and grandson had been killed—a cousin was coming into the estate, who meant to sell it, some said because of the condition of England, others said because he had asthma.
If Dumetrius once got hold of it the price would become prohibitive; it was necessary for Soames to find out whether Dumetrius had got it, before he tried to get it himself. He therefore confined himself to discussing with Dumetrius whether Monticellis would come again now that it was the fashion for a picture to be anything except a picture; and the future of Johns, with a sideslip into Buxton Knights. It was only when leaving that he added: “So they’re not selling the Bolderby Old Crome, after all?” In sheer pride of racial superiority, as he had calculated would be the case, Dumetrius replied:
“Oh! I shall get it, Mr. Forsyte, sir!”
The flutter of his eyelid fortified Soames in a resolution to write direct to the new Bolderby, suggesting that the only dignified way of dealing with an Old Crome was to avoid dealers. He therefore said, “Well, good day!” and went, leaving Dumetrius the wiser.
At Green Street he found that Fleur was out and would be all the evening; she was staying one more night in London. He cabbed on dejectedly, and caught his train.
He reached his house about six o’clock. The air was heavy, midges biting, thunder about. Taking his letters he went up to his dressing-room to cleanse himself of London.
An uninteresting post. A receipt, a bill for purchases on behalf of Fleur. A circular about an exhibition of etchings. A letter beginning:
“Sir,
“I feel it my duty …”
That would be an appeal or something unpleasant. He looked at once for the signature. There was none! Incredulously he turned the page over and examined each corner. Not being a public man, Soames had never yet had an anonymous letter, and his first impulse was to tear it up, as a dangerous thing; his second to read it, as a thing still more dangerous.
“Sir,
“I feel it my duty to inform you that having no interest in the matter your lady is carrying on with a foreigner—”
Reaching that word Soames stopped mechanically and examined the postmark. So far as he could pierce the impenetrable disguise in which the Post Office had wrapped it, there was something with a “sea” at the end and a “t” in it. Chelsea? No! Battersea? Perhaps! He read on.
“These foreigners are all the same. Sack the lot. This one meets your lady twice a week. I know it of my own knowledge—and to see an Englishman put on goes against the grain. You watch it and see if what I say isn’t true. I shouldn’t meddle if it wasn’t a dirty foreigner that’s in it. Yours obedient.”
The sensation with which Soames dropped the letter was similar to that he would have had entering his bedroom and finding it full of black-beetles. The meanness of anonymity gave a shuddering obscenity to the moment. And the worst of it was that this shadow had been at the back of his mind ever since the Sunday evening when Fleur had pointed down at Prosper Profond strolling on the lawn, and said: “Prowling cat!” Had he not in connection therewith, this very day, perused his Will and Marriage Settlement? And now this anonymous ruffian, with nothing to gain, apparently, save the venting of his spite against foreigners, had wrenched it out of the obscurity in which he had hoped and wished it would remain. To have such knowledge forced on him, at his time of life, about Fleur’s mother! He picked the letter up from the carpet, tore it across, and then, when it hung together by just the fold at the back, stopped tearing, and reread it. He was taking at that moment one of
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