The Forsyte Saga by John Galsworthy (acx book reading txt) đ
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyteâthe scion of a nouveau-riche London tea merchantâhis wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves inâboth of their own making, and of the making of society around themâprovide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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âYou love Mother, Dad; you must know what we feel. It isnât fair to us to let old things spoil our happiness, is it?â
Brought face to face with his confession, Jolyon resolved to do without it if by any means he could. He laid his hand on the boyâs arm.
âLook, Jon! I might put you off with talk about your both being too young and not knowing your own minds, and all that, but you wouldnât listen, besides, it doesnât meet the caseâ âYouth, unfortunately, cures itself. You talk lightly about âold things like that,â knowing nothingâ âas you say trulyâ âof what happened. Now, have I ever given you reason to doubt my love for you, or my word?â
At a less anxious moment he might have been amused by the conflict his words arousedâ âthe boyâs eager clasp, to reassure him on these points, the dread on his face of what that reassurance would bring forth; but he could only feel grateful for the squeeze.
âVery well, you can believe what I tell you. If you donât give up this love affair, you will make Mother wretched to the end of her days. Believe me, my dear, the past, whatever it was, canât be buriedâ âit canât indeed.â
Jon got off the arm of the chair.
âThe girlââ âthought Jolyonâ ââthere she goesâ âstarting up before himâ âlife itselfâ âeager, pretty, loving!â
âI canât, Father; how can Iâ âjust because you say that? Of course, I canât!â
âJon, if you knew the story you would give this up without hesitation; you would have to! Canât you believe me?â
âHow can you tell what I should think? Father, I love her better than anything in the world.â
Jolyonâs face twitched, and he said with painful slowness:
âBetter than your mother, Jon?â
From the boyâs face, and his clenched fists Jolyon realised the stress and struggle he was going through.
âI donât know,â he burst out, âI donât know! But to give Fleur up for nothingâ âfor something I donât understand, for something that I donât believe can really matter half so much, will make meâ âmake me.â ââ âŠâ
âMake you feel us unjust, put a barrierâ âyes. But thatâs better than going on with this.â
âI canât. Fleur loves me, and I love her. You want me to trust you; why donât you trust me, Father? We wouldnât want to know anythingâ âwe wouldnât let it make any difference. Itâll only make us both love you and Mother all the more.â
Jolyon put his hand into his breast pocket, but brought it out again empty, and sat, clucking his tongue against his teeth.
âThink what your motherâs been to you, Jon! She has nothing but you; I shanât last much longer.â
âWhy not? It isnât fair toâ âWhy not?â
âWell,â said Jolyon, rather coldly, âbecause the doctors tell me I shanât; thatâs all.â
âOh, Dad!â cried Jon, and burst into tears.
This downbreak of his son, whom he had not seen cry since he was ten, moved Jolyon terribly. He recognised to the full how fearfully soft the boyâs heart was, how much he would suffer in this business, and in life generally. And he reached out his hand helplesslyâ ânot wishing, indeed not daring to get up.
âDear man,â he said, âdonâtâ âor youâll make me!â
Jon smothered down his paroxysm, and stood with face averted, very still.
âWhat now?â thought Jolyon. âWhat can I say to move him?â
âBy the way, donât speak of that to Mother,â he said; âshe has enough to frighten her with this affair of yours. I know how you feel. But, Jon, you know her and me well enough to be sure we wouldnât wish to spoil your happiness lightly. Why, my dear boy, we donât care for anything but your happinessâ âat least, with me itâs just yours and Motherâs and with her just yours. Itâs all the future for you both thatâs at stake.â
Jon turned. His face was deadly pale; his eyes, deep in his head, seemed to burn.
âWhat is it? What is it? Donât keep me like this!â
Jolyon, who knew that he was beaten, thrust his hand again into his breast pocket, and sat for a full minute, breathing with difficulty, his eyes closed. The thought passed through his mind: âIâve had a good long inningsâ âsome pretty bitter momentsâ âthis is the worst!â Then he brought his hand out with the letter, and said with a sort of fatigue: âWell, Jon, if you hadnât come today, I was going to send you this. I wanted to spare youâ âI wanted to spare your mother and myself, but I see itâs no good. Read it, and I think Iâll go into the garden.â He reached forward to get up.
Jon, who had taken the letter, said quickly, âNo, Iâll goâ; and was gone.
Jolyon sank back in his chair. A bluebottle chose that moment to come buzzing round him with a sort of fury; the sound was homely, better than nothing.â ââ ⊠Where had the boy gone to read his letter? The wretched letterâ âthe wretched story! A cruel businessâ âcruel to herâ âto Soamesâ âto those two childrenâ âto himself!â ââ ⊠His heart thumped and pained him. Lifeâ âits lovesâ âits workâ âits beautyâ âits aching, andâ âits end! A good time; a fine time in spite of all; untilâ âyou regretted that you had ever been born. Lifeâ âit wore you down, yet did not make you want to dieâ âthat was the cunning evil! Mistake to have a heart! Again the bluebottle came buzzingâ âbringing in all the heat and hum and scent of summerâ âyes, even the scentâ âas of ripe fruits, dried grasses, sappy shrubs, and the vanilla breath of cows. And out there somewhere in the fragrance Jon would be reading that letter, turning and twisting its pages in his trouble, his bewilderment and troubleâ âbreaking his heart about it! The thought made Jolyon acutely miserable. Jon was such a tenderhearted chap, affectionate to his bones, and conscientious, tooâ âit was so unfair, so damned unfair! He remembered Irene saying to him once: âNever was anyone born more loving and lovable than Jon.â Poor little Jon! His world gone up the spout, all of a summer afternoon! Youth took things so
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