Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) 📕
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Daniel Deronda, published in 1876, was George Eliot’s last novel. It deals with two major characters whose lives intersect: One is a spoiled young woman named Gwendolen Harleth who makes an unwise marriage to escape impending poverty; the other is the titular character, Daniel Deronda, a wealthy young man who feels a mission to help the suffering.
During her childhood Gwendolen’s family was well-off. She lived in comfort and was indulged and pampered. But the family’s fortune is lost through an unwise investment, and she returns to a life of near-poverty, a change which she greatly resents both for herself and for her widowed mother. The only escape seems to be for her to marry a wealthy older man who has been courting her in a casual, unemotional way. The marriage turns out to be a terrible mistake.
Daniel Deronda has been raised by Sir Hugo Mallinger as his nephew, but Daniel has never discovered his true parentage, thinking it likely that he is Sir Hugo’s natural son. This consciousness of his probable illegitimacy moves him to kindness and tolerance towards anyone who is suffering from disadvantage. One evening, while rowing on the river Thames, he spots a young woman about to leap into the water to drown herself. He persuades her instead to come with him for shelter to a family he knows. The young woman turns out to be Jewish, and through his trying to help her find her lost family, Deronda comes into contact with Jewish culture—and in particular with a man named Mordecai, who has a passionate vision for the future of the Jewish race and who sees in Daniel a kindred spirit.
The paths that Gwendolen and Daniel follow intersect often, and Daniel’s kindly nature moves him to try to offer her comfort and advice in her moments of distress. Unsurprisingly, Gwendolen misinterprets Daniel’s attentions.
In Daniel Deronda Eliot demonstrates considerable sympathy towards the Jewish people, their culture, and their aspirations for a national homeland. At the time this was an unpopular and even controversial view. A foreword in this edition reproduces a letter Evans wrote to Harriet Beecher Stowe, defending her stance in this regard. Nevertheless, the novel was a success, and was translated almost immediately into German and Dutch. It is considered to have had a positive influence on Zionist thinkers.
Daniel Deronda has been adapted both for film and television, with the 2002 B.B.C. series winning several awards.
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- Author: George Eliot
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However, he sent the note to Deronda’s chambers, and it found him there.
LXVO, welcome, pure-eyed Faith, white-handed Hope,
Thou hovering angel, girt with golden wings!
Deronda did not obey Gwendolen’s new summons without some agitation. Not his vanity, but his keen sympathy made him susceptible to the danger that another’s heart might feel larger demands on him than he would be able to fulfill; and it was no longer a matter of argument with him, but of penetrating consciousness, that Gwendolen’s soul clung to his with a passionate need. We do not argue the existence of the anger or the scorn that thrills through us in a voice; we simply feel it, and it admits of no disproof. Deronda felt this woman’s destiny hanging on his over a precipice of despair. Anyone who knows him cannot wonder at his inward confession, that if all this had happened little more than a year ago, he would hardly have asked himself whether he loved her; the impetuous determining impulse which would have moved him would have been to save her from sorrow, to shelter her life forevermore from the dangers of loneliness, and carry out to the last the rescue he had begun in that monitory redemption of the necklace. But now, love and duty had thrown other bonds around him, and that impulse could no longer determine his life; still, it was present in him as a compassionate yearning, a painful quivering at the very imagination of having again and again to meet the appeal of her eyes and words. The very strength of the bond, the certainty of the resolve, that kept him asunder from her, made him gaze at her lot apart with the more aching pity.
He awaited her coming in the back drawing-room—part of that white and crimson space where they had sat together at the musical party, where Gwendolen had said for the first time that her lot depended on his not forsaking her, and her appeal had seemed to melt into the melodic cry—Per pietà non dirmi addio. But the melody had come from Mirah’s dear voice.
Deronda walked about this room, which he had for years known by heart, with a strange sense of metamorphosis in his own life. The familiar objects around him, from Lady Mallinger’s gently smiling portrait to the also human and urbane faces of the lions on the pilasters of the chimneypiece, seemed almost to belong to a previous state of existence which he was revisiting in memory only, not in reality; so deep and transforming had been the impressions he had lately experienced, so new were the conditions under which he found himself in the house he had been accustomed to think of as a home—standing with his hat in his hand awaiting the entrance of a young creature whose life had also been undergoing a transformation—a tragic transformation toward a wavering result, in which he felt with apprehensiveness that his own action was still bound up.
But Gwendolen was come in, looking changed; not only by her mourning dress, but by a more satisfied quietude of expression than he had seen in her face at Genoa. Her satisfaction was that Deronda was there; but there was no smile between them as they met and clasped hands; each was full of remembrance—full of anxious prevision. She said, “It was good of you to come. Let us sit down,” immediately seating herself in the nearest chair. He placed himself opposite to her.
“I asked you to come because I want you to tell me what I ought to do,” she began, at once. “Don’t be afraid of telling me what you think is right, because it seems hard. I have made up my mind to do it. I was afraid once of being poor; I could not bear to think of being under other people; and that was why I did something—why I married. I have borne worse things now. I think I could bear to be poor, if you think I ought. Do you know about my husband’s will?”
“Yes, Sir Hugo told me,” said Deronda, already guessing the question she had to ask.
“Ought I to take anything he has left me? I will tell you what I have been thinking,” said Gwendolen, with a more nervous eagerness. “Perhaps you may not quite know that I really did think a good deal about my mother when I married. I was selfish, but I did love her, and feel about her poverty; and what comforted me most at first, when I was miserable, was her being better off because I had married. The thing that would be hardest to me now would be to see her in poverty again; and I have been thinking that if I took enough to provide for her, and no more—nothing for myself—it would not be wrong; for I was very precious to my mother—and he took me from her—and he meant—and if she had known—”
Gwendolen broke off. She had been preparing herself for this interview by thinking of hardly anything else than this question of right toward her mother; but the question had carried with it thoughts and reasons which it was impossible for her to utter, and these perilous remembrances swarmed between her words, making her speech more and more agitated and tremulous. She looked down helplessly at her hands, now unladen of all rings except her wedding-ring.
“Do not hurt yourself by speaking of that,” said Deronda, tenderly. “There is no need; the case is very simple. I think I can hardly judge wrongly about it. You consult me because I am the only person to whom you have confided the most painful part of your experience: and I can understand your scruples.” He did not go on immediately, waiting for her to recover herself. The silence seemed to Gwendolen full of the tenderness that she heard in his
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