Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyteāthe scion of a nouveau-riche London tea merchantāhis wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves ināboth of their own making, and of the making of society around themāprovide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
mother, and you are very young, without experience of what life is. To go on with the story. After three years of effort to subdue her shrinkingā āI was going to say her loathing and itās not too strong a word, for shrinking soon becomes loathing under such circumstancesā āthree years of what to a sensitive, beauty-loving nature like your motherās, Jon, was torment, she met a young man who fell in love with her. He was the architect of this very house that we live in now, he was building it for her and Fleurās father to live in, a new prison to hold her, in place of the one she inhabited with him in London. Perhaps that fact played some part in what came of it. But in any case she, too, fell in love with him. I know itās not necessary to explain to you that one does not precisely choose with whom one will fall in love. It comes. Very well! It came. I can imagineā āthough she never said much to me about itā āthe struggle that then took place in her, because, Jon, she was brought up strictly and was not light in her ideasā ānot at all. However, this was an overwhelming feeling, and it came to pass that they loved in deed as well as in thought. Then came a fearful tragedy. I must tell you of it because if I donāt you will never understand the real situation that you have now to face. The man whom she had marriedā āSoames Forsyte, the father of Fleur one night, at the height of her passion for this young man, forcibly reasserted his rights over her. The next day she met her lover and told him of it. Whether he committed suicide or whether he was accidentally run over in his distraction, we never knew; but so it was. Think of your mother as she was that evening when she heard of his death. I happened to see her. Your grandfather sent me to help her if I could. I only just saw her, before the door was shut against me by her husband. But I have never forgotten her face, I can see it now. I was not in love with her then, not for twelve years after, but I have never forgotten. My dear boyā āit is not easy to write like this. But you see, I must. Your mother is wrapped up in you, utterly, devotedly. I donāt wish to write harshly of Soames Forsyte. I donāt think harshly of him. I have long been sorry for him; perhaps I was sorry even then. As the world judges she was in error, he within his rights. He loved herā āin his way. She was his property. That is the view he holds of lifeā āof human feelings and heartsā āproperty. Itās not his faultā āso was he born. To me it is a view that has always been abhorrentā āso was I born! Knowing you as I do, I feel it cannot be otherwise than abhorrent to you. Let me go on with the story. Your mother fled from his house that night; for twelve years she lived quietly alone without companionship of any sort, until in 1899 her husbandā āyou see, he was still her husband, for he did not attempt to divorce her, and she of course had no right to divorce himā ābecame conscious, it seems, of the want of children, and commenced a long attempt to induce her to go back to him and give him a child. I was her trustee then, under your Grandfatherās will, and I watched this going on. While watching, I became attached to her, devotedly attached. His pressure increased, till one day she came to me here and practically put herself under my protection. Her husband, who was kept informed of all her movements, attempted to force us apart by bringing a divorce suit, or possibly he really meant it, I donāt know; but anyway our names were publicly joined. That decided us, and we became united in fact. She was divorced, married me, and you were born. We have lived in perfect happiness, at least I have, and I believe your mother also. Soames, soon after the divorce, married Fleurās mother, and she was born. That is the story, Jon. I have told it you, because by the affection which we see you have formed for this manās daughter you are blindly moving toward what must utterly destroy your motherās happiness, if not your own. I donāt wish to speak of myself, because at my age thereās no use supposing I shall cumber the ground much longer, besides, what I should suffer would be mainly on her account, and on yours. But what I want you to realise is that feelings of horror and aversion such as those can never be buried or forgotten. They are alive in her today. Only yesterday at Lordās we happened to see Soames Forsyte. Her face, if you had seen it, would have convinced you. The idea that you should marry his daughter is a nightmare to her, Jon. I have nothing to say against Fleur save that she is his daughter. But your children, if you married her, would be the grandchildren of Soames, as much as of your mother, of a man who once owned your mother as a man might own a slave. Think what that would mean. By such a marriage you enter the camp which held your mother prisoner and wherein she ate her heart out. You are just on the threshold of life, you have only known this girl two months, and however deeply you think you love her, I appeal to you to break it off at once. Donāt give your mother this rankling pain and humiliation during the rest of her life. Young though she will always seem to me, she is fifty-seven. Except for us two she has no one in the world. She will soon have only
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