The Divine Comedy by Dante Alighieri (13 inch ebook reader .txt) 📕
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Dante Alighieri’s Divine Comedy is considered one of the greatest works in world literature, and it established the standardized Italian language that is used today. Writing between 1308 and 1320, Dante draws from countless subjects including Roman Catholic theology and philosophy, the struggle between the papacy and the Holy Roman Empire, Greek mythology, and geocentric cosmology to answer the age-old question: what does the afterlife look like? Dante’s vision of the answer, this three-volume epic poem, describes in great detail the systematic levels in Hell, Purgatory, and Heaven.
The poem opens with Dante’s death—not his actual death that would come shortly after his work’s completion, but his fictional death—where the author is found wandering in a dark forest. Blocked from climbing towards the bright light by a she-wolf, a leopard, and a lion, he is forced to walk further into the darkened valley and towards the gates of Hell. Dante and his guides must then travel through the nine circles of Hell, seven terraces of Purgatory, and nine spheres of Heaven to experience divine justice for earthly sins so that he may reach the Empyrean and receive God’s love. On his journey, he will learn that one must be consciously devoted to the path of morality and righteousness, else one find oneself on a path towards sin.
This production is based on Henry Wadsworth Longfellow’s blank verse translation. Longfellow succeeds in capturing the original brilliance of Dante’s internal rhymes and hypnotic patterns while also retaining accuracy. It is said that the death of his young wife brought him closer to the melancholy spirit of Dante’s writing, which itself was shaped by his wounding exile from his beloved Florence in 1302.
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- Author: Dante Alighieri
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Simifonte, a village near Certaldo. It was captured by the Florentines, and made part of their territory, in 1202. ↩
In the valley of the Ombrone, east of Pistoia, are still to be seen the ruins of Montemurlo, once owned by the Counts Guidi, and by them sold to the Florentines in 1203, because they could not defend it against the Pistoians. ↩
The Pivier d’ Acone, or parish of Acone, is in the Val di Sieve, or Valley of the Sieve, one of the affluents of the Arno. Here the powerful family of the Cerchi had their castle of Monte di Croce, which was taken and destroyed by the Florentines in 1053, and the Cerchi and others came to live in Florence, where they became the leaders of the Parte Bianca. See Note 95. ↩
The Buondelmonti were a wealthy and powerful family of Valdigrieve, or Valley of the Grieve, which, like the Sieve, is an affluent of the Arno. They too, like the Cerchi, came to Florence, when their lands were taken by the Florentines, and were in a certain sense the cause of Guelf and Ghibelline quarrels in the city. See Note 137. ↩
The downfall of a great city is more swift and terrible than that of a smaller one; or, as Venturi interprets, “The size of the body and greater robustness of strength in a city and state are not helpful, but injurious to their preservation, unless men live in peace and without the blindness of the passions, and Florence, more poor and humble, would have flourished longer.”
Perhaps the best commentary of all is that contained in the two lines of Chaucer’s Troilus and Cresseide, II 1385—aptly quoted by Mr. Gary:—
“For swifter course cometh thing that is of wight,
Whan it descendeth, than done thinges light.”
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In this line we have in brief Dante’s political faith, which is given in detail in his treatise “De Monarchia.” ↩
Luni, an old Etruscan city in the Lunigiana; and Urbisaglia, a Roman city in the Marca d’ Ancona. ↩
Chiusi is in the Sienese territory, and Sinigaglia on the Adriatic, east of Rome. This latter place has somewhat revived since Dante’s time. ↩
Boccaccio seems to have caught something of the spirit of this canto, when, lamenting the desolation of Florence by the plague in 1348, he says in the Introduction to the Decameron:—
“How many vast palaces, how many beautiful houses, how many noble dwellings, aforetime filled with lords and ladies and trains of servants, were now untenanted even by the lowest menial! How many memorable families, how many ample heritages, how many renowned possessions, were left without an heir! How many valiant men, how many beautiful women, how many gentle youths, breakfasted in the morning with their relatives, companions, and friends, and, when the evening came, supped with their ancestors in the other world!”
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Lowell, “To the Past”:—
“Still as a city buried neath the sea,
Thy courts and temples stand;
Idle as forms on wind-waved tapestry
Of saints and heroes grand,
Thy phantasms grope and shiver,
Or watch the loose shores crumbling silently
Into Time’s gnawing river.”
“Our fathers,” says Sir Thomas Browne, Urn Burial, V, “find their graves in our short memories, and sadly tell us how we may be buried in our survivors. Gravestones tell truth scarce forty years. Generations pass while some trees stand, and old families last not three oaks. … Oblivion is not to be hired. The greater part must be content to be as though they had not been, to be found in the register of God, not in the record of man. Twenty-seven names make up the first story, and the recorded names ever since contain not one living century. The number of the dead long exceedeth all that shall live. The night of time far surpasseth the day; and who knows when was the equinox? Every hour adds unto that current arithmetic, which scarce stands one moment.” ↩
Shirley, “Death’s Final Conquest”:—
“The glories of our birth and state
Are shadows, not substantial things;
There is no armor against Fate;
Death lays his icy hand on kings;
Sceptre and crown
Must tumble down,
And in the dust be equal made
With the poor crooked scythe and spade.”
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The lives of men are too short for them to measure the decay of things around them. ↩
It would be an unprofitable task to repeat in notes the names of these
“Great Florentines
Of whom the fame is hidden in the Past,”
and who flourished in the days of Cacciaguida and the Emperor Conrad. It will be better to follow Villani, as he points out with a sigh their dwellings in the old town, and laments over their decay. In his Cronica, Book IV, he speaks as follows:—
“Ch. X. As already mentioned, the first rebuilding of Little Florence was divided by Quarters, that is, by four gates; and that we may the better make known the noble races and houses, which in those times, after Fiesole was destroyed, were great and powerful in Florence, we will enumerate them by the quarters where they lived.
“And first those
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