The Divine Comedy by Dante Alighieri (13 inch ebook reader .txt) 📕
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Dante Alighieri’s Divine Comedy is considered one of the greatest works in world literature, and it established the standardized Italian language that is used today. Writing between 1308 and 1320, Dante draws from countless subjects including Roman Catholic theology and philosophy, the struggle between the papacy and the Holy Roman Empire, Greek mythology, and geocentric cosmology to answer the age-old question: what does the afterlife look like? Dante’s vision of the answer, this three-volume epic poem, describes in great detail the systematic levels in Hell, Purgatory, and Heaven.
The poem opens with Dante’s death—not his actual death that would come shortly after his work’s completion, but his fictional death—where the author is found wandering in a dark forest. Blocked from climbing towards the bright light by a she-wolf, a leopard, and a lion, he is forced to walk further into the darkened valley and towards the gates of Hell. Dante and his guides must then travel through the nine circles of Hell, seven terraces of Purgatory, and nine spheres of Heaven to experience divine justice for earthly sins so that he may reach the Empyrean and receive God’s love. On his journey, he will learn that one must be consciously devoted to the path of morality and righteousness, else one find oneself on a path towards sin.
This production is based on Henry Wadsworth Longfellow’s blank verse translation. Longfellow succeeds in capturing the original brilliance of Dante’s internal rhymes and hypnotic patterns while also retaining accuracy. It is said that the death of his young wife brought him closer to the melancholy spirit of Dante’s writing, which itself was shaped by his wounding exile from his beloved Florence in 1302.
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- Author: Dante Alighieri
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Pope Boniface VIII, a native of Alagna, now Anagni. See Note 270, and Note 925.
Dante has already his punishment prepared. He is to be thrust head downward into a narrow hole in the rock of Malebolge, and to be driven down still lower when Clement V shall follow him. ↩
The White Rose of Paradise. ↩
Iliad, II 86, Anon. Tr.:—
“And the troops thronged together, as swarms of crowding bees, which come ever in fresh numbers from the hollow rock, and fly in clusters over the vernal flowers, and thickly some fly in this direction, and some in that.”
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The nymph Callisto, or Helice, was changed by Jupiter into the constellation of the Great Bear, and her son into that of the Little Bear. See Note 1036. ↩
Rome and her superb edifices, before the removal of the Papal See to Avignon. ↩
Speaking of Petrarch’s visit to Rome, Mr. Norton, Travel and Study Italy, p. 288, says:—
“The great church of St. John Lateran, ‘the mother and head of all the churches of the city and the world,’—mater urbis et orbis—had been almost destroyed by fire, with its adjoining palace, and the houses of the canons, on the Eve of St. John, in 1308. The palace and the canons houses were rebuilt not long after; but at the time of Petrarch’s latest visit to Rome, and for years afterward, the church was without a roof, and its walls were ruinous. The poet addressed three at least of the Popes at Avignon with urgent appeals that this disgrace should no longer be permitted—but the Popes gave no heed to his words; for the ruin of Roman churches, or of Rome itself, was a matter of little concern to these Transalpine prelates.”
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From the highest regions of the air to the lowest depth of the sea. ↩
St. Bernard, the great Abbot of Clairvaux, the “Doctor Mellifluus” of the Church, and preacher of the disastrous Second Crusade, was born of noble parents in the village of Fontaine, near Dijon, in Burgundy, in the year 1190. After studying at Paris, at the age of twenty he entered the Benedictine monastery of Citeaux; and when, five years later, this monastery had become overcrowded with monks, he was sent out to found a new one.
Mrs. Jameson, Legends of the Monastic Orders, p. 149, says:—
“The manner of going forth on these occasions was strikingly characteristic of the age;—the abbot chose twelve monks, representing the twelve Apostles, and placed at their head a leader, representing Jesus Christ, who, with a cross in his hand, went before them. The gates of the convent opened—then closed behind them—and they wandered into the wide world, trusting in God to show them their destined abode.
“Bernard led his followers to a wilderness, called the Valley of Wormwood, and there, at his biding, arose the since renowned abbey of Clairvaux. They felled the trees, built themselves huts, tilled and sowed the ground, and changed the whole face of the country round; till that which had been a dismal solitude, the resort of wolves and robbers, became a land of vines and corn, rich, populous, and prosperous.”
This incident forms the subject of one of Murillo’s most famous paintings, and is suggestive of the saint’s intense devotion to the Virgin, which Dante expresses in this line.
Mr. Vaughan, Hours with the Mystics, I 145, gives the following sketch of St. Bernard:—
“With Bernard the monastic life is the one thing needful. He began life by drawing after him into the convent all his kindred; sweeping them one by one from the high seas of the world with the irresistible vortex of his own religious fervor. His incessant cry for Europe is, Better monasteries, and more of them. Let these ecclesiastical castles multiply; let them cover and command the land, well garrisoned with men of God, and then, despite all heresy and schism, theocracy will flourish, the earth shall yield her increase, and all people praise the Lord. Who so wise as Bernard to win souls for Christ, that is to say, recruits for the cloister? With what eloquence he paints the raptures of contemplation, the vanity and sin of earthly ambition or of earthly love!
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