Sartor Resartus by Thomas Carlyle (the reading list book .TXT) 📕
Description
Sartor Resartus was a strange and new book when it was first published in 1833, and in many ways it remains a strange and new book today. The bulk of the novel takes the form of the a commentary on the life and works of the fictional Diogenes Teufelsdröckh, a sort of renaissance-man German philosopher who develops a “Philosophy of Clothes.” The commentary is composed by a fictional English commentator, known only as the “Editor”; the Editor claims to have translated many of Teufelsdröckh’s ideas and quotes from German. As the commentary progresses, the Editor receives a bag of paper scraps on which are written various autobiographical fragments from Teufelsdröckh’s life. The Editor’s attempts to organize and interpret these scraps forms the second part of the novel.
The work is multi-faceted: sometimes a parody, sometimes a comedy, sometimes a satire, and sometimes seriously philosophical. Some critics consider it an early existentialist text. At the very least its unique structure and use of meta-narrative is hugely influential to modern literature; Borges was said to have memorized entire pages, and modern texts like Nabokov’s Pale Fire borrow liberally from the concept of a meta-narrative organized on scraps of paper.
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- Author: Thomas Carlyle
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It appears, in this otherwise so happy meeting, there talked one “Philistine”; who even now, to the general weariness, was dominantly pouring-forth Philistinism (Philistriositäten); little witting what hero was here entering to demolish him! We omit the series of Socratic, or rather Diogenic utterances, not unhappy in their way, whereby the monster, “persuaded into silence,” seems soon after to have withdrawn for the night. “Of which dialectic marauder,” writes our hero, “the discomfiture was visibly felt as a benefit by most: but what were all applauses to the glad smile, threatening every moment to become a laugh, wherewith Blumine herself repaid the victor? He ventured to address her, she answered with attention: nay what if there were a slight tremor in that silver voice; what if the red glow of evening were hiding a transient blush!
“The conversation took a higher tone, one fine thought called forth another: it was one of those rare seasons, when the soul expands with full freedom, and man feels himself brought near to man. Gaily in light, graceful abandonment, the friendly talk played round that circle; for the burden was rolled from every heart; the barriers of Ceremony, which are indeed the laws of polite living, had melted as into vapour; and the poor claims of Me and Thee, no longer parted by rigid fences, now flowed softly into one another; and Life lay all harmonious, many-tinted, like some fair royal champaign, the sovereign and owner of which were Love only. Such music springs from kind hearts, in a kind environment of place and time. And yet as the light grew more aërial on the mountain-tops, and the shadows fell longer over the valley, some faint tone of sadness may have breathed through the heart; and, in whispers more or less audible, reminded everyone that as this bright day was drawing towards its close, so likewise must the Day of Man’s Existence decline into dust and darkness; and with all its sick toilings, and joyful and mournful noises sink in the still Eternity.
“To our Friend the hours seemed moments; holy was he and happy: the words from those sweetest lips came over him like dew on thirsty grass; all better feelings in his soul seemed to whisper: It is good for us to be here. At parting, the Blumine’s hand was in his: in the balmy twilight, with the kind stars above them, he spoke something of meeting again, which was not contradicted; he pressed gently those small soft fingers, and it seemed as if they were not hastily, not angrily withdrawn.”
Poor Teufelsdröckh! it is clear to demonstration thou art smit: the Queen of Hearts would see a “man of genius” also sigh for her; and there, by art-magic, in that preternatural hour, has she bound and spellbound thee. “Love is not altogether a Delirium,” says he elsewhere; “yet has it many points in common therewith. I call it rather a discerning of the Infinite in the Finite, of the Idea made Real; which discerning again may be either true or false, either seraphic or demoniac, Inspiration or Insanity. But in the former case too, as in common Madness, it is Fantasy that superadds itself to sight; on the so petty domain of the Actual plants its Archimedes-lever, whereby to move at will the infinite Spiritual. Fantasy I might call the true Heaven-gate and Hell-gate of man: his sensuous life is but the small temporary stage (Zeitbühne), whereon thick-streaming influences from both these far yet near regions meet visibly, and act tragedy and melodrama. Sense can support herself handsomely, in most countries, for some eighteenpence a day; but for Fantasy planets and solar-systems will not suffice. Witness your Pyrrhus conquering the world, yet drinking no better red wine than he had before.” Alas! witness also your Diogenes, flame-clad, scaling the upper Heaven, and verging towards Insanity, for prize of a “high-souled Brunette,” as if the earth held but one and not several of these!
He says that, in Town, they met again: “day after day, like his heart’s sun, the blooming Blumine shone on him. Ah! a little while ago, and he was yet in all darkness; him what Graceful (Holde) would ever love? Disbelieving all things, the poor youth had never learned to believe in himself. Withdrawn, in proud timidity, within his own fastnesses; solitary from men, yet baited by night-spectres enough, he saw himself, with a sad indignation, constrained to renounce the fairest hopes of existence. And now, O now! ‘She looks on thee,’ cried he: ‘she the fairest, noblest; do not her dark eyes tell thee, thou art not despised? The Heaven’s-Messenger! All Heaven’s blessings be hers!’ Thus did soft melodies flow through his heart; tones of an infinite gratitude; sweetest intimations that he also was a man, that for him also unutterable joys had been provided.
“In free speech, earnest or gay, amid lambent
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