The Divine Comedy by Dante Alighieri (13 inch ebook reader .txt) π
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Dante Alighieriβs Divine Comedy is considered one of the greatest works in world literature, and it established the standardized Italian language that is used today. Writing between 1308 and 1320, Dante draws from countless subjects including Roman Catholic theology and philosophy, the struggle between the papacy and the Holy Roman Empire, Greek mythology, and geocentric cosmology to answer the age-old question: what does the afterlife look like? Danteβs vision of the answer, this three-volume epic poem, describes in great detail the systematic levels in Hell, Purgatory, and Heaven.
The poem opens with Danteβs deathβnot his actual death that would come shortly after his workβs completion, but his fictional deathβwhere the author is found wandering in a dark forest. Blocked from climbing towards the bright light by a she-wolf, a leopard, and a lion, he is forced to walk further into the darkened valley and towards the gates of Hell. Dante and his guides must then travel through the nine circles of Hell, seven terraces of Purgatory, and nine spheres of Heaven to experience divine justice for earthly sins so that he may reach the Empyrean and receive Godβs love. On his journey, he will learn that one must be consciously devoted to the path of morality and righteousness, else one find oneself on a path towards sin.
This production is based on Henry Wadsworth Longfellowβs blank verse translation. Longfellow succeeds in capturing the original brilliance of Danteβs internal rhymes and hypnotic patterns while also retaining accuracy. It is said that the death of his young wife brought him closer to the melancholy spirit of Danteβs writing, which itself was shaped by his wounding exile from his beloved Florence in 1302.
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- Author: Dante Alighieri
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βCh. XI. In the quarter of Porta San Piero were the Bisdomini, who, as above mentioned, were custodians of the bishopric; and the Alberighi, to whom belonged the church of Santa Maria Alberighi, of the house of the Donati, and now they are naught. The Rovignani were very great, and lived at the Porta San Pietro; and then came the houses of the Counts Guidi, and then of the Cerchi, and from them in the female line were born all the Counts Guidi, as before mentioned, of the daughter of good Messer Bellincion Berti; in our day all this race is extinct. The Galligari and Chiarmontesi and Ardinghi, who lived in the Orto San Michele, were very ancient; and so were the Giuochi, who now are popolani, living at Santa Margherita; the Elisei, who likewise are now popolani, living near the Mercato Vecchio. And in that place lived the Caponsacchi, who were nobles of Fiesole; the Donati, or Calfucci, for they were all one race, but the Calfucci are extinct; and the Delia Bella of San Martino, also become popolani; and the Adimari, who descended from the house of Cosi, who now live at Porta Rossa, and who built Santa Maria Nipotecosa; and although they are now the principal family of that ward of Florence, in those days they were not of the oldest.
βCh. XII. At the Porta San Pancrazio, of great rank and power were the Lamberti, descended from the Della Magna; the Ughi were very ancient, and built Santa Maria Ughi, and all the hill of Montughi belonged to them, and now they have died out; the Catellini were very ancient, and now they are forgotten. It is said that the Tieri were illegitimate descendants of theirs. The Pigli were great and noble in those times, and the Soldanieri and Vecchietti. Very ancient were the Dellβ Area, and now they are extinct; and the Migliorelli, who now are naught; and the Trinciavelli da Mosciano were very ancient.
βCh. XIII. In the quarter of Porta Santa Maria, which is now in the ward of San Piero Scheraggio and of Borgo, there were many powerful and ancient families. The greatest were the Uberti, whose ancestors were the Della Magna, and who lived where now stand the Piazza deβ Priori and the Palazzo del Popolo; the Fifanti, called Bogolesi, lived at the corner of Porta Santa Maria; the Galli, Cappiardi, Guidi, and Filippi, who now are nothing, were then great and powerful, and lived in the Mercato Nuovo. Likewise the Greci, to whom all the Borgo deβ Greci belonged, have now perished and passed away, except some of the race in Bologna; and the Ormanni, who lived where now stands the forementioned Palazzo del Popolo, and are now called Foraboschi. And behind San Piero Scheraggio, where are now the houses of the Petri, lived the Delia Pera, or Peruzza, and from them the postern gate there was called Porta Peruzza. Some say that the Peruzzi of the present day are of that family, but I do not affirm it. The Sacchetti, who lived in the Garbo, were very ancient; around the Mercato Nuovo the Bostichi were great people, and the Delia Sanella, and Giandonati and Infangati; great in Borgo Santi Apostoli were the Gualterotti and Importuni, who now are popolani. The Buondelmonti were noble and ancient citizens in the rural districts, and Montebuoni was their castle, and many others in Valdigrieve; at first they lived in Oltrarno, and then came to the Borgo. The Pulci, and the Counts of Gangalandi, Ciuffagni, and Nerli of Oltrarno were at one time great and powerful, together with the Giandonati and Della Bella, named above; and from the Marquis Hugo, who built the Abbey, or Badia, of Florence, received arms and knighthood, for they were very great around him.β
To the better understanding of this extract from Villani, it must be borne in mind that, at the time when he wrote, the population of Florence was divided into three classes, the Nobles, the Popolani, or middle class, and the Plebeians. β©
Gianni del Soldanier is put among the traitors βwith Ganellon and Tebaldello,β Inferno XXXII 121. β©
The Cerchi, who lived near the Porta San Piero, and produced dissension in the city with their White and Black factions;β βsuch a cargo, that it must be thrown overboard to save the ship. See Note 95. β©
The County Guido, for Count Guido, as in Shakespeare the County Paris and County Palatine, and in the old song in Scottβs Quentin Durward:β β
βAh, County Guy, the hour is nigh,
The sun has left the lea.β
β©
Bellincion Berti. See Canto XV 112,
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