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held between two terms, but in fact this is not always the case. Some relations demand three terms, some four, and so on. Take, for instance, the relation “between.” So long as only two terms come in, the relation “between” is impossible: three terms are the smallest number that render it possible. York is between London and Edinburgh; but if London and Edinburgh were the only places in the world, there could be nothing which was between one place and another. Similarly “jealousy” requires three people: there can be no such relation that does not involve three at least. Such a proposition as “A wishes B to promote C’s marriage with D” involves a relation of four terms; that is to say, A and B and C and D all come in, and the relation involved cannot be expressed otherwise than in a form involving all four. Instances might be multiplied indefinitely, but enough has been said to show that there are relations which require more than two terms before they can occur.

The relation involved in “judging” or “believing” must, if falsehood is to be duly allowed for, be taken to be a relation between several terms, not between two. When Othello believes that Desdemona loves Cassio, he must not have before his mind a single object, “Desdemona’s love for Cassio,” or “that Desdemona loves Cassio,” for that would require that there should be objective falsehoods, which subsist independently of any minds; and this, though not logically refutable, is a theory to be avoided if possible. Thus it is easier to account for falsehood if we take judgement to be a relation in which the mind and the various objects concerned all occur severally; that is to say, Desdemona and loving and Cassio must all be terms in the relation which subsists when Othello believes that Desdemona loves Cassio. This relation, therefore, is a relation of four terms, since Othello also is one of the terms of the relation. When we say that it is a relation of four terms, we do not mean that Othello has a certain relation to Desdemona, and has the same relation to loving and also to Cassio. This may be true of some other relation than believing; but believing, plainly, is not a relation which Othello has to each of the three terms concerned, but to all of them together: there is only one example of the relation of believing involved, but this one example knits together four terms. Thus the actual occurrence, at the moment when Othello is entertaining his belief, is that the relation called “believing” is knitting together into one complex whole the four terms Othello, Desdemona, loving, and Cassio. What is called belief or judgement is nothing but this relation of believing or judging, which relates a mind to several things other than itself. An act of belief or of judgement is the occurrence between certain terms at some particular time, of the relation of believing or judging.

We are now in a position to understand what it is that distinguishes a true judgement from a false one. For this purpose we will adopt certain definitions. In every act of judgement there is a mind which judges, and there are terms concerning which it judges. We will call the mind the “subject” in the judgement, and the remaining terms the “objects.” Thus, when Othello judges that Desdemona loves Cassio, Othello is the subject, while the objects are Desdemona and loving and Cassio. The subject and the objects together are called the “constituents” of the judgement. It will be observed that the relation of judging has what is called a “sense” or “direction.” We may say, metaphorically, that it puts its objects in a certain “order,” which we may indicate by means of the order of the words in the sentence. (In an inflected language, the same thing will be indicated by inflections, e.g. by the difference between nominative and accusative.) Othello’s judgement that Cassio loves Desdemona differs from his judgement that Desdemona loves Cassio, in spite of the fact that it consists of the same constituents, because the relation of judging places the constituents in a different order in the two cases. Similarly, if Cassio judges that Desdemona loves Othello, the constituents of the judgement are still the same, but their order is different. This property of having a “sense” or “direction” is one which the relation of judging shares with all other relations. The “sense” of relations is the ultimate source of order and series and a host of mathematical concepts; but we need not concern ourselves further with this aspect.

We spoke of the relation called “judging” or “believing” as knitting together into one complex whole the subject and the objects. In this respect, judging is exactly like every other relation. Whenever a relation holds between two or more terms, it unites the terms into a complex whole. If Othello loves Desdemona, there is such a complex whole as “Othello’s love for Desdemona.” The terms united by the relation may be themselves complex, or may be simple, but the whole which results from their being united must be complex. Wherever there is a relation which relates certain terms, there is a complex object formed of the union of those terms; and conversely, wherever there is a complex object, there is a relation which relates its constituents. When an act of believing occurs, there is a complex, in which “believing” is the uniting relation, and subject and objects are arranged in a certain order by the “sense” of the relation of believing. Among the objects, as we saw in considering “Othello believes that Desdemona loves Cassio,” one must be a relation⁠—in this instance, the relation “loving.” But this relation, as it occurs in the act of believing, is not the relation which creates the unity of the complex whole consisting of the subject and the objects. The relation “loving,” as it occurs in the act of believing, is one of

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