Tess of the d’Urbervilles by Thomas Hardy (readict TXT) 📕
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Tess of the d’Urbervilles is said to be Thomas Hardy’s fictional masterpiece and is considered to be an important nineteenth century novel. It explores themes of love, sex, class and morality in an aching love story.
It initially appeared in a censored, serialised version in The Graphic in 1891 and was published in a single volume the following year. Early reviews were mixed, partly because of its challenge to Victorian sexual morals—it is now looked upon much more favorably.
Tess Durbeyfield is the oldest child of uneducated peasants who are given the impression that they may have noble blood, as their surname is a corruption of that of an extinct Norman family. When Tess participates in the village May Dance, she meets Angel, who stops to join the dance but notices Tess too late to dance with her. That night, Tess’s father gets too drunk to drive to the market, so she undertakes the journey herself. However, she falls asleep at the reins, and the family’s only horse encounters a speeding wagon and is fatally wounded. Tess feels so guilty over the consequences for the family that she agrees to try to claim kin with a rich widow who lives in a neighbouring town. The story traces Tess’s life through the following years.
The novel has been adapted for the stage, theatre, opera, cinema and television numerous times since its publication.
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- Author: Thomas Hardy
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Her face had latterly changed with changing states of mind, continually fluctuating between beauty and ordinariness, according as the thoughts were gay or grave. One day she was pink and flawless; another pale and tragical. When she was pink she was feeling less than when pale; her more perfect beauty accorded with her less elevated mood; her more intense mood with her less perfect beauty. It was her best face physically that was now set against the south wind.
The irresistible, universal, automatic tendency to find sweet pleasure somewhere, which pervades all life, from the meanest to the highest, had at length mastered Tess. Being even now only a young woman of twenty, one who mentally and sentimentally had not finished growing, it was impossible that any event should have left upon her an impression that was not in time capable of transmutation.
And thus her spirits, and her thankfulness, and her hopes, rose higher and higher. She tried several ballads, but found them inadequate; till, recollecting the psalter that her eyes had so often wandered over of a Sunday morning before she had eaten of the tree of knowledge, she chanted:
O ye Sun and Moon …
O ye Stars …
ye Green Things upon the Earth …
ye Fowls of the Air …
Beasts and Cattle …
Children of Men …
bless ye the Lord, praise Him and magnify Him forever!
She suddenly stopped and murmured: “But perhaps I don’t quite know the Lord as yet.”
And probably the half-unconscious rhapsody was a Fetishistic utterance in a Monotheistic setting; women whose chief companions are the forms and forces of outdoor Nature retain in their souls far more of the Pagan fantasy of their remote forefathers than of the systematized religion taught their race at later date. However, Tess found at least approximate expression for her feelings in the old Benedicite that she had lisped from infancy; and it was enough. Such high contentment with such a slight initial performance as that of having started towards a means of independent living was a part of the Durbeyfield temperament. Tess really wished to walk uprightly, while her father did nothing of the kind; but she resembled him in being content with immediate and small achievements, and in having no mind for laborious effort towards such petty social advancement as could alone be effected by a family so heavily handicapped as the once powerful d’Urbervilles were now.
There was, it might be said, the energy of her mother’s unexpended family, as well as the natural energy of Tess’s years, rekindled after the experience which had so overwhelmed her for the time. Let the truth be told—women do as a rule live through such humiliations, and regain their spirits, and again look about them with an interested eye. While there’s life there’s hope is a conviction not so entirely unknown to the “betrayed” as some amiable theorists would have us believe.
Tess Durbeyfield, then, in good heart, and full of zest for life, descended the Egdon slopes lower and lower towards the dairy of her pilgrimage.
The marked difference, in the final particular, between the rival vales now showed itself. The secret of Blackmoor was best discovered from the heights around; to read aright the valley before her it was necessary to descend into its midst. When Tess had accomplished this feat she found herself to be standing on a carpeted level, which stretched to the east and west as far as the eye could reach.
The river had stolen from the higher tracts and brought in particles to the vale all this horizontal land; and now, exhausted, aged, and attenuated, lay serpentining along through the midst of its former spoils.
Not quite sure of her direction, Tess stood still upon the hemmed expanse of verdant flatness, like a fly on a billiard-table of indefinite length, and of no more consequence to the surroundings than that fly. The sole effect of her presence upon the placid valley so far had been to excite the mind of a solitary heron, which, after descending to the ground not far from her path, stood with neck erect, looking at her.
Suddenly there arose from all parts of the lowland a prolonged and repeated call—“Waow! waow! waow!”
From the furthest east to the furthest west the cries spread as if by contagion, accompanied in some cases by the barking of a dog. It was not the expression of the valley’s consciousness that beautiful Tess had arrived, but the ordinary announcement of milking-time—half-past four o’clock, when the dairymen set about getting in the cows.
The red and white herd nearest at hand, which had been phlegmatically waiting for the call, now trooped towards the steading in the background, their great bags of milk swinging under them as they walked. Tess followed slowly in their rear, and entered the barton by the open gate through which they had entered before her. Long thatched sheds stretched round the enclosure, their slopes encrusted with vivid green moss, and their eaves supported by wooden posts rubbed to a glossy smoothness by the flanks of infinite cows and calves of bygone years, now passed to an oblivion almost inconceivable in its profundity. Between the post were ranged the milchers, each exhibiting herself at the present moment to a whimsical eye in the rear as a circle on two stalks, down the centre of which a switch moved pendulum-wise; while the sun, lowering itself behind this patient row, threw their shadows accurately inwards upon the wall. Thus it threw shadows of these obscure and homely figures every evening with as much care over each contour as if it had been the profile of a court beauty on a palace wall; copied them as diligently as it had copied Olympian shapes on marble façades long ago, or the outline of Alexander, Caesar, and the Pharaohs.
They were the less restful cows that were stalled. Those that would stand still of their own will were milked in the middle of the
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