The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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He heard a sound behind him, and saw that his wife and daughter had come in.
“So you’re back!” he said.
Fleur did not answer; she stood for a moment looking at him and her mother, then passed into her bedroom. Annette poured herself out a cup of tea.
“I am going to Paris, to my mother, Soames.”
“Oh! To your mother?”
“Yes.”
“For how long?”
“I do not know.”
“And when are you going?”
“On Monday.”
Was she really going to her mother? Odd, how indifferent he felt! Odd, how clearly she had perceived the indifference he would feel so long as there was no scandal. And suddenly between her and himself he saw distinctly the face he had seen that afternoon—Irene’s.
“Will you want money?”
“Thank you; I have enough.”
“Very well. Let us know when you are coming back.”
Annette put down the cake she was fingering, and, looking up through darkened lashes, said:
“Shall I give Maman any message?”
“My regards.”
Annette stretched herself, her hands on her waist, and said in French:
“What luck that you have never loved me, Soames!” Then rising, she too left the room. Soames was glad she had spoken it in French—it seemed to require no dealing with. Again that other face—pale, dark-eyed, beautiful still! And there stirred far down within him the ghost of warmth, as from sparks lingering beneath a mound of flaky ash. And Fleur infatuated with her boy! Queer chance! Yet, was there such a thing as chance? A man went down a street, a brick fell on his head. Ah! that was chance, no doubt. But this! “Inherited,” his girl had said. She—she was “holding on”!
Part III I Old Jolyon WalksTwofold impulse had made Jolyon say to his wife at breakfast: “Let’s go up to Lord’s!”
“Wanted”—something to abate the anxiety in which those two had lived during the sixty hours since Jon had brought Fleur down. “Wanted”—too, that which might assuage the pangs of memory in one who knew he might lose them any day!
Fifty-eight years ago Jolyon had become an Eton boy, for old Jolyon’s whim had been that he should be canonised at the greatest possible expense. Year after year he had gone to Lord’s from Stanhope Gate with a father whose youth in the eighteen-twenties had been passed without polish in the game of cricket. Old Jolyon would speak quite openly of swipes, full tosses, half and three-quarter balls; and young Jolyon with the guileless snobbery of youth had trembled lest his sire should be overheard. Only in this supreme matter of cricket he had been nervous, for his father—in Crimean whiskers then—had ever impressed him as the beau ideal. Though never canonised himself, Old Jolyon’s natural fastidiousness and balance had saved him from the errors of the vulgar. How delicious, after bowling in a top hat and a sweltering heat, to go home with his father in a hansom cab, bathe, dress, and forth to the Disunion Club, to dine off white bait, cutlets, and a tart, and go—two “swells,” old and young, in lavender kid gloves—to the opera or play. And on Sunday, when the match was over, and his top hat duly broken, down with his father in a special hansom to the Crown and Sceptre, and the terrace above the river—the golden sixties when the world was simple, dandies glamorous, Democracy not born, and the books of Whyte-Melville coming thick and fast.
A generation later, with his own boy, Jolly, Harrow-buttonholed with cornflowers—by old Jolyon’s whim his grandson had been canonised at a trifle less expense—again Jolyon had experienced the heat and counter-passions of the day, and come back to the cool and the strawberry beds of Robin Hill, and billiards after dinner, his boy making the most heartbreaking flukes and trying to seem languid and grown-up. Those two days each year he and his son had been alone together in the world, one on each side—and Democracy just born!
And so, he had unearthed a grey top hat, borrowed a tiny bit of light-blue ribbon from Irene, and gingerly, keeping cool, by car and train and taxi, had reached Lord’s Ground. There, beside her in a lawn-coloured frock with narrow black edges, he had watched the game, and felt the old thrill stir within him.
When Soames passed, the day was spoiled. Irene’s face was distorted by compression of the lips. No good to go on sitting here with Soames or perhaps his daughter recurring in front of them, like decimals. And he said:
“Well, dear, if you’ve had enough—let’s go!”
That evening Jolyon felt exhausted. Not wanting her to see him thus, he waited till she had begun to play, and stole off to the little study. He opened the long window for air, and the door, that he might still hear her music drifting in; and, settled in his father’s old armchair, closed his eyes, with his head against the worn brown leather. Like that passage of the Cesar Franck Sonata—so had been his life with her, a divine third movement. And now this business of Jon’s—this bad business! Drifted to the edge of consciousness, he hardly knew if it were in sleep that he smelled the scent of a cigar, and seemed to see his father in the blackness before his closed eyes. That shape formed, went, and formed again; as if in the very chair where he himself was sitting, he saw his father, black-coated, with knees crossed, glasses balanced between thumb
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