The Haunted Bookshop by Christopher Morley (parable of the sower read online TXT) 📕
Description
“This shop is haunted” reads the sign on the front of the bookshop; not by the ghost of a person from the past, but by the ghosts of all great literature which haunt all libraries and bookstores.
The owner of the bookshop is so focused on his books that he cannot see the unusual things that are going on in his shop. It takes a young advertising salesman who is seeking new business and the daughter of a rich client who has been sent to earn a living for herself in the bookshop to discover the plot that’s brewing amongst the bookshelves.
The Haunted Bookshop is a gentle mystery story which is full of wonderful literary references. It is set in the aftermath of the First World War before the Paris Peace Conference took place in an age where the “Lost and Found” columns are the place to look for significant information.
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- Author: Christopher Morley
Read book online «The Haunted Bookshop by Christopher Morley (parable of the sower read online TXT) 📕». Author - Christopher Morley
Mrs. Mifflin had pity on him. “We’ve left Mr. Mifflin to look after the shop,” she said. “He’s busy with some of his old crony customers. Why don’t you come with us to the movies?”
“Yes, do,” said Titania. “It’s Mr. and Mrs. Sidney Drew, you know how adorable they are!”
No one needs to be told how quickly Aubrey assented. Pleasure coincided with duty in that the outer wing of the party placed him next to Titania.
“Well, how do you like bookselling?” he asked.
“Oh, it’s the greatest fun!” she cried. “But it’ll take me ever and ever so long to learn about all the books. People ask such questions! A woman came in this afternoon looking for a copy of Blasé Tales. How was I to know she wanted The Blazed Trail?”
“You’ll get used to that,” said Mrs. Mifflin. “Just a minute, people, I want to stop in at the drug store.”
They went into Weintraub’s pharmacy. Entranced as he was by the proximity of Miss Chapman, Aubrey noticed that the druggist eyed him rather queerly. And being of a noticing habit, he also observed that when Weintraub had occasion to write out a label for a box of powdered alum Mrs. Mifflin was buying, he did so with a pale violet ink.
At the glass sentry-box in front of the theatre Aubrey insisted on buying the tickets.
“We came out right after supper,” said Titania as they entered, “so as to get in before the crowd.”
It is not so easy, however, to get ahead of Brooklyn movie fans. They had to stand for several minutes in a packed lobby while a stern young man held the waiting crowd in check with a velvet rope. Aubrey sustained delightful spasms of the protective instinct in trying to shelter Titania from buffets and pushings. Unknown to her, his arm extended behind her like an iron rod to absorb the onward impulses of the eager throng. A rustling groan ran through these enthusiasts as they saw the preliminary footage of the great Tarzan flash onto the screen, and realized they were missing something. At last, however, the trio got through the barrier and found three seats well in front, at one side. From this angle the flying pictures were strangely distorted, but Aubrey did not mind.
“Isn’t it lucky I got here when I did,” whispered Titania. “Mr. Mifflin has just had a telephone call from Philadelphia asking him to go over on Monday to make an estimate on a library that’s going to be sold so I’ll be able to look after the shop for him while he’s gone.”
“Is that so?” said Aubrey. “Well, now, I’ve got to be in Brooklyn on Monday, on business. Maybe Mrs. Mifflin would let me come in and buy some books from you.”
“Customers always welcome,” said Mrs. Mifflin.
“I’ve taken a fancy to that Cromwell book,” said Aubrey. “What do you suppose Mr. Mifflin would sell it for?”
“I think that book must be valuable,” said Titania. “Somebody came in this afternoon and wanted to buy it, but Mr. Mifflin wouldn’t part with it. He says it’s one of his favourites. Gracious, what a weird film this is!”
The fantastic absurdities of Tarzan proceeded on the screen, tearing celluloid passions to tatters, but Aubrey found the strong man of the jungle coming almost too close to his own imperious instincts. Was not he, too—he thought naively—a poor Tarzan of the advertising jungle, lost among the elephants and alligators of commerce, and sighing for this dainty and unattainable vision of girlhood that had burst upon his burning gaze! He stole a perilous side-glance at her profile, and saw the racing flicker of the screen reflected in tiny spangles of light that danced in her eyes. He was even so unknowing as to imagine that she was not aware of his contemplation. And then the lights went up.
“What nonsense, wasn’t it?” said Titania. “I’m so glad it’s over! I was quite afraid one of those elephants would walk off the screen and tread on us.”
“I never can understand,” said Helen, “why they don’t film some of the really good books—think of Frank Stockton’s stuff, how delightful that would be. Can’t you imagine Mr. and Mrs. Drew playing in Rudder Grange!”
“Thank goodness!” said Titania. “Since I entered the book business, that’s the first time anybody’s mentioned a book that I’ve read. Yes—do you remember when Pomona and Jonas visit an insane asylum on their honeymoon? Do you know, you and Mr. Mifflin remind me a little of Mr. and Mrs. Drew.”
Helen and Aubrey chuckled at this innocent correlation of ideas. Then the organ began to play “O How I Hate To Get Up in the Morning” and the ever-delightful Mr. and Mrs. Drew appeared on the screen in one of their domestic comedies. Lovers of the movies may well date a new screen era from the day those whimsical pantomimers set their wholesome and humane talent at the service of the arc light and the lens. Aubrey felt a serene and intimate pleasure in watching them from a seat beside Titania. He knew that the breakfast table scene shadowed before them was only a makeshift section of lath propped up in some barnlike motion picture studio; yet his rocketing fancy imagined it as some arcadian suburb where he and Titania, by a jugglery of benign fate, were bungalowed together. Young men have a pioneering imagination: it is doubtful whether any young Orlando ever found himself side by side with Rosalind without dreaming himself wedded to her. If men die a thousand deaths before this mortal coil is shuffled, even so surely do youths contract a thousand marriages before they go to the City Hall for a license.
Aubrey remembered the opera glasses, which were still in his pocket, and brought them out. The trio amused themselves by watching Sidney Drew’s face through the magnifying lenses. They were disappointed in the result, however, as the pictures, when so enlarged, revealed all the cobweb of fine cracks on the film. Mr. Drew’s nose, the most amusing feature
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