Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) 📕
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Daniel Deronda, published in 1876, was George Eliot’s last novel. It deals with two major characters whose lives intersect: One is a spoiled young woman named Gwendolen Harleth who makes an unwise marriage to escape impending poverty; the other is the titular character, Daniel Deronda, a wealthy young man who feels a mission to help the suffering.
During her childhood Gwendolen’s family was well-off. She lived in comfort and was indulged and pampered. But the family’s fortune is lost through an unwise investment, and she returns to a life of near-poverty, a change which she greatly resents both for herself and for her widowed mother. The only escape seems to be for her to marry a wealthy older man who has been courting her in a casual, unemotional way. The marriage turns out to be a terrible mistake.
Daniel Deronda has been raised by Sir Hugo Mallinger as his nephew, but Daniel has never discovered his true parentage, thinking it likely that he is Sir Hugo’s natural son. This consciousness of his probable illegitimacy moves him to kindness and tolerance towards anyone who is suffering from disadvantage. One evening, while rowing on the river Thames, he spots a young woman about to leap into the water to drown herself. He persuades her instead to come with him for shelter to a family he knows. The young woman turns out to be Jewish, and through his trying to help her find her lost family, Deronda comes into contact with Jewish culture—and in particular with a man named Mordecai, who has a passionate vision for the future of the Jewish race and who sees in Daniel a kindred spirit.
The paths that Gwendolen and Daniel follow intersect often, and Daniel’s kindly nature moves him to try to offer her comfort and advice in her moments of distress. Unsurprisingly, Gwendolen misinterprets Daniel’s attentions.
In Daniel Deronda Eliot demonstrates considerable sympathy towards the Jewish people, their culture, and their aspirations for a national homeland. At the time this was an unpopular and even controversial view. A foreword in this edition reproduces a letter Evans wrote to Harriet Beecher Stowe, defending her stance in this regard. Nevertheless, the novel was a success, and was translated almost immediately into German and Dutch. It is considered to have had a positive influence on Zionist thinkers.
Daniel Deronda has been adapted both for film and television, with the 2002 B.B.C. series winning several awards.
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- Author: George Eliot
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Deronda advanced and put out his hand, saying, “I must not weary you.”
She was startled by the sense that he was going, and put her hand in his, still without speaking.
“You look ill yet—unlike yourself,” he added, while he held her hand.
“I can’t sleep much,” she answered, with some return of her dispirited manner. “Things repeat themselves in me so. They come back—they will all come back,” she ended, shudderingly, a chill fear threatening her.
“By degrees they will be less insistent,” said Deronda. He could not drop her hand or move away from her abruptly.
“Sir Hugo says he shall come to stay at Diplow,” said Gwendolen, snatching at previously intended words which had slipped away from her. “You will come too.”
“Probably,” said Deronda, and then feeling that the word was cold, he added, correctively, “Yes, I shall come,” and then released her hand, with the final friendly pressure of one who has virtually said goodbye.
“And not again here, before I leave town?” said Gwendolen, with timid sadness, looking as pallid as ever.
What could Deronda say? “If I can be of any use—if you wish me—certainly I will.”
“I must wish it,” said Gwendolen, impetuously; “you know I must wish it. What strength have I? Who else is there?” Again a sob was rising.
Deronda felt a pang, which showed itself in his face. He looked miserable as he said, “I will certainly come.”
Gwendolen perceived the change in his face; but the intense relief of expecting him to come again could not give way to any other feeling, and there was a recovery of the inspired hope and courage in her.
“Don’t be unhappy about me,” she said, in a tone of affectionate assurance. “I shall remember your words—every one of them. I shall remember what you believe about me; I shall try.”
She looked at him firmly, and put out her hand again as if she had forgotten what had passed since those words of his which she promised to remember. But there was no approach to a smile on her lips. She had never smiled since her husband’s death. When she stood still and in silence, she looked like a melancholy statue of the Gwendolen whose laughter had once been so ready when others were grave.
It is only by remembering the searching anguish which had changed the aspect of the world for her that we can understand her behavior to Deronda—the unreflecting openness, nay, the importunate pleading, with which she expressed her dependence on him. Considerations such as would have filled the minds of indifferent spectators could not occur to her, any more than if flames had been mounting around her, and she had flung herself into his open arms and clung about his neck that he might carry her into safety. She identified him with the struggling regenerative process in her which had begun with his action. Is it any wonder that she saw her own necessity reflected in his feeling? She was in that state of unconscious reliance and expectation which is a common experience with us when we are preoccupied with our own trouble or our own purposes. We diffuse our feeling over others, and count on their acting from our motives. Her imagination had not been turned to a future union with Deronda by any other than the spiritual tie which had been continually strengthening; but also it had not been turned toward a future separation from him. Lovemaking and marriage—how could they now be the imagery in which poor Gwendolen’s deepest attachment could spontaneously clothe itself? Mighty Love had laid his hand upon her; but what had he demanded of her? Acceptance of rebuke—the hard task of self-change—confession—endurance. If she cried toward him, what then? She cried as the child cries whose little feet have fallen backward—cried to be taken by the hand, lest she should lose herself.
The cry pierced Deronda. What position could have been more difficult for a man full of tenderness, yet with clear foresight? He was the only creature who knew the real nature of Gwendolen’s trouble: to withdraw himself from any appeal of hers would be to consign her to a dangerous loneliness. He could not reconcile himself to the cruelty of apparently rejecting her dependence on him; and yet in the nearer or farther distance he saw a coming wrench, which all present strengthening of their bond would make the harder.
He was obliged to risk that. He went once and again to Park Lane before Gwendolen left; but their interviews were in the presence of Mrs. Davilow, and were therefore less agitating. Gwendolen, since she had determined to accept her income, had conceived a project which she liked to speak of: it was to place her mother and sisters with herself in Offendene again, and, as she said, piece back her life unto that time when they first went there, and when everything was happiness about her, only she did not know it. The idea had been mentioned to Sir Hugo, who was going to exert himself about the letting of Gadsmere for a rent which would more than pay the rent of Offendene. All this was told to Deronda, who willingly dwelt on a subject that seemed to give some soothing occupation to Gwendolen. He said nothing and she asked nothing, of what chiefly occupied himself. Her mind
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